TrueJoshNight Truly Dreadful Film

Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

Adeel Hail Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

Mathilde the Guild Although I seem to have had higher expectations than I thought, the movie is super entertaining.

zkonedog Over the years, there has been so much media (in all formats) given to the James Bond saga that one would think it would be difficult to approach the matter from a new, fresh perspective. However, that is EXACTLY what "Everything or Nothing" manages to do by focusing on the creative talent behind the creation of Bond.Basically, this documentary tells the "Bond story" from the perspective of those who created the books and films:-It begins with much exposition on Ian Fleming, the book author, and what inspired him to create such an iconic character.-Then, it focuses on the beginning of the films and how the Broccoli/Saltzman relationship became such a dynamite pairing that rocketed the franchise to stardom.-The rest of the show explains how the Bond movies changed over the years due to the ever- changing relationships of the power players behind the scenes.As a huge Bond fan, I very much enjoyed this documentary for its ability to pull back the curtain on the creative side of Bond, exposing some stories I had not heard before and some casting/creative decisions about the franchise that now make a bit more sense once the "backstage" stuff is known.If you are just looking for a "Bond highlight reel", you might be disappointed here. But, if you want some great interviews and all the "dirt" on the creators, this will completely suck you in!

Don Clayton For the dedicated 007 fan, I recommend adding this movie to your Bond collection. I always enjoy a good behind the scenes documentary, especially all the human drama and minutia involved in making Hollywood magic. I have to say as far as movie making documentaries, this one's the best so far. This is a brilliant and methodical collection of interviews and news clips covering the Bond saga from 1962 to 2012's Skyfall. Going far beyond the special features that accompany the DVD/Blu-Ray collections, there are many fresh revelations of the decisions, relationships, litigations, collaborations, betrayals, controversies, successes, and failures that went into the creative processes of Fleming, Broccoli, Saltzman, and many other talents who framed the Bond mythology. The movie begins with an intro from our newest Bond Commander, Daniel Craig. It seems a fitting choice to begin the 50-year anniversary tell all as he grew up with Bond. The interviews include super villains as well. Beginning with Christopher Lee, The Man with the Golden Gun 1973, it's revealed (to me at least) that he's a "distant cousin" of the late Ian Fleming. I'm glad he's still with us to share his knowledge of Ian's real-life WWII Naval Intelligence experiences which was the impetus for the Bond character development. Interviews are not just for the Hollywood elite either. The film makers include the surviving siblings, children, associates, and friends who, in my mind, contribute greatly to the Bond perspective. As the film progresses to interviews with the actors who played Bond, many new facts are revealed in a "he said, she said" style and old facts re-confirmed as well. For example, the reasoning behind choosing Welsh actor, Timothy Dalton, before Pierce Brosnan, is well known by many of us older fans, but maybe not by the newer generation of fans. However, most glaringly absent from the main characters' participation, is the first Bond, Sean Connery. In spite of this, Mr. Connery's pro/con experiences are told in absentia and in a seemingly fair manner carefully avoiding any pre-judgments leaving that privilege to the audience. Harry Saltzman and Albert R. (Cubby) Broccoli were the original Bond producers but died in 1994 and 96. Although not available, many home movies and other footage were carefully edited in to give us a fairly complete perspective of the working and personal relationship between these two men. This part of the story is greatly enhanced by the daughters. Barbara Broccoli and Hillary Saltzman. I'm captivated as they recall loving memories of their fathers, and can't help wondering why they were never "Bond girls." These two women are as beautiful as any of the ladies who've filled the ranks. Then, the story is the "passing of the baton" to the surviving Barbara Broccoli and her step brother Michael. They continue the Bond saga with a set of new challenges, such as, choosing the first "Blond Bond," Daniel Craig, which was very controversial at the time (another new fact to me). Sharing what 007 means to them, the last few minutes are a montage of closing comments and analogies from many of the feature's participants including former Pres. Bill Clinton.For me, I'm always slow in warming up to a change with my favorite characters and Bond is no exception. However, the actors who have holstered the Walther PPK, have done an excellent job in my estimation. I'm not one of those "so and so was the real Bond" type of fans . . . So far.As a companion movie, I recommend "Bond Girls Are Forever." It's a 2002 documentary, ten years before this one. It's done in a different style as Maryam d'Abo, herself a Bond girl, solely does the interviews in "Globe trotter" fashion.

Jackson Booth-Millard To mark the 50th anniversary of James Bond 007 on the big screen, starting with Dr. No in 1962, this special feature length documentary film was released on the same that the first of the spy films came out (the Adele title song for Skyfall was released this day as well), and it would document everything you could think of from the creation of the character and stories up to the present day. It of course begins with the story of how writer Ian Fleming created the character in 1953 and wrote his first of fourteen novels with the famous hero, Casino Royale, and after terrible versions on television how eventually the books caught the attention of filmmakers Albert R. 'Cubby' Broccoli and Harry Saltzman with Eon (Everything or Nothing) Productions and Danjaq brought Dr. No to the big screen. There is discussion about the casting of Scottish actor Sir Sean Connery (sadly not interviewed) as British secret agent James Bond 007, the four films that followed with the star, the sad death of Fleming after From Russia with Love, the legal battle during Thunderball with Kevin McClory trying to get the rights he battled for, new Australian actor George Lazenby becoming the new star (who it would turn out would only film), and bringing Connery back for Diamonds Are Forever. We see how English actor Sir Roger Moore became Bond for twelve years and seven films, Saltzman leaving the series after falling out with Broccoli, the battle between the official Bond film Octopussy and the independent Thunderball remake Never Say Never Again starring Connery and how they fared, how close Irish actor Pierce Brosnan came to becoming the next Bond before his television show Remington Steel was revived and Welsh Shakespearian actor Timothy Dalton was brought in, and how Dalton returned the character to the routes of the novels but became a somewhat controversial and possibly too dark Bond for fans in two films (especially in Licence to Kill). It shows Brosnan getting his second chance six years after the last film and officially becoming the new Bond in GoldenEye and a following three films after, with the Cold War over Bond is given an up to date new image and the actor is replaced by a then controversial choice, blonde actor English actor Daniel Craig who turns out to be an inspired choice in Casino Royale (which shows the origins of the character becoming a double 0 agent, killing two people), and there is a little talk about the upcoming Skyfall. It is fascinating to hear stories from the actors who have played the part of James Bond 007; Lazenby tells how he stormed into an audition and found it easy to get laid, Moore talks about making great friends with cast and crew and trying to resist a Sir Sean Connery impression when saying "My name is Bond. James Bond", Dalton remarks that he wanted to stick with the original works of Fleming and create a more serious character and how enjoyed being the hero, Brosnan remembers how he came close to getting the part and then when he did he mentions the funny side of the job, and Craig talks about how he was happy to be accepted after some controversy and what the future holds for the franchise. Also with contributions from Ken Adam, Barbara Broccoli, Dana Broccoli, Bill Clinton, Robert Davi, Sir Christopher Lee (Ian Fleming's cousin), Mike Myers and Michael G. Wilson. It is clever that the film does not just use photographs and archive footage to tell the stories, it merges clips and behind the scenes footage from all twenty three films: Dr. No, From Russia with Love, Goldfinger, Thunderball, You Only Live Twice, On Her Majesty's Secret Service, Diamonds Are Forever, Live and Let Die, The Man with the Golden Gun, The Spy Who Loved Me, Moonraker, For Your Eyes Only, Octopussy, A View to a Kill, The Living Daylights, Licence to Kill, GoldenEye, Tomorrow Never Dies, The World Is Not Enough, Die Another Day, Casino Royale, Quantum of Solace and Skyfall. The film also features many of the famous music scores from the films, and a few of the songs, including "Thunderball" by Sir Tom Jones, "We Have All the Time in the World" by Louis Armstrong and "Nobody Does It Better" by Carly Simon. It is a very interesting factual film about one of the most successful film franchises in the world, there are many fascinating and insightful stories about the making of the films, all the crew who made them happen, and the events during and after production and screenings, it is everything you could think of if you are a Bond fan, a very watchable documentary. Very good!

clivey6 Fantastic documentary and very pacily directed. Actually more involving and entertaining than many recent Bond films for this fan, a real narrative arc to it all, and emotional involvement. Superb use of Barry music throughout to accompany the narrative, and clips from the films to illustrate events.Bond creator Ian Fleming gets his deserved share of acclaim in it. Connery's non-involvement lends him a posthumous air, but it allows him to be cast as the villain of the piece, an attitude which seems more justified in retrospect as the series has gone from strength to strength without him. They linger on shots of Connery looking quite obese in the Diamonds are Forever era, as if to make a point, and the clips from his rogue Bond film Never Say Never Again mainly show him at his worst. They don't mention, however, that EON actively worked to mess up Never Say Never Again by hauling them to the courts on a weekly basis to throw up roadblocks over their intended storyline.Alternative Bond producer and huckster Kevin McClory is the other villain of the piece, though no one would realistically stick up for him. That said, I'm not sure that the whole Spectre thing wasn't his idea and lord knows EON milked that in the 60s, using them for films where they hadn't even featured in the books.A shock to see Roger Moore look so overweight, he's turning into Cubby now, while I thought Dalton looked better than he's been in decades, quite rugged and windswept. But his interpretation of Bond is wholly damned here, with no one speaking up in support of it, and he even seems to damn it in his own words: 'I worried that half the people would love Connery and the other half love Moore and they'd gang up to hate me...' implying that's what happened, though in the interview from which that quote was taken, a few years after LTK, he swiftly added 'Which didn't happen I'm glad to say', now edited out. Brosnan is in good form, but still surprisingly cut up about getting the push, surprisingly because, let's face it, his films were mostly below par through no fault of his own. I think his response was the grief or regret that comes from knowing he'd never get a chance to get it right, and now time had moved on.One-time Bond George Lazenby is perhaps the best entertainment value for anecdotes, he's in good form and amusingly self-deprecating. Oh, there's a moving scene regarding a phone call from Connery to Cubby, related by Barbara Broccoli. Connery's comments are occasionally heard, but they're from past interviews and used very fleetingly, over other clips.What I found surprising was that I found the clips of Casino Royale with Daniel Craig at the end far more moving than in the actual film, because the music played over it - not David Arnold, it seems - was more affecting. Craig's performance looked shockingly impressive this time round simply because of this.Some clips from Skyfall at the end, though not too many if you haven't seen it yet. The trailer is almost directly before the film, so arrive at the last minute if you want to miss that. Catch this in cinemas if you can, as you get to see some clips of the films on the big screen for once, even if some of the hi-def remasters seem to have just something very slightly wrong about them sometimes.