Shadow of the Hawk

1976 "An Extraordinary Adventure into the Unknown."
5.5| 1h32m| PG| en
Details

Jan-Michael Vincent stars as Mike, the grandson of Native American shaman Old Man Hawk who is called back to his village to help defeat evil forces threatening the tribe. After years of living in the city and working in a business world altogether apart from his roots, Mike is contacted by a freelance reporter, Maureen, who was enlisted by Old Man Hawk to track his grandson. When Mike assents to returning with Maureen, they find that the village is beset by the evil spirit of an ancient sorceress, Dsonoqua, animating beasts and objects and causing strange, deadly accidents. Only the heir of the tribe’s shaman can stand in the way of the evil and protect his people, but will Mike be able to harness his power in time?

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Columbia Pictures

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Reviews

Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.
Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
Coventry What the hell are you supposed to do when suddenly one night, during your birthday celebration moreover, your old and physically exhausted grandfather shows up on your doorstep and begs of you to disregard everything and drive 300 miles to bring him back home? You could refuse and put him on a bus, seeing that he also managed to find his way there alone perfectly fine, but – like the cute woman accompanying him already pointed out – he is your grandfather and you just don't do a thing like that. So what other option is there but to politely offer a ride to both gramps and the lady? During the road trip, however, granddaddy reveals he's entangled in a spiritual battle with a ancient witch called Dsonqua and you are involved through your bloodline. A-ha! That immediately explains the eerie hallucinations you're having about wicked witch masks inside the pool and outside your bedroom window! All this is what's happening to Jan-Michael Vincent in "Shadow of the Hawk"; an above average compelling and atmospheric 70's thriller with a good cast and astonishing Canadian filming locations. Especially the first half of the film is more than fascinating to observe, what with all the mysterious Indian mythology and the genuinely creepy images of the witch's frightening mask. Unfortunately the film loses quite a lot of its pace and interest halfway and ends up being a rather dull and unmemorable supernatural hocus-pocus thriller. The most exciting moments of "Shadow of the Hawk" occur during the road trip, like for example the crash into an invisible wall, whereas the long-anticipated climax battle against the witch and her disciples is tedious and disappointing. George McGowan, known from the nature-revolts classic "Frogs", directs with a noticeable disinterest, but luckily the cast is excellent. Chief Dan George and Jan-Michael Vincent (one of my personal heroes of the 70's) are terrific and very believable as the Indian saviors. "Shadow of the Hawk" is quite difficult to track down these days, so make sure you only take the effort in case you're really interested in the film.
robespierre9 I would classify this as a horror/suspense movie. It deals with Native American black magic in the beautiful Canadian forests of British Columbia. Jan Michael Vincent plays Mike, or young "Hawk" (which is funny since in Airwolf he's HAWKE too!) who has to come to terms with an old Indian curse which is troubling his grandfather. Arriving in Vancouver(?), his grandfather persuades him and a journalist, Maureen, to drive him back to his Indian village. Meanwhile, Jan has been haunted by a really spooky, white-faced, grotesque mask that freaks him out at night and in the pool with his girlfriend. Apparently an ancient Indian witch is trying to destroy his grandfather, and now him! There are some really creepy moments in this movie. There's a Stephen King like 50's car with blackened windows that appears and reappears eerily. Weird things happen to Jan's 70's style SUV while driving - the breaks go out, a tire almost falls off. In the forest, a bear tries to kill JMV. Just a a lot of black magic evil abounds!! Anyway, Jan eventually comes to terms and confronts the evil in the Indian village after going through a 'ritual' of sorts. I think the scenery is the best part about this film. It has that 'X Files' look of spooky Canadian forests - just stunning mountain vistas. The movie is effective enough to keep you creep-ed out. This is a great Jan Michael Vincent role for his early career. I wouldn't call is great acting, but he does maintain his 'cool' while still showing skepticism and caution at all the strange happenings around him. Plus, he looks great! That's probably the best reason to see this movie - for JMV fans especially!
nardini This movie like a lot of them made in the 70's contains an interesting plot and some substance. It gives a subtle touch of spirituality and some thrilling scenes of action and even creepiness. The characters seem convincing in their roles and the old man ( played by Chief Dan George) has a lot of personality in which he speaks very little being a very wise powerful medicine man. The other characters seem to pull of f their roles as well with the acting being realistic and not forced or awkward. I found the suspense in this movie to be "real" without all the special effects thrown in to make it look over the top and ridiculous like a lot of action flicks out there today. I guess you can think of this movie as one that leaves you with a good feeling at the end. The score of nine may seem a little high but I feel it really deserves it , due to it's subtle way of telling the story and leaving it up to the person watching the film to exercise their imagination. Also I think being someone who saw this film when it originally was released it brings back some memories and didn't disappoint years later when I watched it again for maybe the third or fourth time. A lot of movies that you had watched growing up appear a little different as you remember them but this one is in good standing. I also think that this movie is my favourite among the Native North American themes.
BigLaxFan94 I first watched this film back in 1980 when first acquiring my love for Native people of the Americas. The last time it was on TV was back in 1987 and it was a good thing I taped it because it was the last time shown on TV.This is an all round good film. However there are a couple of false misconceptions that viewers must know. First of all, regarding the spirit Dsonoqua (the awesome looking white mask)--> she in fact is the Cannibal Woman of the Woods who captured and ate disobedient children who misbehaved. She was NEVER an "evil spirit" who went after people whose ancestors "put her to death" more than 200 years earlier like the way the film portrays. That was just added in to help create suspense. The other misconception ... the voodoo dolls of Mike and Old Man Hawk were only used to add more suspense. The reality is that the First Nations of the Northwest Coast never practised voodoo.Anyways ... I give the film a 9 because of my love for all the original People of the Western Hemisphere ... not trying to be biased in any way. ONLY my opinion. Most other viewers gave the movie a 6, which is fine. Everyone sees the film differently from different viewpoints. But I would certainly recommend this to all Canadian film fans.