NekoHomey Purely Joyful Movie!

AnhartLinkin This story has more twists and turns than a second-rate soap opera.

Paynbob It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Josephina Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

weezeralfalfa This interesting western was shot mainly around Durango, CO, and the Aztec ruins in NM., as well as some studio shots, all in Technicolor. I enjoyed it despite a few questionable aspects........ Clearly, the heart of the drama is the complex and fluctuating relationship between James Cagney's and John Derek's characters. It starts out something like the relationship between mature ex-sheriff Henry Fonda and young new sheriff Anthony Perkins, in "The Tin Star", where Fonda gives Perkins advice on how to be an effective sheriff and gunslinger. In the present case, the mature Cagney gives a reluctant young Derek a chance to prove himself as a sheriff's deputy. But, in this case, it doesn't work out well, as Derek loses a prisoner(played by Ernest Borgnine) he is escorting to another town. Derek quits in embarrassment.. He then, unknowingly, joins a band of thieves, who rob the town bank in broad daylight, while practically the whole town is in church. The gang would soon meet an ignominious end, without involvement of the sheriff or town's people........Let me say that, when Cagney and Derek first met, out in the boondocks , Cagney very nearly pugged Derek, who came upon him quite by surprise. This was just the first of a series of incidents where it was the intent of one to defend or to shoot or otherwise promote the death of the other. While on the trail of the bank robbers, Derek suddenly, pulled out his gun and was about to fire at Cagney, when his horse reared up. This is when Cagney discovered that he was allied with the robbers(In what capacity, isn't apparent). For a while, they rode together in an uneasy truce. But when, they have to swim a raging river, Cagney calls out for help, but Derek ignores him. Derek gets to the far shore first, and heads for the Aztec ruins, where he finds Borgnine: the prisoner who escaped from him(Why did he come to this forsaken place?). They have an uneasy truce. WARNING: SPOILER ALERT! Cagney survives the rapids and later encounters these ruins, eventually finding the other 2. Initially, there is an uneasy truce. But, Borgnine draws on Cagney, who shoots him apparently dead. The remaining 2 have some words. Borgnine is not quite dead, and slowly reaches for his gun on the floor. Cagney doesn't see this, but Derek finally does, as Borgnine is about to shoot Cagney. Derek draws his gun and fires at Borgnine, while Cagney shoots Derek, whom he assumed drew to kill him: Only one lucky survivor, and he knows where the bank money is hidden........Viveca Lindfors, as Helga Swenson, who emigrated from Sweden with her father, takes a liking to Cagney, seeing his devotion to his friend Derek, who had serious gunshot wounds instilled by a posse that assumed that he, along with Cagney, were a pair of train robbers. Derek is staying with the Swensons during recovery. Pretty soon, Cagney and Helga are talking marriage. Cagney says he wants to live in their house. But, this may sometimes cause conflict with Mr. Swensen. Conveniently, the latter is formalistically killed in the bank raid, thus eliminating this potential problem. This principle is applied in many westerns, where the traditional significant other of a person is eliminated to symbolically clear the way for a new significant other.

Spikeopath Run for Cover is directed by Nicholas Ray and adapted to screenplay by Winston Miller from a story by Harriet Frank Jr. and Irving Ravetch. It stars James Cagney, Viveca Lindfors, John Derek, Jean Hersholt, Grant Withers, Jack Lambert, Ray Teal and Ernest Borgnine. A Technicolor/VistaVison production, with music by Howard Jackson and cinematography by Daniel Fapp.When Matt Dow (Cagney) and Davey Bishop (Derek) meet up they quickly become friends, but events conspire to see them wrongly suspected of robbing the train heading for Madison. Hunted down by a Madison posse, Bishop, a Madison resident, is severely injured and Dow taken to town for possible lynching. What unfolds is the truth comes out and the two men end up working as the law in town, but there is many more secrets to be unearthed in this part of New Mexico...Nicholas Ray brings a meditative state to the picture, ensuring the thematics of surrogate families, generation conflicts, mob justice and the corruption of youth, are all delicately handled by the great director, even dealing in Freudian textures for the key character relationship. There's a whiff of High Noon in how Matt will inevitably have to stand alone, and he will also have to fight inner turmoil about injustices and cope with disappointments as things refuse to go to plan under Madison's glaring sun. But this is a skilled character piece able to stand on its own terms.As a looker the film is quite simply stunning. Filmed out of Durango, Silverton and Aztec (the latter providing the finale set in the Aztec Ruins), the scenery is breath taking, Ray and Fapp surrounding the story with an imposing beauty that is hard to take your eyes from. Cast are led superbly by a restrained and reflective Cagney, who can say so much with just one glance of his eyes, and while Lindfors as Cagney's love interest is a bit wooden, she's at least given some decent scripting to work with. Elsewhere nobody fails in bringing their respective characters to life.Absolutely lovely Oater, one that may not break new ground with its formula of plotting, but comes out roaring regardless. It makes you wish Cagney had made more Westerns, Nicholas Ray also, while Fapp's photography here is alone worthy enough to consider catching this on any potential Blu-ray release. 7.5/10

Martin Teller Not a terribly deep western, but a satisfying one that makes some decent social commentary. Unfortunately, this is a VistaVision film, but the copy I saw was in Academy ratio. So I can't comment too much on the cinematography... I'll just say I didn't see anything there that hinted at greatness. I'm not the world's biggest Cagney fan, however I liked his performance here as a man of upstanding integrity. This might also be the film's biggest weakness, the protagonist is a little too perfect. But he's a hero that's enjoyable to watch interact with those around him, especially those of lesser character. The supporting roles by John Derek and Viveca Lindfors are unremarkable but solid. The movie keeps things moving at a steady pace, maybe too steady but quite watchable. There are a couple of interesting surprises as well. There are certainly better westerns out there, but you could do a whole lot worse.

dbdumonteil "Run for cover" occupies a curious place in Nicholas Ray's brilliant filmography.Sandwiched between "Johnny Guitar" and "Rebel without a cause,it suffered accordingly.They say Ray himself disliked it.And however,in "Run for cover" he opened up as he never did before.In "knock on any door" ,Ray had already displayed a "father" -"son" relationship between Bogart and John Derek (who takes on here roughly the same kind of part he played at the beginning of the fifties).Ray would reach his peak with the following work ("Rebel" ) where Plato wanted Jim to be his dad and began to think of a new family with his pal and Judy.Davey is a tragic character .He seems to be born under a bad sign ,he is known to have a very bad reputation wherever he goes.It's obvious in the scene of the train:whereas Matt (Cagney) wants to give the money back to the town,Davey is thinking of the life he could lead if this loot were his.Matt knows that Davey needs someone to become a man .Alone he would walk on crutches .His leg is a transparent metaphor.Maybe he thinks of a new family he would rebuild with Helga (Viceca Lindfords).The relationship between the mature man and the Swede is full of tenderness and human warmth,a permanent feature in Ray's canon (see the lovers of "they live by night" and the teenagers in " Rebel without a cause".Like Jeff in "lusty man",Matt had a raw deal and he wants to make the best of the years which he's still got to live.Jeff will help Wes become a man in the cruel world of rodeo,but it's a different matter with Davey Bishop (what a surname!).It's remarkable that violence appears twice after scenes depicting children: the first time when Matt is making a wooden gun for a boy ;the second time in the church as a choir of little boys and girls is singing a canticle to praise the Lord."Rebel without a cause" is probably Ray's most underrated work.Davey remains his most moving character ;without any mawkishness ,the director paints the picture of the rebel with a cause,who cannot understand why he should work for eight dollars a week when there's plenty of money to take.The last line is my favorite in any Ray movie.In its own special way,it preserves the viewer from despair.