InspireGato Film Perfection

ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Bea Swanson This film is so real. It treats its characters with so much care and sensitivity.

Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.

Michael_Elliott Seven Keys to Baldpate (1935) ** 1/2 (out of 4)Author William Magee (Gene Raymond) shows up at the Baldpate Inn to write a novel in twenty-four hours. The crime writer has a bet to win but before long he finds himself in a real-life mystery as there are crooks, missing money and ghosts to worry about.This George M. Cohan play was a huge hit on the stage and it led to screen versions in 1916, 1917, 1925 and the first sound version in 1929. RKO remade it yet another for this version, which goes for more laughs, although, to its credit, it does slightly play up the ghost factor, which was somewhat overlooked int he 1929 version.If you're a fan of the play (or novel for that matter) then you should find this to be a slightly entertaining adaptation. The main focus are laughs as Raymond delivers a fine performance, which goes for the fast-talking and loud approach that so many films did during this era. You know, those films with the reporter who knows more than anyone else and is smarter than everyone else. On that level this is mildly charming but there's no question that a lot of jokes fall flat.The film does offer up some mild entertainment thanks to the cast, which includes Henry Travers as a sexist hobo who is constantly putting down women and rooting for their deaths! I'm sure this sexist humor was quite funny in 1935 but I'm sure some will be shocked by it. It actually makes the film seem a bit more fresh today.

mark.waltz The often filmed George M. Cohan play (adapted from a novel) is given a new, fresh look in the second of three sound versions, even more fast moving and thrilling than the above average 1929 version. Gene Raymond takes on the role of a novelist with writers block who finds that the supposed one key to his hideaway can't block a group of wacky intruders. He finds art really does imitate life, finding enough thrills in a 24 hour period to last him a lifetime.A spooky hotel, closed for the windy winter, is an instant hit for a great setting, with tree branches hitting on the windows, a ghostly woman in white gliding through the snow, sliding panels, black cats and enough old dark house atmosphere to provide more than enough chills and thrills. All it is missing is a dour looking housekeeper or sinister old lady, but that doesn't mean that there aren't other crazy characters abound. The lovable Henry Travers ("Mrs. Miniver", "The Bells of St. Mary's") is unforgettable as a woman hating hermit who likes pretending he's a ghost, and Eric Blore adds his usual endearing eccentricity to the role of a supposed professor. Dumb gangsters filled with a ton of malapropisms give the story a real Damon Runyeon feel, while Margaret Callahan is a very charming leading lady. Toss in Erin O'Brien-Moore as a dark femme fatal and in an unforgettable cameo, future Supporting Actor Oscar King Walter Brennan as a babbity train station master.It is the set, photography and chilly atmosphere that provides the greatest praise, mixing comedy, romance and melodrama at a break-neck pace. Even the roles of the local law enforcement in the final moments of the film keeps the interest at a peak, and Travers is given a great exit line. Remakes of the golden age of filmmaking were many, but certain ones rise about their lack of originality with creative design and know-how. This "Seven Keys" gets two thumbs up and for an 80 year old revisal of a much filmed theme feels like it might be worthy of repeat viewings.

binapiraeus One of Earl Derr Biggers' most popular novels (which had been turned into a play by George M. Cohan), "Seven Keys to Baldpate" was adapted for the screen no less than six times; this was the fifth time. And although the movie admittedly can't reach the REALLY high class of the famous 1917 version, where Cohan himself played the leading role, and after more than 20 years the story may already seem a little bit worn-out and much-used, it's nonetheless hilariously lively, funny and at the same time pretty suspenseful, with a neat cast (especially Gene Raymond as the fearless, wisecracking novelist) and an unusual, but really successfully balanced mix of - a gangster movie and a 'Dark Old House' mystery! The story has been altered a bit, and the supporting characters get more space for all kinds of jokes (especially the women-hater, 'hermit' Henry Travers); and the gangsters' slang and tough guy attitude make a wonderfully strange contrast to the cool and clever ways of the young novelist - and of course, to the classic settings with secret panels, candle-light and groaning staircases...With a running time of just a little more than an hour, this movie nicely keeps a good pace and leaves no room for boredom; great entertainment for lovers of the genre!

tedg Don't read this comment if you don't want spoilers for the film "Identity," (as well as for this film).There's a narrative device that I like a lot. It may have originated in the play that this film is based on. I think there may be a half dozen other versions and a couple dozen derivative versions. Its the notion that all the characters you see are invented in one mind as a sort of lucid dream that we witness. In the usual embodiment, at the end this is revealed. Alas, here that bit is left off.But in the basic version, a writer arranges to stay at a remote lodge, named "baldpate." He's alone and has the only key. His mission is to write a crime novel in 24 hours.Right there you have three clues. The first is that the lodge's name is head-related. Obviously, what we will see will be the novel as it is being written. In one case, a character is literally told what his name will be. (This notion was used obliquely in "The Shining.")As in "Identity" there's a business with keys. He has the only key to the place. But six other characters enter, and they have the only key as well!At the time this was written, there was the notion in popular psychology that the human mind consisted of seven personalities that needed to be harmonized. Jung would later take this largely superstitious notion into more acceptable notions. But that's where Biggers got the idea (in his story) that Cohan dramatized. Cohan's version had the writer as a wisecracking observer, partly inside the mystery, partly outside. This is a boring movie. But it and its predecessors are key milestones in narrative devices that dominate what we watch today.Ted's Evaluation -- 2 of 3: Has some interesting elements.