GamerTab That was an excellent one.

Exoticalot People are voting emotionally.

Gutsycurene Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Seemp deHond I had high expectations as this rated almost 8 here. The movie takes on a few unhappy marriages and adultery which doesn't bother me from a moral point of view, don't get me wrong, but is just so tedious as the main plot line. It all reeks of bad comedies and soap operas taking themselves far too serious.It gets ultimately silly with the forceful unnatural plot twists to have them all ending up in Berlin or a conference chasing each other and acting out since they are finally away from home.It's not funny, it's not moving, it's just nothing. I could hardly sit it out. Some very bad story writing and acting here.

Philby-3 Simon (Joel Edgerton) is married to Pam (Danielle Cormack), the woman of his dreams but seven years of marriage have passed since their happy wedding day at Pukerua Bay, near Wellington, New Zealand. Two children have arrived with all the attendant stress and sleep deprivation, and the dream bride is now not so interested in sex. Simon falls for the beautiful Katrien (Rhona Mitra from Boston Legal), a cellist and friend of his wife who, goaded by his infidelities, has just left her husband Klaus (Thomas Kretschmann), an artist. Simon's and Katrien's attempts at adultery are thwarted until Simon, a ministerial staffer, travels to a conference in Berlin with his cabinet minister boss, the improbably named Archie Boyle (Alan Lovell), where the story comes to a climax, so to speak. Afterwards, everyone is engaged in picking up the pieces.Watching a film about adultery is rather like witnessing a car crash in slow motion. You know someone is going to get hurt and there's nothing you can do about it. Here, writer Tom Scott, the brilliant NZ cartoonist and satirist, has made it so funny that you almost forget about the pain. The film, directed by Paul Middleditch, has a lot of flaws – ineffective use of the narration device, uninformative opening sequences, a failure to tie things up (consider Klaus's painting of a pohutukawa tree shown near the end – only NZers will associate it with the land of the long lost vowel), and some naff acting. Nevertheless I enjoyed the film immensely. Some of the set pieces are hilarious – the men's group meetings, Simon's frank conversations with his more worldly best mate Harry (Les Hill), and the antics in Berlin (Les Patterson and Bazza McKenzie definitely have their NZ equivalents). The location shots in and around Wellington are glorious – the crew should be commended for their patience in waiting for those rare windless Wellington days, though they did not always get what they wanted.As Rhona Mitra is drop-dead gorgeous it is not hard to feel some (male) sympathy for Simon, who does make an effort to resist her charm. Their affair is indeed an accident and painful for both. On discovering the affair, Pam storms off, but her bond with Simon is stronger than it first appears. It's not easy, but trust can be restored despite what the doomsayers tell us.Joel Edgerton is effective as a man swept along by strong feelings despite his better judgment and Rhona Mitra is fine as the other woman. Danielle Cormack was not so convincing as the wronged woman. Thomas Kretschmann makes a thoroughly dislikeable Klaus – arrogant and callous. I liked Les Hill as Harry the pub philosopher but he is probably an acquired taste eg "there's no such thing as premature ejaculation, only delayed orgasm."Like many NZ films the comedy here does not always neatly complement the more serious themes. This, I think, stems from the antipodean tendency to make light of near or actual disaster, an attitude embodied in the phrase "she'll be right". New Zealanders are optimists, opportunists and great improvisers, but not ones to ponder the meaning of life. Errol the fireman (Mike Minogue) does ask the question in the men's group. He is met with an uncomfortable silence.

jhainey At last a New Zealand film about real people in real situations. This film is written by Tom Scott a political journalist and one of New Zealand's best loved satirical cartoonists. His own real life experiences are evident throughout the film as the characters move from one hilarious situation to another. Set mainly in Wellington, New Zealand's capital and home of parliament, it shows the beauty of Wellington and the real New Zealand character. The actors are very believable and so funny that I was laughing out loud in the theater. My only complaint was that it wasn't longer. This is a great film about friends and the frailty of familiarity. It has great insight and will touch all who see it. My suggestion. Just get out and see it.

Jon Michaels Just saw Separation City in my home town (and where the movie is set) of Wellington, New Zealand. Wellington looks great, and overall it is a though provoking story, and refreshingly offers up the male point of view on long term relationships.There are some great gags, the first half of the movie produced plenty of laughs. The second half delivers quite nicely with farcical elements, but with plenty of emotion as well.The acting is pretty good, the direction good (if a little unimaginative), and the script does well to capture some unique male experiences that I haven't seen in cinema before.The only thing I really didn't like were the terrible voice-overs. At times they worked, but other times they were completely redundant and spoiled the moment. I really hope that they edit out about 90% of the narration before this film is released internationally.but those are only minor criticisms - overall, it's a good film, engaging and enjoyable, and with a fresh insight into modern relationships.