VeteranLight I don't have all the words right now but this film is a work of art.

Matialth Good concept, poorly executed.

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

hwg1957-102-265704 A young Catholic priest, Luke Kovak, doing good works in his parish has his life turned upside down when his past as an assassin catches up with him. After a previous operation had gone bad he sought sanctuary with the church but he kept a piece of evidence from that operation which his former unit now wants. There are a lot of flashbacks in the film but the narrative is clear and on the whole it is a decent enough film.The priest is played by Mark Dacascos and he does it very well, not only in the action scenes where he is so proficient but also in the emotional scenes. You get a good sense of how scarred his character is and the mounting despair he has when falling back into his more violent ways. It always puzzled me how Mr Dacascos never became a bigger action and martial art star. He had all the necessary attributes in martial art and acting skills and was very likeable and watchable.The very last scene is a lovely ironic twist in the tail of the tale.

BA_Harrison The previous Mark Dacascos movie I watched—buddy kung fu flick Drive (1997)—was hugely entertaining nonsense, with a lightweight but fun plot, likable characters, and very impressive martial arts scenes; Sanctuary, made the following year, is the antithesis of that film, a joyless thriller that takes itself way too seriously, suffers from lifeless direction, and which completely wastes the extraordinary fighting skills of its star.Dacascos plays CIA agent turned priest Luke Kovak, who finds himself pulled back into the violent world of black-ops espionage by his ex-boss Dyson (Alan Scarfe), who is keen to lay his hands on an incriminating tape that could prevent a senator from becoming security adviser at The Whitehouse. A confusing narrative structure that involves numerous dreary flashbacks, coupled with a plodding pace and a lack of martial arts makes Sanctuary a B-movie bore from start to finish.

devil.plaything SANCTUARY was Dacascos' first movie after the excellent DRIVE, I think, and it shows all the hallmarks of direct-to-video Hollywood junk on the surface. I really wasn't expecting much from it at all, but found myself pleasantly surprised. Mark plays a priest who has something of a dark past... in fact he was a CIA secret agent, trained from childhood to do the dirty off-the-book jobs for the agency without questioning. But he couldn't help questioning, and fled the agency after one particular job. He ended up becoming a priest in an attempt to atone for his past life. But his past life doesn't want to let him escape so easily. The plot sounds incredibly cheesy and free of subtlety, but the script and direction manage to flesh it out into something with a bit more subtlety. The movie splits its time between flashback to Mark's past and the hunt-chase after he is found doing his priestly work. Mark shows much better acting skills here than in Drive, perhaps because the movie is generally darker & serious in tone. He could have been more expressive and convincing, but I think he did a passable job. It's not really his acting that has got Mark noticed by the HK cinema crowd though, it's his extremely impressive martial arts skills, which are arguably the best of anybody working in movies anywhere in the world at this time (if we assume that Jackie/Jet/Biao etc are unlikely to ever match their early work again). Although there's a moderately high degree of action in the movie, there's not all that much acrobatics or hand to hand fighting required, so we don't get to see Mark's skills to anything like the extent that they're showcased in DRIVE. He still handles the action well though, and I really can't imagine how some reviewer came to the conclusion that he was "a poor man's Jean Claude Van Damme". The action scenes are better filmed than I expect from a Hollywood movie, and quite realistic - bullet impacts in particular are almost disturbingly convincing. It has to be noted that Mark gives up his priestly vows a little too easily, and could have been much less lethal at times than he habitually is. I guess it's just his training :D A less forgiving reviewer might dismiss it as the Hollywood b-grade movie it probably is in objective terms, but I found myself pleasantly surprised and am glad I bought the DVD, as I'll probably watch it again a couple of times. It's a shame the DVD distributors chose, in their infinite wisdom, to release it Pan & Scan though.

Phroggy An assassin turned priest has to get his bearings - and his guns - when killers are after him… an honest thriller, well filmed, but which never goes beyond its primary goal as video-club fodder, though it was obviously made for the big screen. Dacascos is good though.