Rude Boy

1980 "Grab the future... by its face!"
6.4| 2h13m| R| en
Details

Rude Boy is a semi-documentary, part character study, part 'rockumentary', featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts.

Director

Producted By

Michael White Productions

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Trailers & Clips

Also starring Jimmy Pursey

Reviews

Abbigail Bush what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
Marva-nova Amazing worth wacthing. So good. Biased but well made with many good points.
Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
ignaciodelgado2003 Brilliant. The live footage is mind blowing. It captures the time perfectly. Ray Gange is spot on. A Clash fan must. If you don't get it, you just don't get it. I could never see this movie too many times. Joe Strummer is part Elvis, Dylan, Springstein, Guthrie. Mick Jones was the perfect composer to bring it all together. Paul Simminon was the perfect art director. Bernie (Sir Not Aprearing in this film) was the mad scientist. Topper (Bruce Lee) is one of the all time greats. Brigade Rosse. As far as I am concerned, the greatest rock movie of all time, though I do love Stop Making Sense and the Last Waltz. But once again, it's all about the live footage. It just reaffirms the complete brilliance of the only band that matters.
mwoodkw I'll start out by saying that I own this film, and I am a big Punk fan. Despite these two factors I simply cannot give this film higher than a 6 out of 10. The story line and acting in this film is pretty lousy...which is probably why one reviewer found it "funny". Ray Grange ("Rude Boy" of the film) admitted in an interview that he didn't agree with his lines. His character is very flat and his dialog with Joe Strummer and the other members of the clash are contradictory from one scene to another.With that being said, there is another element of this movie that makes it worth viewing...more than once. The scenes with the clash were often ad libbed and these scenes play like documentary footage. The performances are from actual shows and they are amazing. There is a "Play the Clash Only" option that plays only these performances. I often just find myself fast forwarding through Grange's solo scenes instead. Basically, If your not a fan of Punk or the Clash...rent a different one...maybe something like "Sid and Nancy" or "SLC Punk". but if you like this film I suggest "Westway to the World" (a Clash Documentary).
mrbyrr I don't know what the other reviewers of this film were smoking when they watched it, but Rude Boy does not give any sort of an accurate representation of the political climate in England during the time of filming. In addition to that the storyline is so convoluted that there are only two clear ideas in the story. A) That Mick Jones is a prick. and B) That Rude Boy Ray is a drunk. That's it. Oh by the way, there's also some second movie within the movie about this black guy who gets nicked by the law. But that must not be important because it doesn't actually go anywhere and has nothing to do with The Clash. And the National Front have a cameo, too. That is perhaps the best part. And the live tracks are pretty impressive as well. My Opinion: Go to your friend's house and watch it. If you like it, pirate it. If you really like it, buy it. **1/
acky This intriguing film blurs the line between documentary and reality much in the way 60's classics such as "Medium Cool" do. The story (when it's allowed to tell itself) of the drunken directionless punk is sad, charming and wild. I can see why the Clash disowned the film. It shows how they merely reflect the showbiz side of the struggles of the working class in England. When Ray attempts to tell Mick Jones how much "Stay free" means to him, he is shrugged off with a " I'm watching you." We see Ray being consumed by his own nihilstic rage while the clash use it up to the point of making good pop music with it.