Listonixio Fresh and Exciting

Comwayon A Disappointing Continuation

Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Leofwine_draca Another great and unconventional crime drama from those beloved Italians, this one made by master of class Sergio Sollima (SANDOKAN) and containing a greater depth of plot and character than one might expect from other pulp adventures from the time. This tough flick is great and interesting thanks to the unconventional plot and the raw, almost documentary-style camera work which follows the characters around a variety of European settings. The plot is complex and gets murkier as the film progresses, with multiple characters lurking around the edges who have no clear motives. At times the film ventures into the area of the psychological thriller as it puts the characters through tense situations, at all times leading to a climax that you just know won't be a happy one.Chief enjoyment comes from unlikely star Oliver Reed, playing a typically gruff character who is forced to confront his morals as the film progresses. Reed is great in the role, especially as he is forced to become more and more emotive as the film goes on, and he really fits into the role of the character nicely so that you forget that he's acting; personally I think this is one of the best performances I've seen from the underrated star. Fabio Testi is the criminal, Milo Ruiz, and puts in a genuinely good performance along with Reed, shining in a part that allows him to play a character rather than a wooden figure for once. The supporting cast is fine, especially Agostina Belli's frightened captive.BLOOD IN THE STREETS is more plot-centric than most and thus contains a lesser degree of action than you might expect, although Sollima does throw in one outstanding shoot-out in a street for action fans. Nonetheless the sheer level of twists and turns in the plot and the performances make it hugely engrossing. One last thing to mention: there's a fantastic and stylish score by the acclaimed Ennio Morricone which enhances the action no end. This combination of winning elements makes it one to watch.

arfdawg-1 I'm not a huge fan of cheap Italian films that over use the zoom so they don't have to cut the film.That said, this movie is one of the better ones.It's well done.It's a colorful movie that is rather fast paced.The acting is good too as is the direction.Oliver Reed is in it and for some reason they dubbed him with an American voice!Plot An Italian official's wife is kidnapped, and the kidnappers demand that a notorious prisoner be released in order for the man to get his wife back. He gets the man released--but then kidnaps him himself, in order to ensure that the man's colleagues don't kill his wife. Enraged, the gang sets out to free their compatriot and kill the man who took him.

movieman_kev Vito Cipriani (the late great, Oliver Reed) arrives home to make love to his wife afterwards he gets called to quell a prison disturbance. He does, but upon returning home he finds his wife missing. He receives a call ordering him to release a small time crook if he wants his wife back alive. He does, only to kidnap the crook to assure that he gets his wife back.The only other film I saw of Director Sergio Sollima was "Run, Man, Run" which I enjoyed immensely, and I'm glad to say that I enjoyed this one as well. Oliver Reed is good in it, lots of action, and it's a pretty tight thriller. It didn't hurt that I didn't see the ending coming, that's very rare, so it's always a welcome surprise.My Grade: B Blue Underground DVD Extras: a 14 minute spoiler heavy featurette; Poster and stills gallery; Talent Bios; 2 radio spots; and both the international and USA Theatrical trailers

Rob_Lineberger I may be cynical, but sometimes I look at my collection and see 50 copies of the same movie. Explosions, love interest, conservative "twist" ending, cut! Revolver may be just as derivative of 1970's flicks as the explosion fests of the 21st century are today, but for some reason it was refreshing to watch. I can't see anyone lavishing "rabid fanboy" praise on it, but Revolver was enjoyable, moving at times, and had two great performances. If you thirst for a change of pace, but want to retain the comfortable action standbys of guns and violence, Revolver may be right up your alley. The fantastic extras don't hurt either.I've never seen a movie quite like this. The best descriptor I can muster is "spaghetti thriller". It's a seventies crime drama with a bit of Dirty Harry, a helping of Reservoir Dogs, a few drops of eau de western, a scoop of melodrama, and a dash of political commentary. Though it oscillates between boredom and epic, Revolver delivers the kind of entertainment that today's movies can only parody. If you buy into the characters, you'll be treated to a satisfying drama. If modern sensibilities prevent that, you can at least enjoy the campier aspects (bad lip synch, fur coats) and delight in the commanding score. The score alone is worth it.