ThiefHott
Too much of everything
Zlatica
One of the worst ways to make a cult movie is to set out to make a cult movie.
Sam Panico
Ira Levin's 1972 novel, The Stepford Wives, and the 1975 movie that was based on it are both cultural phenomena. Even the phrase "Stepford wife" has entered into our lexicon. So why did things have to stop after one movie? Luckily, NBC aired this sequel on October 12, 1980.Whereas the original Stepford wives were androids, the new ones are controlled by drugs and hypnosis. That's why the town of Stepford has the lowest divorce and crime rate in the U.S. And it's also what brings reporter Kaye Foster (Shannon Gless, TV's Cagney and Lacey) to town.The town is against outsiders, who enjoy the quiet surroundings they live in. And oh yeah, the fact that others than 4 sirens a day to tell them to take their pills, they don't have to tell their wives to do anything. They've become the perfect wives - complaint in all ways.Kaye meets two other outsiders, Megan Brady (Julie Kavner, Marge Simpson!) and her policeman husband, the dim-witted Andy (Don Johnson, singer of "Heartbeat." Oh yeah and Miami Vice, A Boy and His Dog and The Magic Garden of Stanley Sweetheart). Unlike the other women in town, Megan is sarcastic (and near caustic at times) to her husband. She becomes Kay's research assistant.The Stepford Men's Association, run by Dale "Diz" Coba (The Andromeda Strain), is in charge of town. They even send Barbara Parkinson (Audra Lindley, Mrs. Roper from Three's Company) to run her down with her car. Afterward, all she can do is repeat the same words and appears to be controlled.Meanwhile, Wally the hotel manager (Mason Adams, God Told Me To) confesses that he wants to leave his wife but can't. She's been programmed to be someone he no longer wants her to be.Meanwhile, Andy gets the job with the Stepford Police and we see his wife got through the Stepford process. Soon, she's wearing a frilly dress, as well as cooking and cleaning with no complaint. As long as she takes her pills and doesn't drink, all will be well. Kaye sneaks in to watch their initiation ritual and barely escapes with her life.Kaye then frees Megan by boozing her up. They try to use Wally to escape town, but even though they had already planned on him betraying them, they are still caught. Kaye manages to get a gun and hold Diz at gunpoint while Megan continually rings the siren. As the Stepford Wives overdose on pills, they become violent and attack their men.Andy returns to help save the day as the women of the town push Diz off a balcony and tear him to pieces as Kaye leaves.This was directed by Robert Fuest, who also brought us The Abominable Dr. Phibes, Dr. Phibes Rises Again and The Devil's Rain! It's not a bad effort, but a lot of his quirkier touches are absent. Genre vet James MacKrell also shows up (he played Lew Landers in both Gremlins and The Howling).One of my issues with this movie - and any of the Stepford stores - is that it's a really simplistic view on feminism. At the risk of mansplaining, I think that women can choose wherever they want to be - in the workforce, at home raising a family, not raising a family, doing all of the above. Or none! By placing the battle between liberated career women and drones who only exist to cook and clean, these stories simplify the very complicated battle of the sexes.That doesn't mean I didn't enjoy this, though! It has some great tension throughout and makes me miss when movies like this would air regularly. This was released on VHS in the 1980's after Don Johnson's Miami Vice fame and even retitled Terror in New York when released internationally. In fact, the version I watched on YouTube has a really poor computer graphics title for this that is just dubbed in!
MARIO GAUCI
A lady TV reporter (Sharon Gless) arrives in Stepford to hold a survey on its standing as the perfect American community. The concept of the 'makeover' is curiously (and implausibly) reworked here, events play out more like a straight thriller this time around and the look, as befits its small-screen origins, is even blander than before – if still somewhat surprising given the involvement of such a visual stylist as British director Fuest! Nevertheless, the end result proves reasonably effective, with the climactic uprising – against the returning Patrick O'Neal character from the original (here played by Arthur Hill) – agreeably riffing on "The Island of Dr. Moreau". The oddly battered print (for such a relatively recent movie) I watched not only bore hardcoded Dutch subtitles but also the abysmal and misleading video-generated re-titling of TERROR IN NEW YORK – a remnant of the VHS days that also deceitfully highlights the presence within of Don Johnson (then riding high on the success of TV's Miami VICE) in the role of an initially compliant but eventually rebellious cop on its videotape sleeve!
DGlen1979
I enjoyed this movie for two reasons. One: I am a huge fan of the original 1974 film to which this is a sequel, and Two: I love 70's- 80's tv horror movies. The original Stepford Wives is often criticized for being an inferior adaptation of the Ira Levin story. Since I've never read the book I can only say that the movie is ominously moody, spooky and effectively suspenseful. It really manages to create a feeling of uneasiness and Katharine Ross and Paula Prentiss are fantastic as the female leads (played by Nicole Kidman and Bette Midler in the 2004 remake). This sequel does a really bold, unexplained thing and foregoes the premiserevealed in the surprise ending of the original, giving a COMPLETELY DIFFERENT reason for why the women of Stepford are always so "perfect." Sharon Gless (Cagney from "Cagney and Lacey" and Debbie from "Queer as Folk") is a tv reporter who travels to Stepford to do a report on the ideal community. She quickly befriends another outsider, played by Julie Kavner (the voice of Marge on "The Simpsons"), who is the wife of a cop (Don Johnson from "Miami Vice" and "Nash Bridges"). From there the story pretty much follows that of the original, with Gless in the Ross role and Kavner very much in the Prentiss role. The exception is that Gless's character actually attempts to save her friend and free the women of Stepford, as would not have been possible in the original for obvious reasons. If you're like me and you love 70's and 80's horror tv movies, this is a must. The basic tenets of the horror genre seem to contrast completely with the medium of television during this time, since anything remotely gory or intense would have been censored, most tv horror movies aren't scary at all. In fact, often they come across as cheesy and unintentionally funny. This can be a whole separate, even addicting, genre in itself (see Wes Craven's "Invitation to Hell"). Spielberg's "Duel" and Dan Curtis's "Trilogy of Terror" are real exceptions to this rule, however. So don't go into "Revenge of the Stepford Wives" expecting a masterpiece. Although Gless is very good, the material is just... cheesy. Still, if you're a fan of the original or cheesy tv horror, you should definitely check this one out. I've seen it way too many times. Now I have to go take my pill.
tex-42
This very silly sequel basically rewrites the original premise of the original Stepford Wives, and now has it so the wives are simply taking pills to keep them in an obedient state, while telling anyone who asks that they have a mild thyroid condition. What makes it even sillier is that a whistle blows across the entire town every time they take a pill. The main question one asks is "How could any outsider not be suspicious with every woman having a thyroid and stopping in the middle of their actions to take a pill?" Unlike the first movie, the town basically puts up a sign that says something is wrong here. If you enjoyed the first movie avoid this one, the acting is marginal and the script is awful.
