MoPoshy Absolutely brilliant

Gutsycurene Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

Jakoba True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Justina The film never slows down or bores, plunging from one harrowing sequence to the next.

Kirpianuscus ...for the perspective about fundamental aspects of ordinary lives. for the impecable performance. for the subtle way to reflect struggles, idealism, shadows of past, desires and the change defining a long way across yourself. and that did it one of films with the basic purpoise of reflection support for rediscover the small things defining the life of viewer. each of them are the sources of the special status of a film about sport , newspaper, ambition and discover of yourself.

tieman64 Directed by Rod Lurie, "Resurrecting the Champ" stars Samuel L. Jackson as a homeless man who appears to be Bob Satterfield, a once-famous professional heavyweight boxer. Satterfield is stumbled upon by a journalist desperate for a unique story, played by Josh Hartnett.To say any more about "Champ" would be to spoil several key revelations. Suffice to say that the film watches as its characters wallow in insecurity and self-hate. The film's awash with fathers, sons, performers and onlookers, all of whom are sold, and so desperately reach for, certain notions of success, conquest and masculinity. Teri Hatcher co-stars. Jackson is largely unconvincing in a tricky role.7.9/10 – Worth one viewing.

sddavis63 "Resurrecting The Champ" is a solid movie that - if I might use a boxing metaphor - may not pack a punch, but nevertheless has an impact on those who view it. It has surprises packed within it - it's not exactly what you expect it to be and it turns out to go in a direction that you weren't expecting because it seemed to be heading in completely different directions. And in the end it turns out to be a pretty moving and powerful statement about the importance of honesty in life and how we all need to live (and die) with integrity, honest about ourselves and able to be proud of ourselves.You get the impression (from the title and from the early direction of the movie) that this is going to be a story about a down on his luck ex- boxer and how he got there. As the homeless ex-boxer, Samuel L. Jackson was good. He's "discovered" one night by Erik Kernan (Josh Hartnett) - a reporter covering the local boxing beat for the Denver Times who dreams of bigger things and is frustrated both by his limited role with the paper and by having to live up to the reputation of his late father - a famous sportscaster. Kernan stumbles upon the homeless man after covering a fight, discovers that he's a former contender named Bob Summerfield (but who goes by the name of Champ) and decides that this is his path to greater things - he'll write a human interest story about this guy that will get him national attention. You anticipate that this is going to become the story of Champ, an anticipation that seems to come true when we start to be introduced to some flashback scenes of Champ's career, but the movie finally takes a completely unanticipated twist. After publishing the story and getting lots of attention and job offers, it's discovered that Champ isn't who he's been claiming to be. He's a fraud, and Kernan didn't investigate enough about his background, which leads to all sorts of trouble for both he and his paper.Here's the key to the movie - it's not a boxing story and not a flashback to Champ's career and not the story of Kernan's rise to fame. It's a moral lesson about honesty. Kernan's been lying to his 6 year old son for years about the celebrities he claims to know (John Elway, for example, who Kernan tells his son he's best friends with but doesn't really know, and who makes a cameo in the movie in a very awkward scene for Kernan and his son). He's living a fantasy, and then gets taken in by somebody else whose whole life is a fantasy (Champ has been impersonating Summerfield for years.) Everything comes crashing down for Kernan, because everything in his life has been a lie.The end of the movie becomes an ode to honesty. After being outed for his fraudulent story, Kernan still has to suck it up and attend career day at his son's school with all the kids knowing that his big story was a lie; he has to face the real Summerfield's son; he has to try to rebuild his relationship with his son. Meanwhile, Champ faces a confrontation of his own near the end of the movie with a local tough guy who's taken pleasure over the years in beating him up - finally telling the guy who he really is, decking his tormentor and declaring himself (as I presume he was) the "golden gloves champ of California.) Champ then dies, apparently having come to peace with himself and his life and having rediscovered his own pride in the things he had accomplished.I wouldn't call this an especially powerful movie. It's a good movie and a solid movie which basically holds up the importance of the value of honesty and the importance of taking pride in who you are - whatever your circumstances in life. It's backed by solid performances from the leads, and a good supporting cast featuring a well known actor such as Alan Alda as Kernan's boss at the paper and lesser known actors who offer their own good performances. All in all, it's very well done. (7/10)

brightdavid I'm sure Josh Hartnett is a real nice kid, and my teenage daughters like him--but he ain't no actor. His attempt at acting is like his character's attempt at reporting: going through the motions with no spunk or soul. Don't blame him, though, blame the director who chose him. Samuel L. Jackson is awesome and convincing, as is Alan Alda as the tough old school editor, Peter Coyote as the wizened old boxing insider, Terri Hatcher revved up like on amphetamines, but Hartnett brings the movie down. The attempt at sentimentality with his separated wife and young son are weak and don't fly. Funny--the girl who plays his wife is good in Cold Case but not as strong here. I honestly think anyone save for Matt Dillon would have been a better casting choice as the lead.