Remote Control

1988 "Your future is in their hands."
5.5| 1h28m| R| en
Details

A video store clerk stumbles onto an alien plot to take over earth by brainwashing people with a bad '50s science fiction movie. He and his friends race to stop the aliens before the tapes can be distributed world-wide.

Director

Producted By

The Vista Organization

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Reviews

GazerRise Fantastic!
Beanbioca As Good As It Gets
ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
BA_Harrison A cold-war-era style tale of alien invaders brainwashing the masses via VHS, Remote Control stars Kevin Dillon (younger brother of Matt) as video store clerk Cosmo, who discovers a plot by extraterrestrials to destroy mankind by altering an old sci-fi movie so that it causes uncontrollable violence when viewed. With the help of his best pal Georgie (Christopher Wynne) and babe Belinda Watson (Deborah Goodrich), Cosmo sets out to destroy all the copies of the film on video before they can be shipped nationwide, but can they succeed without being exposed to the deadly movie themselves?How '80s do you like your films? I only ask because this quirky little sci-fi flick from director Jeff Lieberman (Just Before Dawn/Satan's Little Helper) takes everything already tacky about the decade of day-glo and back-combing and pushes them to the limits, with exaggerated fashion disasters and bizarre hairstyles that make Cyndi Lauper and A Flock of Seagulls look positively reserved by comparison. If you find the idea of metallic lame blouson jackets at all upsetting, then you would probably be better off giving this one a miss. If, however, you appreciate absurd low budget obscurities and revel in the colourful and kitsch, then dive on in.In addition to its clever plot device (whereby the '50s film that the aliens use to control their victims has the same narrative as the film we are watching) and all of the gaudy 80s style, Remote Control delivers lots of nostalgia for those who grew up in the video era (check out all of the cool titles and posters in the video stores!), some cheesy fight action, Jennifer Tilly sporting a truly awful hairdo, a surprisingly good explosion, and an impressive full body burn stunt. While not quite as accomplished as Jeff Lieberman's horror movies—a bigger budget would certainly have helped to fully realise its potential—Remote Control is still a unique experience from a true auteur, and should provide a fun time for those curious enough to seek it out.
Coventry Aliens with knowledge of marketing and earthly hypes develop the brilliant plan of distributing an altered 50's Sci-Fi movie that holds the ability to brainwash its viewers through the television screen and turn them into mad-raving maniacs out to kill their own species. I tell you; only in the demented 80's decade some producer would actually consider pumping money into a goofy horror premise like this. "Remote Control" couldn't be more eighties if it tried to be (I'm actually surprised Duran Duran didn't sign for the soundtrack), but at the same time it's extremely amusing as long as you interpret the film like it should, namely as a light-headed spoof. The silliness of the plot, the over-the-top grotesque costumes, the cheesy sound and make-up effects and the tongue in cheek acting performances all clearly indicate that the film shouldn't be taken too seriously and that the whole thing is merely a big juicy wink at the so-called "video revolution" that boomed during the mid 80's. Any film that simultaneously parodies an entire cinematic sub genre (alien invasion flicks of the 50's) and an entire way of life (80's punks with crazy hairstyles and an awful taste in clothing) is at least worth a bit of praise, regardless of the overall tacky elaboration and the occasional dull moments in the screenplay. Kevin Dillon, Matt's less famous brother, looks and behaves exactly rebellious enough to accidentally stumble upon the aliens' fiendish conspiracy and to take on the battle. He works in a video store where the video, also called "Remote Control" is a tremendous success and together with his co-worker and a stereotypical 80's beauty they go after the distributors. The movie doesn't really offer quality material, but at least it's spirited and writer/director Jeff Lieberman surely always knows where to put the emphasis. Speaking of which, Lieberman undeniably was (is, in fact) one of the most peculiar contributors to the genre of horror during the 70's and 80's. I'm a big fan of his work, but he's still sadly under-appreciated and too often neglected. He didn't make that many films, but the premises were always strikingly original and refreshing. He served killer worms in "Squirm", bald and murderous LSD-trippers in "Blue Sunshine", backwoods rednecks in "Just Before Dawn" (admittedly not that innovating) and now – ladies and gentleman – the only horror movie ever to feature VCR-aliens! "Remote Control" flopped big-time during its initial release (I even read in an interview that the failure resulted in Lieberman's aversion to directing) and it's still incredibly obscure these days. Ironically enough, if "Remote Control" actually were an extraterrestrial project to take over our planet, it severely would have failed as hardly anyone bothered to rent it.
dispet not the worst film ive ever seen, not by a long shot, but man, this was painful, this was bad, this was annoying! so many interesting films get labelled as misogynistic simply because they have women being murdered. well if ever a film deserved that title, this filmis that film! it has plenty of sexism to go around. the main character is little more than an annoying rambo wannabe, he seems to exist solely to get angry and abuse people, neither of which adds to the enjoyment of the film or the plot! the plot i might add is not particularly interesting, let alone striking or innovative. its not very original, it certainly has little to do with videodrome (as opposed to what other commentators might say) and is far to badly handled to ever inspire any thoughts on it being a fun nod to old b movies. irritating trash of the worst kind!
timhoustontx-1 great concept plus great imagery: takes every-day 80's concepts that slowly meld into futuristic looking situations. E.g. girl in work-out clothes later looks futuristic... The idea that watching a video makes you crazy enough to kill is great...plus the fact that the video story is recursive...the story on the video is about people who watch a video...

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