FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Kayden This is a dark and sometimes deeply uncomfortable drama

t_atzmueller People are simply suckers for crossovers: be it Superman and Spiderman slugging it out in the comic books, Hercules fighting Aztecs in the Italian muscle n' sandal flicks or Dracula dueling Jessie James. In "Red Sun" the dream for many a kid came true: samurais going head to head with cowboys and Indians.The concept of mixing Eastern culture and (especially) martial arts with the archaic Wild West has been often tried, sometimes with success but more often with complete failure (Jackie Chan escapades, numerous Spaghetti-Western-Kung-Fu-crossovers and the "Kung Fu" TV-series, which was a technical and aesthetic failure, even though the audience loved it). This had little to do with the incompatibility between east and west but rather lacking directors who could handle both genres with equal dignity.The story is rather plain and simple: Bronson and Delon plan to rob a train that happens to carry the imperial Japanese ambassador. The heist goes fine but fiery-eyed Delon (remember, he is French and left-handed) betrays his partner, leaving him at the mercy of the Japanese entourage – but not before stealing a Samurai sword that was meant as a present for the US-president. The ambassador makes Bronson a deal he cannot refuse: bring back the sword within a week or loose your head. To insure that Bronson is doing his job, the disgraced sword-keeper (Mifume) is sent along, likewise obliged to commit 'hara-kiri' when the seven day span is over. Both men form an uneasy camaraderie, one driven by obligation, the other from thirst for revenge and each perceiving the others culture as plain alien.It would be very hard to duplicate this 'innocent' clash of the cultures-scenario today: too many similarities, too many cross-cultural interchanges have occurred. Today a kid from Japan would be no more alien to the image of an American cowboy than your average businessman would be to the concept of eating raw fish with rice, namely sushi, which they eat anyway during lunch-break. Back in the early 70's, those images tended to be way more exotic to the average-Joe. Back then we could believe Mifumes wide-eyed look of disbelieve at 'culture' of the Wild West as well as Bronsons inability to comprehend his 'partners' culture. Needless to say, this leads to many-a comic relief and, once the colts and katanas are pulled, plenty of action.Mifune and Bronson are simply veterans at what they do (so is Ursulla Andress, by the way, namely dressing, undressing and throwing tantrums). They really don't need much dialogue to bring their sentiments and thoughts across – each confused and by degree disgusted by the others culture and behaviour. No matter how you look at it, the chemistry works and is believable. Throw in Alain Delon doing what Delon can do best – namely look chiseled like a roman statue and throw glares that could cut through ice – you've got the perfect cocktail of experienced acting and charisma.Terence Young made this happen by applying the same he did to the first two James Bond films: make a serious movie but don't take the movie too serious. The result was a comic-book Western that owed more to the Euro-Western of the 60's (perhaps even a bit more to the German Schnitzel-, rather than the Italo-Spaghetti Westerns) than it did to John Wayne or "Bonanza".Granted, this is not a cinematographic masterpiece, this isn't Sergio Leone nor is it Eastwoods "The Unforgiven". This would be comparing "Dr. No" to the ultra-realistic violence of "Casino Royal". Neither films need to be taken serious but should rather be enjoyed. This isn't "Dance with the Wolves"; this is about a bandit and a samurai on a mission to retrieve the emperors sword, on the way slugging it out with bandits and Indians. Throw in the (as usually) excellent soundtrack by Maurice Jarre and what you get is the perfect blend between Euro-Western and Samurai Adventure. 8/10

Jeff (actionrating.com) One thing's for sure, this is the only movie where you get to see a Samurai fight a Comanche. Charles Bronson plays an outlaw who robs a train. Among the passengers on the train is the ambassador of Japan and his samurai bodyguard, played by The Seven Samurai's Toshiro Mifune. When Bronson is double-crossed by one of the men in his gang, he teams up with the samurai to chase down the villain and get his revenge. If you think this sounds like a Jackie Chan/Owen Wilson movie, you're right on. Shanghai Noon was definitely a parody of this film. This is a very enjoyable, action-packed, unique western, but it definitely has some R-rated content. At the end of the day, it's hard to find a better Charles Bronson western. 4 out of 5 action rating

Boba_Fett1138 Without exaggerating, I was absolutely loving this movie for its first half hour or so. After that the movie rapidly started to decline and became less and less refreshing and fun to watch.It all sounds so awesome; having cowboy Charles Bronson and samurai Toshirô Mifune teaming up together in a western. One of the "Seven Samurai" meets one of "The Magnificent Seven". This given thing makes this movie a bit of a must-see and novelty for movie buffs but it at the same time is also really the only interesting and original thing about this movie. Japanese samurai movies were pretty much the eastern equivalent of western westerns, so the idea of the combination of bringing together these two worlds into this one movie really isn't that weird but it's just something that hasn't been done very often, which certainly makes this movie sort of unique.And it also does work very well. Toshirô Mifune is simply doing his own thing and his characters isn't trying to adjust to American culture and costumes. He keeps fighting with his own sword and wears his Japanese robes and even keeps eating his sushi. It worked out well for the movie and for the chemistry with the Charles Bronson character. It's like one of those mismatched duo movies, who have nothing in common and don't like each other very much, that are being forced to work together, due to circumstances.The movie is pretty much being a formulaic and typical spaghetti western, with as a difference that it picks mostly an entertaining approach to things. This can be seen as a pleasant thing but at the same time it's something that only works out well in the movie its first half.It's hard to say where the movie goes wrong. Perhaps the story is simply too thin and formulaic to carry an entire movie, so the movie gets a bit more tiresome to watch during the movie its second half. It's also too bad that the movie felt the need to throw in a female character and love interest. I'm sorry to say but female characters rarely work out in westerns and only are distracting from the story and slow things down, no matter how amazing Ursula Andress is looking in this movie. It's also part of the reason why especially the movie its middle is too slow and far too little interesting is happening in it.More of a novelty than a great movie really.6/10http://bobafett1138.blogspot.com/

lost-in-limbo In the late 1800's, Arizona. Two desperadoes Link and Gauche with the help of some professional bandits and Mexican outlaws, rob a train which was carrying gold guarded by union soldiers, but also on board is the Japanese ambassador who is heading to Washington D.C. In the process Gauche takes their sacred gold sword, which is a gift from their Emperor to the U.S. president. Also Gauche back-stabs Link by attempting to kill him, so he keeps the cash for himself. Unknowingly to Gauche, Link survives. The ambassador's bodyguard Kuroda, plans to get that sword back and kill him straight away for honour, but Link needs him alive, so he can find out where he hid the stolen loot. The two unwillingly pair up with the same goal, but Kuroda has only got seven days to do so, or he and Link will die by his sword.Terrance Young's multinational (Spain, Italy and France) production of "Red Sun" is a boldly unusual western in the shape of the odd couple (west meets east) set on the old-western frontier, which has a nicely balanced out comic vein and stupendous lead performances. You could call it an experiment and it's an interesting blend, even though the story seems familiar, it does keep to its strengths and never wanders off onto pointless sub-plots. What goes on is elaborately important to the story. A snappily eventful script comes through with the witty humour being drawn upon the pair's bumpy relationship, involving their differences and actions. Charles Bronson is at his charismatic best with a lively turn as the rascally equipped gunfighter Link and the legendary Toshiro Mifune authentically emits classy grace with ace determination and stubbornness as samurai bodyguard Kuroda. They excel together and make a real good pairing. This is what sells the film from the get-go. Alain Delon makes for an formidable villain figure, as the deviously suave Gauche and beautiful bombshell Ursula Andress (who offers a brief topless scene) is terrifically dynamic as Gauche's robust firebrand girlfriend Cristina. Anthnoy Dawson and the wonderful Capucine also show up in minor parts. Young's direction can stumble in some shapeless touches, but mainly he keeps a busy pace and engineers some excitingly biting passages of raw action; like the suspenseful dying half with a bit of splatter on show. Editing is smoothly tailored. Maurice Jarre's uncannily saucy music score is less than grand, but atmospheric enough to the period. Henri Alekan's spaciously scenic cinematography, is kind of lost on the small screen and in full frame. This is sad as the picturesque locations are important to the feel of certain scenes. An assiduously engrossing display of swords and guns, which is far from a masterpiece, but chiefly entertains and makes suitable use of a flavoured international cast.