Damsel

2018 "Not all damsels need saving."
5.6| 1h54m| R| en
Details

Oregon, a small town near the sea, around 1870. Henry, a grieving man who aspires to preach as a way to overcome his unfortunate past, reunites with eccentric pioneer Samuel Alabaster, who has hired him to officiate at his marriage to the precious Penelope. What Henry ignores is that both must embark on a dangerous journey through the inhospitable wilderness to meet her.

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Reviews

Matialth Good concept, poorly executed.
Glimmerubro It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.
Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.
Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.
jdesando "The Old West is not a certain place in a certain time; it's a state of mind. It's whatever you want it to be. -" Tom MixI should have liked the Zellner brothers' Western comedy, Damsel, much better than I did. It has elements of Mel Brooks and the Coen brothers when they mine the satire of a genre very long in the tooth. The difference: writing. Brooks with his inspired goofiness (Blazing Saddles) and the Coens with their light-hearted larceny (Raising Arizona), have characters using language much smarter than they are, whereas The Zellners' lines are deadpan but dull even though they use elevated diction as the Coens so often do. Using contemporary lingo like "win win" and "real deal" doesn't titillate as it should. In addition, Zellners' language lacks strong affinity with bigger issues.Samuel (Robert Pattinson), a rich pioneer, engages a sham preacher, Henry (David Zellner), to officiate at Samuel's wedding to Penelope (Mia Wasikowska). In their journey with a miniature horse, gift to Penelope (not the waiting Penelope of the Odyssey), the two must deal with their naiveté and the vagaries of raw Western staples like rot-gut whiskey, duplicitous Indians, and bad campfire ballads (Samuel's ballad to Penelope, called My Honeybun, is a weak companion to Brooks' notorious campfire scene) While this set-up is rich fodder for satire, most of the jokes fall as flat as Penelope's affect and as dry as the joke about a fool in a barrel being strung up for no obvious reasons. Westerns are ripe for satire, but the flat line here comes not from the fine performances but the tepid minimalist script and uninspired cinematography. Wasikowska is marvelous as the independent and bitter love interest, Pattinson showing once again that he is much more than a teen heart-throb. The Zellners have the right motif about loneliness; they just need to beef up the languid language and droll action.
cdcrb Quirky comes to mind. out of the ordinary. unusual. fun. this is not a film for young people, but for movie goers old enough to enjoy good film making. the plot doesn't matter, but it's a frontier woman dealing with circumstances as they present themselves. the directors have a hard time wrapping things up, but that's all right. and it's always a pleasure to see Robert forster. he never quite "made" it. who knows why!
LifeVsArt This is not your grandfather's western. For those who have seen the Zellner's "Kumiko, the Treasure Hunter" you will recognize their unique sensibility but find even that won't prepare you for the monumental turnaround taken in this strange, absurdist, feminist comedy/drama. Avoid spoilers at all cost, just go in with whatever expectation you may have and allow the Zellners to take you on a wild ride that, along the way, has a lot of slapstick but also some very substantial ideas on the relationship between the sexes - reality vs illusion, etc. The acting is topnotch. Robert Pattinson acquits himself wonderfully in this farcical frontier - he has a real comedic sense that is tapped in his loony over-the-top Romantic character. Mia Wasikowska is a total powerhouse as Penelope, expressing so much with her face and body - she takes the movie by the throat and rides it off into the surreal sunset. Wasikowska is the beating heart of a movie that has both zany episodes and surprising pathos. The more distance I get from "Damsel" the more I think about it and the more I realize there is a definite method to the Zellner's madness. This is a bold film that takes great risks - we need more movies like this that don't settle for playing it safe.
Alexander_Blanchett It was all right but nothing to write home about. Surprisingly funny at times tho. Robert Pattinson gives a solid enough performance, I did not expect that he can do comedy but in that film he did it better than the dramatic scenes that he dramatically overacted. The concept itself was good on paper but the Zellner bros failed with the execution at times. David Zellner gives a very solid performance in the film, possibly the best of the film. Mia Wasikowska was also fine but there were scenes she overacted as well. The soundtrack was pretty good and I liked the general look of the film, not only the cinematography but also the production design was good, although the film apparently had a limited budget. Its still nothing I would desire to watch again any time soon as it did not do anything inspiring (except maybe the narrative, which was at times a bit unexpected) . It had also some cute moments.