Red Riding: The Year of Our Lord 1974

2009 "An epic tale of murder, corruption and obsession."
6.9| 1h42m| en
Details

Yorkshire, 1974. Fear, mistrust and institutionalised police corruption are running riot. Rookie journalist Eddie Dunford is determined to search for the truth in an increasingly complex maze of lies and deceit surrounding the police investigation into a series of child abductions. When young Clare Kemplay goes missing, Eddie and his colleague, Barry, persuade their editor to let them investigate links with two similar abductions that draw them into a deadly world of secrecy, intimidation, shocking revelations and police brutality.

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Reviews

SincereFinest disgusting, overrated, pointless
Ariella Broughton It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
Portia Hilton Blistering performances.
Matylda Swan It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.
Rodrigo Amaro I must have missed something while watching "Red Riding: In the Year of Our Lord 1974" because I did not see a spectacular film as some tend to say about it. What I saw was a well made film but nothing so outstanding about a journalist trying to stop a serial killer who murdered little girls back in 1974. Eddie Dunford (Andrew Garfield) is a persistent yet very naive journalist trying to solve the case behind the disappearance of some girls from the surroundings. The more he goes with the story he'll find more and more trouble, to the point of having a strange tendency of getting punched by corrupt cops who don't want him near of the people who might know what's the truth behind the deaths. Haven't we seen that before?The film wasn't strong enough to make me feel deeply interested at certain parts (the course of Eddie's investigations are quite boring, so in order to lift things higher the director gives us lots of sex scenes, a little bit pointless but interesting to see, specially because Garfield is in all of that). It's very well made, well acted specially by Garfield and Sean Bean, who plays a powerful businessman. The historical reconstruction, art direction and costumes (the corny pants Andrew wears are priceless) are really good. But I'm a little saturated of plots like that, very surpriseless and very obvious. So, I made my point of what works in this piece. If you think you should see it go forward. It's up to you. Totally recommendable for fans of Garfield, Bean, Eddie Marsan, Peter Mullan, David Morrissey and others. 6/10
Rockwell_Cronenberg I know a lot of people thought that the trilogy was a let-down, but 1974 has floored me both of the times that I watched it. This one stands as one of the most impressive works of 2010 to me. The visual style immediately drew me in, gripping me into this world and putting me right in the shoes of Eddie Dunford. I love plots like this, with a guy just fighting against everything to bring down corruption. It's all so gritty and so dark, and expertly draws you into this dangerous, despicable world without fail.Andrew Garfield is perfect in the lead role; he was practically made for the role of this sly and naive journalist walking into the lion's den. His charisma and do-gooder attitude goes through hell throughout the duration of the film and he plays every second magnificently. The character makes such a brutal, wrecked transformation throughout the film and Garfield is right there hitting every single step without fail. I know some people have had some backlash against his sudden popularity, but that really just doesn't make sense to me because he came out of nowhere last year with three performances that were absolutely extraordinary.Rebecca Hall is superb in this one as well, proving again that she is one of the finest actresses of her generation. She brings this cold vulnerability to her role that is very chilling and sticks with you when the film is over. Two superb performances in a very dark, excellent picture.
noisebox666 OK, this is noir, for sure. But it also shines for its shallowness and emptiness.The movie opens with what promises a complex investigation about the murders of several girls, mixed with some political corruption.But here is the catch, because it doesn't go anywhere further. The main character, Eddie Dunford, doesn't have a clue about anything. Neither about the case, neither how to proceed, neither about the basis of his job as a journalist. (though he claims and boasts a lot to be one) The acting is well performed, though it's always difficult to say so when characters and situations are incoherent.I admit the cinematography is perfect, in the mood of old 70's thrillers, which can lure many into considering it makes a good film, just because it looks smart.Nevertheless, the scenario suffers from weakness and evasiveness. The main character is stupid and his main achievement would be to receive the result of one life's work and researches of his dead and more gifted friend, then give it to a cop.So here is another movie with a beautiful photography, a static scenario, a stubborn and stupid character, whose pointless actions lead to absurd and nonsensical situations I found hard to believe. The famous "willing suspension of disbelief" failed to work here as far as I'm concerned.I think I miss Chinatown, and will need to watch it soon after this mess. All the more so it looked promising.
kluseba This is the first part of a trilogy about a serial murderer that kidnaps, rapes and kills little girls. As a young and emotional rookie journalist does his own investigations concerning the most recent and third murder, local police officers, entrepreneurs and even his own boss try do everything to hide a mysterious secret surrounding the murders. No one is innocent in this circle of corruption, power and abuse.The first part of this trilogy is a very atmospheric film noir. It is a slow paced investigation that takes place in a rainy, grey and desperate entourage and where the main character discovers the evil that men do. While the beginning of the movie is a little bit boring and doesn't explain enough the first murders of the possible serial killer, the film gets more profound, intense and even shocking towards the ending and you really get absorbed by a dark and destructive atmosphere during the last thirty minutes of this movie that makes you watch the follow-up immediately.The story is complex and many characters are introduced in the frustrating beginning but towards the end of the movie, you get used to all those characters and are able to create connections between them and that helps you to understand and appreciate the movie more and more. The actors are doing a quite well and authentic job and not only because of the very particular accent and entourage. Andrew Garfield plays a solid role as a young, naive and emotional journalist that does many mistakes during his quest for the truth. Rebecca Hall is doing a great job and plays the role of a disturbed and mysterious femme fatale with a tragic destiny. Sean Benn does an incredible job by playing the role of a rich, cold and dangerous businessman.The best part of the movie is its very brutal and yet twisted ending that is filmed in a very intense way. The director did a great overall job in this movie and created some very intense footages that add a lot to the atmosphere of the movie. The way he cuts the final scenes and also the dream or hallucination sequences is very eerie and special. Concerning the end of the movie, I would like to give you the advice to check out the three deleted scenes on the DVD that add a special something to the atmosphere of the movie and to its end. I don't understand why those scenes have been deleted because they are all very strong and not filler material.I've mentioned a lot of positive points and you might ask yourself why I didn't give eight or even nine stars to the movie. That's because of the slow paced beginning, the cliché that everything and everybody is corrupted, evil and brutal and that some events during this movie are too predictable because of that. The movie is intense and absorbing but up to the last thirty minutes there isn't much tension. There is also especially one scene that I found strange, as the young journalist gives the life's work of his deceased partner and friend to a young police officer. This scene has simply a lack of logic in my opinion and doesn't fit with the behaviour of the journalist that did everything on his own without caring about laws or instructions and that had some very bad experiences with the police.But all in all, this is a very absorbing and authentic film noir with an excellent ending that makes me look forward to watch the follow-up quickly. If you like this genre, this movie is a most-have and highlight for you and if you like ordinary movies about criminal investigations you may get disturbed by the dark and brutal ending of the movie that distinguishes this film from the ordinary ones. No matter in which category you fit, I would highly recommend you this film and encourage you to not give up during the overlong introduction because the second part of the movie is more than worth the wait.