Unlimitedia Sick Product of a Sick System

CommentsXp Best movie ever!

Bergorks If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

gavin6942 A chronicle of the interconnected lives of a group of people in the lead up to Paris Fashion Week."Prêt-à-Porter" received generally negative reviews from critics; it currently holds a 26% 'rotten' rating on Rotten Tomatoes. Despite this, it was nominated for a Golden Globe. So, is it a masterpiece or a failure? No one knows for sure.In some ways, this is a return to "Nashville" in the sense that there are an incredibly large number of cast members, not always interacting. But the theme here seems more contained, with a central event connecting them all (even if loosely).

Lee Eisenberg Robert Altman's death three days ago brings to mind not only his movies, but his unique style: letting people develop the characters themselves, and overlapping dialogue. In that sense, "Pret-a-Porter/Ready to Wear" is possibly the best example of his movies. One really gets the feeling that they just filmed whatever happened here. This story of a murder in the midst of a Paris fashion show pretty much does whatever it wants, and does a worthwhile job with it. Starring Marcello Mastroianni, Sophia Loren, and a too-long-to-name list of other people.So, in conclusion: thanks for everything, Mr. Altman! You were one of the greatest directors of all time!

OnlyZuul I've seen it a couple of times. I understand Altman was maybe trying to create a disjointed, farcial almost surreal type atmosphere, but I found the lack of cohesiveness and clear cut thread annoying and it caused me to not care about the film or its characters. Being just a regular jane and not blessed with 15 or so credits in Film-making at NYU, the subtly of the art was lost on me. I desperately wanted just a little exposition to grab onto, and all the film's inside jokes and vague, obscure references to Italian films I found to be self indulgent. I'm not saying this film was bad - just bad for me. I think he could have pulled off the same feel and frenzied little European farce with a TOUCH more connective tissue in the plot. Not a lot, just a little for the audience to care about the story, the characters and whatnot. The thing I found in the film that I even cared more than a fig about was the Simone storyline.

tobybarlowny There's one thing in this film that I love in a very film nerdish sort of way and that is Danny Aiello's character, which is, in a strange way, a homage to an earlier character in Altman's California Split (a film well worth revisiting). And while some of the characters may seem over the top, my own experience in the fashion world would attest to them being pretty realistic. While it feels as fragmented as any Altman, there is a story here, and it's a pretty subtle one, but perfectly satisfactory in my opinion. I think the film, overall, is woefully under-rated. I feel like everyone got caught up in the idea of "ALTMAN" and then got confused by "THE STARS" and then didn't really bother to look at the movie, which has some lovely grace and is well worth the time. Then again, why listen to me, I liked Ishtar.