Cubussoli Very very predictable, including the post credit scene !!!

Frances Chung Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Kayden This is a dark and sometimes deeply uncomfortable drama

Uriah43 Formed as a counter-assassination unit, "Project-Kill" has evolved from protecting persons of influence to one of covert assassination. Having risen up through the ranks "John Trevor" (Leslie Nielsen) has seen this change and he doesn't approve of it. As a result, even though he is in charge of training he announces his decision to leave the organization to his subordinate, "Frank Lassiter" (Gary Lockwood). This decision stuns Gary who reminds him that this type of action requires a lengthy debrief due to the top-secret information he possesses which other countries would love to have. Along with that his departure would also require a gradual withdrawal process because of the drugs all the agents take to bolster their effectiveness. But John remains firm and decides to leave immediately. When Frank attempts to stop him he is knocked unconscious. We then discover that John has fled to the Philippines with both Frank and other foreign governments in hot pursuit of him. Now, as far as this film is concerned, although the overall plot was certainly good, it lacked several key elements which could have immensely benefited this movie. For starters, other than Leslie Nielsen and Nancy Kwan (as "Lee Su") the acting was pretty bad. In particular, the performance of Pamela Parsons (as "Lynn Walker") was especially wooden. Likewise, both the script and the fight sequences needed improvement as well. In short, although this movie isn't extremely bad, it isn't necessarily that good either. I rate the movie as slightly below average.

Chase_Witherspoon William Girdler made a number of memorable, b-grade action films in his prolific though brief career before his premature death, but "Project: Kill", unfortunately, isn't one for the highlight reel. Nielsen stars as a jaded US military project head, conditioning elite soldiers to become assassins with the aid of drug control. When he escapes to the Philippines to consult with a crippled ex-army buddy (Thompson), his 2IC (Lockwood) follows in pursuit with orders to recover or destroy before other sinister interests learn the project's secrets.Kwan is terribly wasted playing a Chinese love interest for the programmatic Nielsen, emotionally inert, unable to develop feelings of attraction and love until the drug withdrawal begins to wane and he discovers a human side he'd long neglected. Lockwood is the kung-fu fighting 2IC, another unlikely looking killing machine, while ubiquitous Philippino actors Vic Diaz and Vic Silayan are the villain and the cop respectively, both looking relaxed in their environment.Girdler's picture aims high but is seriously compromised by its production limitations and fatally stagnant pace. The plot has more holes than a sieve and the action sequences are poorly choreographed and lack intensity. Girdler was indeed a fine, emerging director with some talent, but "Project: Kill" isn't among his best work.

oscar-35 An older secret agent (Nielsen) detects and finds himself hunted by a group of drug-fueled hit men from a super secret military group in the sleazy underbelly of the Philipines. Star: Leslie Nielsen, Gary Stockwell. A very one-dimensional plot line with little interest and very boring for the viewer to watch. The actors are truly wasted in this film. The roles are 'phoned-in' with no energy. The Philipine locations are also wasted and add nothing to the production quality. The film's ending is really no surprise. This film leaves you feeling like you want the time you wasted watching this film back in your life. A totally flat film with no entertainment value. What a waste of film production money. Did the stars want an all expense paid vacation in the Philipines and US federal tax deduction? The film has no obvious purpose or theme.

Poseidon-3 Oh, the horrid and lackluster road Nielson's career would have taken had he not participated in "Airplane!" a few years after this, a riotous comedy which gave him an entirely new lease on a career that had nearly come to a close. Here he is stuck in a horrible, low-budget mess in which he plays a government assassin who leaves his highly secretive organization (of which he was the head) and flees to the Philippines. His second-in-command Lockwood pursues him in order to either bring him back or eliminate him while the local police and local hoodlums are also on Nielson's tail. Somehow, he still finds time to meet and bed down Kwan, a lady staying at the same hotel as he is. Things start off inauspiciously with a group of men in those distinctly seventies workout suits watching a training movie about political killing. There seems to be an unspoken contest between Nielson and Lockwood as to who can unzip his top the furthest without looking too ridiculous. Since Nielson has a gold chain on under his, he wins by default. The film is alternately dull as dishwater and unintentionally hilarious. If a person has been waiting to see a knock-down kung fu battle between hired thugs and a man in a wheelchair, this is the film to grab. There's a fair amount of arm-wrenching and neck-breaking as is to be expected from a film called "Project: Kill", but it's more than a little laughable to see Nielson, and even Lockwood, performing these tasks, even if one considers that Nielson was taken fairly seriously at this stage of his career and that a solid career in comedy was yet to come around the bend. It must be noted, however, that in his shirtless scene, Nielson has remarkably toned abs for a man his age and for this time when working out was not a daily ritual for most people. Kwan's role couldn't be more thankless or insubstantial (or inconsequential!) Don't miss the scene in which Lockwood trashes a large section of a hotel lounge (not because of the resident singer, as one might expect!) and strides out without so much as a nod to the management and is then seen sitting in his room on the phone as if nothing happened. Maybe the place was just going to add the damage to his bill. Also, the said phone conversation appears to be with someone from "The Flintstones", so high-pitched and fast is the other voice on the line! Only those with an interest in obscure martial arts flicks (preferably bad ones!) or fans who feel the need to see Nielson's complete filmography should bother with this eternally average and amateurish movie.