Private Number

1936
6.7| 1h20m| en
Details

Ellen Neal, a young and inexperienced maid, becomes romantically involved with her employers son which causes various complications. The head butler also has an infatuation for the young girl but his intentions are not that good.

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Reviews

PodBill Just what I expected
Smartorhypo Highly Overrated But Still Good
Crwthod A lot more amusing than I thought it would be.
CrawlerChunky In truth, there is barely enough story here to make a film.
weezeralfalfa It doesn't take long to figure out who is going to be the archvillain. Basil Rathbone frequently played villains. For example, he opposed Errol Flynn in fencing duels in "Captain Blood", and "The Adventures of Robin Hood". Here, he plays the imposing dictatorial Wroxton, who functions as the butler in the mansion of Mr. and Mrs. Winfield. More importantly, he is given the authority to hire and fire other household functionaries, besides which he takes a cut of their salaries to insure his continued approval of their work. He is uncommonly stiff and formal, and treats the staff as a drill sergeant treats his recruits. He reluctantly offers Loretta a job. She doesn't accept right away, and is about to leave, as she can't imagine working under the thumb of the zombie-like Wroxton. However, maid Patsy Kelly, as Gracie, flags her down, and convinces her to give it a try. Patsy becomes her friend throughout the film. The son of the Winfields: Richard)Robert Taylor) is immediately smitten by Loretta's beauty, initially assuming she is a guest, rather than a maid. Soon, he's talking marriage, but she initially objects that a marriage between a scion of a wealthy family and their maid wouldn't be accepted socially. He nixes this objection, and eventually, she gives in, not telling his parents, initially. Meanwhile, evil Wroxton finally makes his move, proposing marriage. She flatly turns him down. Wroxton spends the remainder of the film trying to get Loretta in trouble with the family or the law. He announces to the parents, that one of the staff is going to have a baby, of which Richard is the father. Loretta admits such, but informs them that they are married. Wroxton's major success relates to an incident in which a broke Loretta hesitantly accepts a ride with an unfamiliar man((Monroe Owlsey, as Coakley),who supposedly stops to introduce her to his grandmother(May Beatty, as grandma Gammon), but it turns out to be an illegal gambling den. Unfortunately, the police stage a raid just then, and Loretta winds up at the police station, with no money. Loretta reluctantly calls Wroxton to take a taxi to the police station and pay her fine. This he does. Thus, he finds out about her entrance to the gambling den. When, he tells the Winfields about this, they demand an annulment of the marriage. Richard is not so demanding at first, and refuses to sign the annulment, but after talking to Loretta, he gives in and signs it. However, there has to be a trial. Her lawyer finds Coakley, who agrees to tell about his role in her being found in that gambling den. However, Wroxton pays Coakley to lie, and make it look like Loretta was the sleazy one, which seemed to cook her goose. But, Loretta's lawyer finds out about the dirty deal between Wroxton and Coakley, and tells Richard, who promptly socks Wroxton's jaw, causing him to fall over backwards over a desk: the most satisfying moment in the film! Loretta's lawyer called her to the stand once more, and she testified that she was only 17 at the time, thus underage to be in such an establishment This sealed Richard's mind to withdraw the annulment request........Besides the police raid, there was another episode of pandemonium when a guy who talked like a mobster got fresh with Loretta while she was seated in a nightclub. The big sailor with buck teeth, who hardly talked, got up and socked this guy. In response, his buddies came at the sailor, followed by various sailors coming to his defense. Soon, everybody was fighting, and Loretta's salary was stolen from her purse....... As always, Loretta is extraordinarily beautiful, with many closeups of her face, with those big soulful eyes. Robert Taylor was also in his prime, and made a very handsome groom.
mark.waltz In today's world, imperious butler Basil Rathbone would be slammed immediately with a ton of sexual harassment suits and all sorts of other charges as he demands a take from the salary packets of each of the servants he hires, and can fire at will. When first seen, Rathbone is berating each of the staff for little things he considers unacceptable, whether it be maid Patsy Kelly's hair, or the condition of cook Jane Darwell's condition. Kelly is busy minding the birds when Loretta Young appears at a side door looking for a job. Rathbone, obviously ogling her from the moment he turns around in his office and sees her, offers her a position with a $15 a month cut, then later makes his intentions clear when he saves her from the advances of a lecherous chauffeur. Young is promoted to the ladies' maid for the gracious mistress of the house (Marjorie Gateson) whose son (Robert Taylor) arrives home from college and is immediately enchanted by Young whom he believes is a party guest. After Rathbone gets Young out of a scrape with the law, Young (along with Kelly) accompanies Gateson and Taylor to the country where a romance blossoms between ladies maid and the wealthy son, leading to potential scandal where Rathbone uses Young's legal past against her.A light hearted first half turns a bit cold in the last few reels where Young must declare her innocence of any wrong doing, and I found myself losing interest at that point. Up until then, the film had been a mixture of upstairs/downstairs style drawing room comedy (an American version of "Downton Abbey") with some interesting drama, but then after a scene where the master of the house (Paul Harvey) accuses Young of luring his son into marriage, it becomes an overly chatty courtroom mess where all the humor of the first half turned into gushy soap opera. As horrid as his character is, Basil Rathbone is excellent, an example of somebody abusing his power in every way he can. Gateson, who could play society matrons both snobbish and dizzy, makes her character here extremely likable, an understanding woman of conscience who wants to stand up to imperious husband Harvey and support Young but feels trapped under his thumb. Taylor, like Young, seems too old to be believable as a college age student, but I found them an attractive pairing together. As usual, Patsy Kelly gives a raucous and scene stealing performance, with Joe E. Lewis very funny as her date in one scene, bringing along a shy toothy sailor (actor unknown) who can only say hello, but can give a great punch when an intruder makes a pass at Young in front of him. The sequence involving obvious May Beatty seems like something out of another movie, utilized only as leverage for Rathbone to have something on Young. This has a lot going for it, but some twists in the screenplay prevents it from being as satisfying as it could have been.
Martha Wilcox This is actually quite a good film. It starts off with Loretta Young being interviewed by a butler (Basil Rathbone). He offers her the job even though she has no experience. She thanks him for the offer, walks out and tells the maid that she's not going to take the job because she finds him sleazy. The maid persuades her to take the job and they become friends.Loretta, however, seems to be a bit dim as she loses her handbag and her money is stolen. After a brawl in a restaurant that her maid friend takes her to, she ends up being arrested in a gambling joint and gets a police record. Rathbone bails her out and uses it against her later on in the film.Rathbone puts in a good performance as a butler playing a subservient position to Robert Taylor. He presents himself as quite stiff, but the character is well drawn in the writing.When Taylor strikes up a romance with Young the pace of the film starts to drop off. It is Rathbone's character that makes this film interesting especially his interaction with Young. He may be playing a sleazy character, but that's what the film is about. Not the Taylor-Young romance.
bkoganbing In a film that was primarily a vehicle for Loretta Young, I'm guessing that Darryl Zanuck did not want to use his favorite leading man Tyrone Power in this remake of Common Clay. Power and Young did do several films together in the Thirties, but they were either equal vehicles or Power predominated. So Zanuck got the services of Robert Taylor who was the MGM equivalent of Power for Private Number.Or it's possible that Power also took a look at the script and realized that the part Basil Rathbone had would be a show stealer. Or that Basil Rathbone would make it one as the villainous and lecherous butler is the kind of role Rathbone could really sink his teeth into.Certainly the part is out of the Snidely Whiplash tradition of villains. Rathbone is the tyrannical butler who rules the house servants with an iron hand including 20% kickbacks on their salaries of which the clueless masters Paul Harvey and Marjorie Gateson know nothing and for reasons I can't figure out no one is telling them or complaining. The only who raises her voice to Rathbone is cook Jane Darwell.When Loretta Young arrives looking for work, Rathbone in true stage villain tradition is willing to forget the kickback for other considerations. But Young catches the eye of Robert Taylor as Harvey's and Gateson's son. They marry in secret and Young keeps her pregnancy a secret for as long as she can.With Rathbone playing Iago as well as Snidely Whiplash to the parents they move for an annulment. It all gets rather messy in court, but of course it all works out for the course of true love.Young is certainly beautiful and who wouldn't fall for her. Only toward the end is Taylor given anything to do that requires any real acting on his part. Patsy Kelly playing Patsy Kelly is also fine as Young's best friend. But the one you will really remember from Private Number is Basil Rathbone.