BootDigest Such a frustrating disappointment

Listonixio Fresh and Exciting

Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Vonatrox Paranoia 1.0 portrayed a not-so-distant future of isolation and corruption. Our protagonist - Simon J - suffers from the very beginning and his deteriorating state grows exponentially by the end. There is a clever gimmick behind his "sickness" which I can agree to be plausible.This cinematic adventure's strengths are not in the casting, but in a grim atmosphere that entices the viewer with a special peek into the world of a paranoid being. This is done exceedingly well and I give much respect to the set designers. Overall, 1.0 is a look into what corporate power may one day be able to exact upon the masses, in ever evolving, technologically proficient world.

Rogue-32 I'm generally a sucker for a film that lures you in by its atmosphere, without telling you too much, letting the story evolve slowly, leaving the viewer with somewhere to go, something to figure out while watching. One Point O is that film, in spades.It's yer basic sci fi thriller, with nanotechnology, mind control, kinky sex and seriously warped (but interesting, very interesting) characters at every turn. Jeremy Sisto, as the central character, makes it compelling in a subtle way, in that I really wanted to know what the #@%! was going on with him: was the whole thing in his mind, or was it happening in reality, or what? While the film doesn't spell everything out - which is a good thing, a very good thing - there's enough info that, by the end, the conscientious viewer can get the gist of what's transpired. I do recommend a second viewing, though - get the DVD, as I plan to do, since this one's not shown on cable that often. I see this film as having tremendous cult appeal, where audience members dress accordingly and hover in a suspiciously extra-dark and oddly damp screening room, late at night. Also a good thing.

Jonny_Numb What begins as a paranoid gloss on David Lynch's "Eraserhead" (the central character is an antisocial loner in a fittingly creepy apartment complex) eventually unravels and stalls due to its own hyper-allegoric art-house pretensions. But for a while, it's an engrossing, unconventionally entertaining tale of a computer programmer (Jeremy Sisto) who receives empty packages inside his apartment...even after he changes the locks. While it's clearly a work of science fiction, the conceptualization of "the future" is presented in a minimalist manner–save for some complex-looking computer screens and virtual-reality scenes–that envelops the cerebral thriller elements quite nicely. In addition to "Eraserhead", it also bears some resemblance to David Cronenberg's more playful "eXistenZ," with a similar emphasis on the blurred line between hallucination and reality (metaphors abound), but the double- and triple-crosses the plot lays out eventually become tiresome.

sayhitowarren I just finished watching Paranoia 1.0. While this film is not going on my list of all time favorite films, I did find it very entertaining. The filmmakers have nothing to be ashamed of. I was particularly struck by the similarities between this film and Orson Welles' 1962 film of Kafka's The Trial (Le Procès). The Romanian locations do for Paranoia some of what the Yugoslavian locations did for the Trial. Paranoia gives a cyberpunk angle on the Kafkaesque theme of the internalization of social structure, particularly the mentality of consumerism. Although Kafka did not explicitly address consumerism, I think he might if he was alive and writing in the 21st century. The sub-themes of sexual guilt and infection are very much from Kafka. And the police are especially Kafkaesque. I also detected the influence of David Cronenberg, especially his media-related films Videodrome and eXistenZ. I think there was also a little bit of Kubrick influence. I saw this in the neighbor's AI project which sort of a existential, postmodern, frankensteinian, Edvard Munchian version of 2001's Hal and AI's David. He goes "Aaahhhhh ..." You might say the same thing after watching this movie, especially if literary/philosophical sci fi/fantasy is not your bag.