Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Taha Avalos The best films of this genre always show a path and provide a takeaway for being a better person.

Blake Rivera If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

Hattie I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

flyingwitch Okay, I feel like I've just been tickled and punched for eighty minutes. This shot on video movie about a good looking guy who searches for his penis in the porn underworld deserves a lot of credit for it's intelligence, but most of all for it's unrelenting intensity. Asidefrom the pulpy aspects, this film has some incredibly honest moments: the relationship between the two leads rings strong and true; this film also has the most intense 'rape' scene since the one in that French film "IRREVERSIBLE". Probably not your cup of tea if you like comedies with the word 'wedding' in the title. But if you don't mind the cut-rate production, get ready for a very interesting viewing.

talltale-1 Chutzpah has a new--perhaps permanent--definition: NOWHERE MAN, an execrable would-be drama, would-be comedy, would-be satire, would-be goof/spoof, would-be Troma-type gore fest (Lloyd Kaufman even has a small role). So many would-be's and not a single be.The height of the chutzpah is using outtakes during the end credits to what has already been one long outtake in itself. Without these dumber-than-usual add-ons, the film would have rolled in at just 70 minutes. With them, it stretches out the insult to 80. Jumping off (and crashing) from the John and Lorena Bobitt tale, the movie plays it mostly straight (very badly) but occasionally veers into leaden satire, which is even worse. The two leads could very possibly be decent actors. But not here. Technically the movie sucks, too, which leaves it without a single redeeming feature.Now that I rethink for a moment, I must admit my earlier mistake: The tip-top height of chutzpah is that fact that this film actually received a theatrical release. Imagine the poor schnooks who paid movie-theatre prices!

arthurpewty I have been recently watching a lot of Tim McCann movies in anticipation of his new movie with Robin Tunney and Aaron Stanford.This second-newest release, NOWHERE MAN, is a great slice of low-budget DV independent/ B-movie film-making. And when I say B-movie, I mean it in the best sense of the term. I read a FILM THREAT interview with McCann where he talks about preferring Anthony Mann movies to anything made today, and NOWHERE MAN has that same sort of hard-hitting pulpiness that a film academic could respect... if they weren't TOO uptight. After all, this is a movie whose main character has had his willy removed. The acting all around, from leads Rodrick and Rochon and Olivier to one-scene appearances by Michael Risley (who starred in McCann's excellent REVOLUTION #9) and Bob Gosse and Lloyd Kaufman, is really solid and plays more to the realistic side of the situation, but with a few moments of comedy -- both broad and subtly dark -- in there for good measure. The theme of NOWHERE MAN is quite similar to McCann's first feature DESOLATION ANGELS, which also featured Rodrick as a man who learns a secret about his girlfriend that drives him to unnecessary macho violence, but this is a much leaner, more effective film. Unfortunately, I fear too many people won't be able to get over this flick's cockiness, so to speak, and see it for the well-told drama that it is. Of course, the filmmakers aren't helping matters with the selection of crude outtakes put into the end credits, which sort of undercut the tone of the film -- but which presumably are there to pad this lean, mean film out to feature length.

Mike Watt (happycloudpictures) A pitch-black dark comedy about the consequences of your actions. The acting could not be better - those familiar only with Debbie Rochon's comedy-horror roles are going to be stunned by the depth of her performance. The structure of the story ensures that the viewer works to grasp the levels of the narrative. It's just an outstanding, grim and gritty movie. Not for the squeamish, insecure men or anyone lacking a sense of humor.