BlazeLime
Strong and Moving!
Voxitype
Good films always raise compelling questions, whether the format is fiction or documentary fact.
Allison Davies
The film never slows down or bores, plunging from one harrowing sequence to the next.
Michael_Elliott
Nightmare Factory (2011) **** (out of 4)Excellent documentary taking a look at the special effects of Greg Nicotero, Howard Berger and Robert Kurtzman, the team that would make up KNB. The documentary takes a look at the early history of special effects, which included the work of Lon Chaney and works itself up to Tom Savini and his ground-breaking work on DAWN OF THE DEAD and Friday THE 13TH. From there we hear from Nicotero and how he got involved with DAY OF THE DEAD, which led to one big film after another. NIGHTMARE FACTORY does a wonderful job at not only telling you the story of these three men but it also gives you a much better appreciation of the work they do. It's strange to think that so many great make-up artists were overlooked in previous decades but thanks to DVD commentaries, featurettes and movies like this, these artists are given their due, which is great. The documentary also features interviews with the likes of John Carpenter, George Romero, Quentin Tarantino, Frank Darabont and others. These men talk about their appreciation of the KNB group but also comment on the horror films that meant so much to them as children. The best thing about this documentary is that there's plenty of behind-the-scenes footage of the team at work on various films like EVIL DEAD 2, PREDATORS, KILL BILL, PIRANHA and The Walking Dead television show. Fans of horror films will certainly want to check this out.
poe426
NIGHTMARE FACTORY, like THE SCI-FI BOYS, is one of those documentaries I could just sit and watch over and over without ever really getting bored. That's due, in no small part, to the fact that I was exactly like a lot of the people profiled in these documentaries- with one glaring distinction: I grew up in Abject Poverty, so the odds were always against my doing anything that required even a minimal outlay. I tried to WRITE my way into filmmaking, but things never quite worked out the way I'd hoped (although I DID get a response from George Romero, thanks to people like Forrest J. Ackerman and Bob Michelucci). Another problem I've always encountered: a lack of real interest on the part of any of the people I've known (I finally ran into a fellow comic book fan some years ago and we talked on the phone so much that his wife began to suspect something was up- there wasn't, of course- but even that friendship proved temporary: I haven't seen the guy in a year and a half, now; he grew "sick" of my "s***," he said). It's good to know that I'm not alone in this world when it comes to being a "fanboy." It's also good to know that some of Us make it Big in the end.
gavin6942
An inside look at the world of Hollywood special effects and the company paving the way, KNB Effects.This gets right to the heart of horror effects -- no one does better than KNB (with all due respect to Tom Savini, who is essentially their predecessor). And all the mandatory people are here: Romero, Landis, Carpenter... and of course Nicotero and Berger themselves (but no Kurtzman, who left the team). Even a few unexpected guests... like Elijah Wood.At first, a big focus seems to be "The Walking Dead" rather than a historical look at the team... but then we get the archive footage of "Evil Dead II" and other earlier works from the guys. Amazing stuff, and gives incredible insight into the horror movie magic.Who knew such great things came from Pittsburgh?
arthurrcanning
Loved it. Great Doc - very well put together, with inspiring insights from Greg Nicotero, John Carpenter, Frank Darabont and lots more. Perfect as entertainment(can't wait to watch it again) and as an info session for practical horror FX, but inspiring for anyone who has one burning passion for anything. Was glad to see the "torso" zombie from WALKING DEAD's 1st ep. - Absolutely iconic film/TV moment and a really nice example of a GOAL by practical effects and an ASSIST by the pandora's box of CG - brilliant scene. It's a surprisingly real-world look at the unreal worlds of genre filmmaking, and everything it takes to make it work, and it's a lot of real work ..no space for the lazy. I love seeing "true love of film" up on that film screen - I'll be watching for more from Donna Davies - she was cool as hell..
