Hellen I like the storyline of this show,it attract me so much

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Kinley This movie feels like it was made purely to piss off people who want good shows

Kayden This is a dark and sometimes deeply uncomfortable drama

Syl Bob Hope and Madeleine Carroll star in this film about going to California and dealing with German spies in the midst of World War II. The film is a comedy. Hope and Carroll do a fantastic job together. They have great chemistry. Bing Crosby makes a cameo. The film is quite a decent comedy and enjoyable. The film is a light-hearted adventure with the great Bob Hope and Madeleine Carroll and a memorable cast of the old Hollywood stars.

csteidler A good spy thriller: British agent Madeleine Carroll attempts to transport a scorpion-shaped brooch that conceals microfilm holding key military information. She is chased by Nazi spies led by George Zucco and Gale Sondergaard. Two agents are killed in the first ten minutes. Cut to Bob Hope—or rather, his penguin. Hope and penguin are Haines and Percy, a sort of vaudeville act. The penguin has just gotten the call from Hollywood; Hope would like to think that he is the real star. Paths cross when Carroll, hoping to shake the Nazis from her trail, ducks into Hope's dressing room. And the fun begins. Needing cover and hoping to conceal her true identity, Madeleine feigns romantic interest in Bob, and plays it up good. He is surprised and mystified by her attention—and soon by attention from Zucco and gang, who want the scorpion and know he is somehow involved. The scene where spies surround and stare him down on the train's club car is classic Hope, as his nervousness starts slowly but gradually bubbles over. The scenes between Hope and Carroll are even better…she plays it fairly straight and he plays it goofy and the interplay just works like a charm. One especially funny scene in the train compartment: having pressed up close to him with a kiss and retrieved the brooch from his lapel, she stands up and moves away; not having a clue, Hope grabs her and tries to kiss her again—and she slaps him indignantly. "Take your hands off me!" she snaps. Poor Bob.The dialog is bright and funny throughout, with Hope naturally getting the best lines, including some vintage Hope gems: "I've given up kissing strange women." "What made you stop?" "Strange women." Zucco and Sondergaard have only small roles, but they sure can play the baddies. Talk about sinister! However, Bob and Madeleine are pretty much the whole show here. The relationship between the two leads develops nicely—we have a pretty good idea how it's going to turn out, but it grows at a careful pace, not too fast or too slow or too sudden. Top notch and full of great laughs.

Dave from Ottawa My Favorite Blonde is not just one of Hope's very best films, but an excellent introduction for new fans. Hope's usual roles were as a vaudevillian or radio comedian who finds himself having to reluctantly participate in some dangerous intrigue which is way over his head, and this movie shows the formula at its cleanest and most smoothly executed. Madeleine Carroll plays a British agent delivering a coded message who has run afoul of Nazis operating in the U.S., and Hope, a ne'er do well road company performer who does an act with a penguin, meets her on a train and bravely (well, sort of bravely) pitches in to keep her safe. The cloak and dagger nonsense on the train is a deft nod to Carroll's star-making turn in The 39 Steps, and this movie has much of that earlier film's energy. Carroll and Hope banter amusingly as they are chased across half of the U.S. The bright dialogue is the film's best feature and Hope's reluctant hero persona, introduced in The Cat and The Canary and Ghost Breakers, is a fully polished comic gem at the the film's center. The look of the film is very 'film noir' with looming shadows and danger on staircases and other now-familiar devices, but it still comes off as fresh entertainment even now. This one movie alone was enough to convince me that Hope is one of the great comic actors in all of movie history and this is an excellent showcase of what he could do. Also a must see for fans of the deliciously sinister Gale Sondergaard, here at something near her best.

bluheron1 Bob Hope was in his prime in this one, and once the roller coaster of laughs starts it doesn't quit for 90 minutes. It's a road format movie: Bob and Madeleine Carroll have to get across WWII America from New York to Los Angeles with secret plans before the Nazi spies intercept them. It's a formula plot but handled most inventively and Sidney Lansfield's competent comedic direction gives Bob a perfect opportunity to develop what became his trademark character. The scenes of Percy the Penguin loose on the train, the bus driver's picnic, Hope impersonating a child psychologist for a meeting of proper small town ladies - they're little miracles of laughter. If you don't think you like Bob Hope - try this one.