Critic's Choice

1963 "Everybody's 'choice' for a great big wonderful time!"
5.7| 1h40m| NR| en
Details

Parker Ballantine is a New York theater critic and his wife writes a play that may or may not be very good. Now Parker must either get out of reviewing the play or cause the breakup of his marriage.

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Reviews

Afouotos Although it has its amusing moments, in eneral the plot does not convince.
Ariella Broughton It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
Jakoba True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.
a_chinn Bland comedy/drama about nasty theater critic Bob Hope, who's only happy when he's trashing the latest Broadway sensation, has to contend with his wife, Lucille Ball, deciding she wants to become a playwright. Will Bob write a nasty review of his wife's play? Will Bob write a gushing review? I'm not sure there's any real suspense what actually happens, but the only reason to watch this film is for Hope and Ball, who are good, but the jokes are sadly not all that funny. It also doesn't help that the film lacks the rapid pace of Hope's better comedies. Overall, "Critic's Choice" features two brilliant comedians in a less than brilliant comedy. FUN FACT: This film was based on a play by Ira Levin, who's best known as the author of "Rosemary's Baby" and "The Stepford Wives."
mark.waltz On I love Lucy, Ricky wouldn't let Lucy be in the show. In this film version of a fairly successful Broadway show, husband Bob Hope doesn't want wife Lucy to write for the stage. You see, he's that villain of the theater called the critic, an umpire with a pen instead of a mask, and equally able to tell the playwright, director and actors that they are out. The film opens with Hope and Ball at a Broadway opening where he gives the play thumbs down and criticizes leading lady Marilyn Maxwell who happens to be his first wife and the mother of their caustic son. When Lucy decides that she's going to become a playwright, hubby Hope offers her no hope by trying to talk her out of it, criticizing her play after its been optioned for Broadway. Hope gets a few good digs in at the profession of theater critic, appropriately obnoxious and seemingly eager to destroy the dreams of everybody who ever picked up a pen and wrote, 'A play by..."This doesn't just spoof the theatre, but takes a look at modern marriages where a woman desired a career and faced objections by her chauvinistic husband. Fine supporting parts played by Jessie Royce Landis as Lucy's mother, Rip Torn as her producer and Ricky Kessum as Hope's son, with smaller roles featuring Jim Backus, Richard Deacon and John Dehner. This is a pretty good adult comedy that doesn't fully reflect how Broadway works, but any film that pays tribute to the footlights of the theater deserves credit for honoring a medium it often betrayed.
JOHNH-29 If you want to see Lucy at her least funny, watch this. She looks like she has a lot of personal strain, or something. Lucy never clicked in the movies for some reason, but on TV she soared. Bob Hope also struggles with the lame screenplay. You'll recognize many of the faces here, like Jim Backus and Rip Torn, among others. Apparently the play that this is based on got good reviews, but this movie version is so bad I'm surprised they didn't stop production and revamp it. On an up note, the movie is an indispensable time capsule. With JFK's assassination and the Beatles, this early 60's world would soon change forever. It's also worth seeing for the tiny Soupy Sales cameo.
bkoganbing Ira Levin's play Critic's Choice which ran 189 performances on Broadway in the 1960-1961 season was expanded exponentially for the screen version. It's Broadway origins are hardly noticeable.Stepping into the roles played on stage by Henry Fonda and Georgeann Johnson are Bob Hope and Lucille Ball in their fourth and last film together. The more traditional Hope and traditional Lucy are to be found in their earlier films Sorrowful Jones and Fancy Pants. Still Critic's Choice works a whole lot better for them than The Facts of Life.Bob Hope is a theater critic and he's got a son by his first marriage to Marilyn Maxwell, Ricky Kelman. He's married now to Lucille Ball and Lucy's taken it in her head to write a play about her family life growing up with two sisters, Marie Windsor and Joan Shawlee, and her mother Jessie Royce-Landis. Hope fluffs the idea off, but this only makes Lucy more determined especially when she's working with director Rip Torn and producer John Dehner.There are a ton of characters not in the original play which took place in the Hope/Ball apartment. The addition of a lot of these people allowed Hope and Lucy to engage in some of their traditional comedy which they didn't do in The Facts of Life and paid dearly for it.This has to be the only film I know where the 'other' woman is the first wife. Marilyn Maxwell who it was reputed Hope was involved with around 1950 and who appeared in The Lemon Drop Kid with him, sees her chance back with him as Rip Torn starts to get interested in Lucy.Bob and Lucy get good support from a well chosen cast of familiar faces and Critic's Choice should please their fans.