Diagonaldi Very well executed

Rijndri Load of rubbish!!

MoPoshy Absolutely brilliant

Kimball Exactly the movie you think it is, but not the movie you want it to be.

Paul Evans Miss Marple is made trustee of The Battledore, a training ship for youngsters. During her first meeting fellow trustee Cecil Folly Hardwick is killed with poisoned snuff. Miss Marple smells a rat and contrives a way to spend time on board to Battledore, to find out what Folly had uncovered there.The humour is here by the bucket load, Rutherford as always is a pure joy to watch, and this time she's met her match, Lionel Jeffries is utterly brilliant to watch, he's so much fun. I think Derek Nimmo being called 'Muscles,' is one of the funniest bits.The pièce de résistance has to be the sword fighting scene, can anyone in their wildest dreams picture Joan, Julia or even Geraldine wielding a sword, watching a now 72 year old Rutherford fighting with a sword is worth the watch alone. The final instalment of Margaret Rutherford's Miss Marple films is total entertainment, fun and proper escapism. True that any links with Agatha Christie have now completely gone, but it seems not to matter, as the story is there just there for fun. I've read that more were planned but never happened, what a shame.Great entertainment, real family fun (if the kids are a bit quirky that is, like I used to be and enjoy this kind of yarn.) 9/10

TheLittleSongbird Ever since I was 11 I've loved Agatha Christie and Miss Marple. And while they are not perhaps films that die-hard traditionalists of Christie's work the four George Pollock-Margaret Rutherford Miss Marple films are entertaining enough still. Murder Ahoy is the fourth and last of the series, and for me it is also the weakest. The main problem is the story, which is rather contrived and confusing at points(Christie's lack of involvement and that it wasn't based on any of her work- even with a couple of moments where there are echoes of it- was all too evident here. While the sword-fighting scene is tacky and just felt silly compared to everything else going in the film and while there are some witty and funny moments the script does sketch over the characters too much so we never get to know anybody. However, the setting, locations and period detail are great, and the black and white photography is crisp. Pollock's direction is smooth, the film goes by at a good- if not as zippy as the other three- pace and there are some decent clues and solving of them. But the strongest points are the music and the cast. The music is deliciously catchy, just love the opening theme. Margaret Rutherford steals the film and is simply terrific(if somewhat unconventional) as Miss Marple, her in the naval uniform alone is guaranteed the viewing, while Lionel Jeffries seems to be having great fun as the Captain. Overall, not great but definitely worth watching. 7/10 Bethany Cox

bkoganbing In this last film in which Margaret Rutherford plays Ms. Jane Marple, the redoubtable old sleuth finds herself elected trustee of a restored sailing ship of the line which is now used as a training vessel for young criminal offenders. Kind of a British version of an American boot camp for the wayward youth. When one of the trustees dies of a heart attack while at a board meeting while trying to tell in a most dramatic fashion that something is afoul at the ship, Rutherford finds the cause of his death. His snuff box had been laced with strychnine. Does she go to the police with such information, she does not. In this case given the forensic science lab that Scotland Yard has which I daresay is superior even to her own, Inspector Charles Tingwell might have solved the crime on his own. No wonder this man wants to strangle her, she is withholding evidence in point of fact.That bit of business puts Murder Ahoy a bit over the line. It's a maxim in detective fiction that the private eye no matter how much the amateur always shows up the professional. But there are limits as to how far you can take it and I think Agatha Christie stepped over the line in this Marple story.But if she hadn't we wouldn't have had the pleasure of seeing Margaret Rutherford in full Navy regalia taking over the HMS Battledore and giving Captain Lionel Jeffries and his crew fits. Two murders later of ship's officers and we do find the real culprit.What was interesting about Murder Ahoy is that there are two separate criminal enterprises going on at the same time on the good ship Battledore. The first murder sets off a chain of events among the villains in which the group involved in one enterprise comes across the second conspiracy and the motives do get tangled up for the police. But of course not for Margaret Rutherford.Fittingly the whole thing is resolved on Trafalgar Day. It was quite a scheme that the murderer's fear of discovery caused the individual to become so homicidal.Margaret Rutherford is of course wonderful as Ms. Marple and she and Lionel Jeffries have some great scenes. Years ago I could have seen the master of the slow burn, Edgar Kennedy playing the part as Jeffries plays it.I don't think it's as good as some Christie stories, but her fans shouldn't mind at all.

Andy Howlett To many of my generation (now in their fifties), Margaret Rutherford takes some beating as Miss Marple - in fact she *is* Miss Marple, and Joan Hickson etc are merely fakes. These four films (She Said, Most Foul, At The Gallop and Ahoy) may not be accurate representations of the original stories, but they do invite repeated viewing and have what modern films lack - charm. They also have good solid characters and a light-hearted approach that makes them so watchable. Margaret Rutherford may not have had a terrific range, but what she did, she did with enormous confidence and style, and she is never overshadowed in any scene she plays, which is virtually every one. All great fun from the moment that catchy theme tune plays (you'll be humming it for weeks afterwards) to the final credits, and you are left feeling satisfied. That's what they did in the 50's and 60's.