BootDigest Such a frustrating disappointment

Marketic It's no definitive masterpiece but it's damn close.

ChanFamous I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

Aiden Melton The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

januce7 loved the details of Beineix... it is enjoyable to catch them(if you are careful enough) and try to solve the puzzle..... it is rather more enjoyable to fail solving the puzzle though. fortunately there still exist some films that may surprise you...even the name of the movie is surprising since the genre of film is comedy and the title includes the word of "mortal" i am looking forward to see other works of Jean Jacques Beineix.... good scenery; good acting; nice musics...includes all in balance.. and the result is a real success..deserves watching once again not to miss anything....the original novel is a focus of curiosity for me....the dialogs are poetic and are one of the most memorable features of the movie...

gridoon The premise is good, but the movie isn't. It's excessively talky and fatally overlong. For Christ's sake, man, this thing goes on for what seems like four centuries and never really gets anywhere. The segment about the dead body that has to be removed takes up most of the movie, and it's tiresome (many movies have done this sort of thing better), though it does give Beineix the opportunity to stage some nice Hitchcockian scenes (like one involving a blind man in an elevator). Overall, if you're looking for a good contemporary French thriller, stick with "With A Friend Like Harry". (**)

enzeru-alone Another well-done Beineix effort/film. I had the privilege of experiencing 'Mortal Transfer' recently. As always, I enjoy Jean-Jacques Beineix creations, and I, among many others, am glad to see this auteur return. All of Beineix's films invoke zen, as does this one. The zen atmosphere, eros, and a lurking crazy-in-a-good-way quality (and in sometimes nefarious-ways) pervade throughout, again, as in many Beineix films. I like the noir-humor of 'Mortal Transfer' and I laughed devilishly along with the audience. I, as one crazy-poet, find Beineix's artistic expressions on celluloid to inspire me to live life zen-ishly --seeking purity keenly, and simply enjoying life vibrantly.

Dorthonion "Mortal Transfer" deals with a subject that has been exploited by New York filmers mostly: trials and tribulations of a shrink are usually connected with the Big Apple. Beineix has not directed a motion picture in the past eight years, but it doesn't show. If you are familiar with his films such as "Diva" or "Betty Blue", you don't come to expect humor in his work, but after an intriguing setup, you'll find plenty of it here. Beineix' films have never been about depicting reality (more about the clash of illusions vs. reality), and this film is no exception. Masterfully photographed, this is a feast for the eyes in which you will sometimes find yourself wondering whether thrill or laughter are stronger. A comeback to form by a master of his craft.