The World Is Big and Salvation Lurks Around the Corner

2008
7.9| 1h45m| en
Details

The story of Alex, who, with the help of his charismatic grandfather, embarks on a journey in search of his real self.

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Reviews

YouHeart I gave it a 7.5 out of 10
Claysaba Excellent, Without a doubt!!
Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
Bea Swanson This film is so real. It treats its characters with so much care and sensitivity.
desyslove As soon as the movie meets the audience (especially a particular group of generations) it feels like classics. Inspired by auto-biog novel of Ilija Trojanov published in 1996 and directed in 2008 by Stephan Komandarev (coevals born in the middle of Communist era in Sofia, Bulgaria) this move is devoted to the people that were rendered "enemies of the nation" in their own country. Bai Dan is a real Bulgarian (it is worth noting that the role is played by the Serbian, Miki Manojlovic - Underground (1995)) which everyone will agree had met at least once in his life. He is a dice master who knows how to deal with the chances in life, he is brave, he is wild and yet he is naturally wise and humble Christian. Now it is time to play he's most important game - he have to help his grandson to find his lost soul. The personage's character is really admirable and like everything else in the move is marked by the natural charisma of the intelligent masterpiece. There are a lot of background symbols throughout the script and as the movie answers a lot, it inevitably opens the Pandora's box defining the post-communist societies in Eastern Europe. Political issues are presented in a skillful adjunct with the personal drama and doesn't bother with details and references more than necessary while standing in the heat zone. Perfect camera, astonishing sight-seeings - this move is a real advertisement and an open invitation for the artists and the common EU travelers.
vanya_mail To Hans Grob and all people that come from Western Europe - it is absolutely understandable why you would never appreciate a film like this - you have never lived in a Communist Country, you don't know what it's like and you probably don't understand the whole idea of the film that well... Mr Hans Grob, the old man in the film that you talking about is not the boy's uncle, it is his Grandfather!This film may not be a master piece but it definitely has emotional value for Eastern Europeans who have experienced the Communist Regime! It describes the life and the people back then adequately and all facts represent true stories from people's lives! Actors emotions and reactions in the film are very close to what one Bulgarian would say or do so I find the film very realistic and definitely the best productions made by Bulgarians after 1989.
Boyan Yurukov There is definitely a bit of a hype about this movie, so I was skeptical at first. Some people say the cinematography is simple and the movie is full of cliché, but I don't agree. In the background there are a very important points from the the communism in Bulgaria, the current political life here, life of immigrants and the separated families. The cinematography isn't full of effects or dramatic shots - to get just what you need in order to feel the pain, despair and hope of the characters. Through the movie you will see how one man's life is being rebuilt from ashes and follow the path that got him in the depressing place he was before the beginning of the movie.You should definitely see it. It's hard to explain.
sava_chankov I went to the theater with low expectations of another boring post-totalitarian Bulgarian movie and was pleasantly surprised - it had an actual story which was told consistently, the characters were lively, there were no irritating protracted shots in silence (trademark to many, many other Bulgarian movies) and the dialogue was real. While based on a novel the movie elegantly manages to stay focused and the plot is not overstretched.Things I didn't like: the one-sided densely evil picture of the totalitarian oppressors that rendered them preposterously inhuman, the clichéd camera (e.g. yellowish retrospectives, rotation around characters while they played backgammon) and superfluous didacticism in some scenes.All in all it's worth watching, but eight years of script rewriting could yield a bit better result.

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