Mistress

1992 "The Director Had A Vision. The Producers All Had Girlfriends."
5.4| 1h50m| R| en
Details

A comedy about a screenwriter (Wuhl) whose old movie script is read by a producer (Landau) and the search for financial backers begins. But it seems that each money source (Aiello, DeNiro, Wallach) has his own mistress that he wants put into the film. Gradually, the screenwriter is forced to make changes to his script to accommodate these backers until he finally sees no semblance of his original ideas in the writing.

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Reviews

Cooktopi The acting in this movie is really good.
Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable
Theo Robertson The info button described MISTRESS as thus " An earnest screenwriter sees his dream mangled in the Hollywood movie machine . Robert DeNiro is a crass moneyman demanding a role for his talentless mistress " Great I thought , this is going to be like THE KING OF COMEDY except it`s set in Hollyloot . Twenty minutes later DeNiro`s still not appeared and I`m aware of one thing - info buttons are never right The info button wasn`t so much wrong but it was rather misleading . DeNiro does indeed play a crass moneyman who is after a role for his mistress but she`s not exactly talentless . The plot mainly revolves around a failed director/screenwriter called Marvin who finds himself having to severly alter his script if he wants it produced , it`s a sort of satire/black comedy on the Hollyloot system of film making and once you get over the initial disappointment of it not being a Scorsese / DeNiro masterpiece it`s an enjoyable film , and one with a lot of scathing truth like a pitch is all down to presentation , casting is down to who the actress is sleeping with and a producer`s vulgarity is only matched by his ignorance . Also watch out for the line " This isn`t BATMAN 3 " which at that time hadn`t been produced yet . I guess someone made BATMAN 3 as a homage to MISTRESS ?
George Parker "Mistress", a misnomer, tells of a bunch of Hollywood hacks slogging through the process of networking, schmoozing, compromising, and sucking up required to launch a film project. A messy flick with little to offer considering the talent behind it, "Mistress" seems to be trying to make the point that making a film is often about everything but the film...careers, quid pro quos, personal agendas, etc. Unfortunately, "Mistress" is a poorly focused comedy/drama which doesn't work well in either genre. Most likely to be appreciated by people like the IMDB.com users who are not Hollywood insiders but have above average interest in films. (C)
pinzka Pun intended. This is a comedy about trying to make a movie in Hollywood. There's a screenwriter (Wuhl), desparate to see his long-forgotten masterpiece brought to the screen, a producer (Landau) who hasn't had a hit in 15 years and three wanna-be producers (De Niro, Aiello and Wallach), of varying competence. All of the producers have girlfriends who want to be in the movie. Everyone has complicated lives.The theme is compromise, and who can and who can't. Some parts of the film are mesmerizing, earning it a seven from me, and others sag. A splendid birthday party serves as the climax of the film but I had no idea of why the birthday boy was being feted.See it if you like the lead male actors - they're terrific (even if it does remind you that women of the the same age can't find roles as juicy). Otherwise, it's another "ain't Holywood awful" movies.
Robert D. Ruplenas A sadly underrated movie. Hollywood could not have loved it because of the cruelly true things it says about how movies are made, about how a writer's creative vision becomes corrupted and debauched on its way to the screen. That doesn't sound like a setup for a comedy, but a wonderfully dark comedy it is, with some richly witty dialogue. Landau's performance is superb (he is one of the best actors around), and the descent of Wuhl's character from idealistic writer to desperate self-promoter - a sad journey - is made humorous. Wonderful bits by Eli Wallach, Danny Aiello, and all three mistresses.