Menu

1933
6.2| 0h10m| en
Details

A chef helps a housewife cook a duck dinner that will not give her husband indigestion.

Director

Producted By

Metro-Goldwyn-Mayer

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Reviews

Linbeymusol Wonderful character development!
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
TaryBiggBall It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.
Gurlyndrobb While it doesn't offer any answers, it both thrills and makes you think.
Steve Pulaski Nick Grinde's Menu is an uproariously funny short film, focusing on a chef (Pete Smith), who is summoned by the narrator of the short (also Smith) to assist a housewife (Una Merkel) in cooking a complete duck dinner with baked apples that will be delicious and not give her husband (Luis Alberni) debilitating indigestion. The narrator talks us through several hilarious scenes between the chef and the housewife, as he teaches her to prepare the duck and the proper steps of seasoning and topping it off before it is cooked.Menu feels like a playful nudge in the sides of the cooking shows we see network Television populated with, despite being over eighty years old. Smith has an elegance and a deadpan sense of wit in the short, frequently poking fun at the ineptitude of the housewife or playing along to the chef's free-spirited cooking process throughout the short. Never is writer Thorne Smith's screenplay too condescending or mean-spirited but, much like the duck dinner, fresh and pleasant, enough to leave one with an appetite for more. At ten minutes, Menu is a fulfilling comedic appetizer.Starring: Pete Smith, Una Merkel, and Luis Alberni. Directed by: Nick Grinde.
Tad Pole " . . . which makes it a dead duck." So observes Pete Smith, with his trademark Snarkiness, at one juncture in this cooking fantasy. If MENU's main character, John Xavier Omsk, added his name up for Scrabble value, it would total a sizable 40 points. (My full name has the same number of letters, but yields only half as many points.) Perhaps more interesting to word game players (at least those of grandpa's or great-grandpa's generation) is that one of the notable clues for vintage crossword puzzles plays John's wife, Mrs. Omsk. Yep, Una Merkel (as in 37 Down: Actress _ _ _ Merkel) makes an appearance here as a particularly ditsy blonde. Referred to by narrator Smith as "this dizzy dame," Una tries to crack open an egg with a metal nutcracker! Once chef Luis Alberni pops into the scene like some sort of kitchen genii, things settle down into two actual recipes being given and prepared: one for dressing (as in, how to stuff a duck), and the other for making baked apples (no, you cannot just set an apple on the sidewalk in the summer--I suppose you actually COULD, but it probably would not taste as good as these ones seen on the screen).
Eugene Zonarich This very slight MGM comedy short from 1933 isn't particularly funny, but it received an Oscar nomination for "Best Short Subject" that year, and it has the wonderful UNA MERKEL in her physical prime in TECHNICOLOR! (She would not appear in a color feature film until the early '50's MGM remake of "The Merry Widow" starring Lana Turner.) I'd give "Menu" a "10" if it had more of Merkel, but as it stands, it's worthy of an "8" for a Technicolor Una Merkel alone. Merkel was one of the great supporting players of the Hollywood studio era, and one of its most prolific, appearing in about three dozen feature films, primarily for MGM and Warner Brothers from 1931 to 1934. "Menu" is an early example of the three-strip Technicolor process that would not be used in feature films until 1935's "Becky Sharp" with Miriam Hopkins. Up until that point, it was reserved for short films, but usually musical shorts, unlike this simple "Pete Smith" MGM comedy short, most of which were shot in plain B&W. Una Merkel, with her strawberry blonde hair, blue eyes and pale pink complexion, was a feast for the eyes in the then "new" Technicolor process, and is the primary reason to see this film.
Neil Doyle This is a rare case of a short that was so highly regarded by the makers that it was remade under another title several years later. Audiences must have loved it.I can't say that much for it. A woman (UNA MERKEL), in a modern looking kitchen with all sorts of gadgets, is a complete klutz until, by magic, a chef appears to help her stuff a duck before her husband (FRANKLIN PANGBORN) comes home from work with some company. Otherwise, the poor woman would have nothing to show for her efforts but a mess on the kitchen floor which he clears up immediately. He also shows her how to make baked apples.The real source of amusement is the script, narrated in witty fashion by Pete Smith and making a lot of funny observations.It's funny, not hilarious, and for anyone interested in gourmet cooking it might be even more worth watching.