Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Ariella Broughton It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

pyrocitor Don't kid yourself: you're here because you want McBain to be an hour and a half of Christopher Walken flooding the screen with bullets and blood, swaggering through the gloriously gratuitous action movie carnage while spewing one-liners like everyone's favourite Arnold Schwarzenegger parody from The Simpsons. And if he chose to adopt a half-baked Schwarzenegger impression, melded with his legenDAry eNUNciation? Well, the screen might just crack under the ecstatic deluge of cinematic gold, the viewer whisked away by choirs of cigar-toting angels dressed like periwinkle goats, offering them margaritas in glasses covered in googly eyes.Alas - the movie gods do not always deliver, and we can only wonder how writer/director/schlockmeister James Glickenhaus sleeps at night for deluding us (if you answer "on a pile of money, surrounded by beautiful girls", you're a-okay with me). What we get with McBain is a movie that's in many ways just as silly, though less willing to make peace with it. It's probably one of the better B-movie Rambo knock- offs lumbering around the $0.99 DVD bin, if only because it's so earnest about its serious political aspirations in its tale of jingoistic, macho, white saviour interventionism it's kind of adorable. For those turning the film into a drinking game (and, again, why else would you be here), look for each moment Walken is framed heroically by some piece of American iconography - welding on the Brooklyn bridge, or crabbing next to Lady Liberty - or, later, posturing in front of the Colombian flag. You won't be disappointed. Or sober. To his credit, Glickenhaus crafts a mighty impressive action sequence. As Walken and his war buddies stage a military coup in Colombia (though amusingly apparent as the Philippines, right down to the distinctly non-Colombian extras), with explosions, bullets, tank and plane chases galore, their blowouts are so fun that we even temporarily transcend the evident cheapness that permeates the rest of the film, from its wobbly dialogue to its grainy, washed-out cinematography. There's even the occasional striking image - a shark-painted helicopter soaring over the gorgeous cough-Vietnam(?)-cough scenery, and the opening sequence, where a group of discharged GIs rescue Walken from a bamboo cage POW camp because America, it's actually fairly thrilling, thanks largely to some stylish cross-cutting and Christopher Franke's pounding musical score. But, thankfully, before things slide into being too respectable and/or dull, Glickenhaus grants us enough bits of wonderful weirdness to make it worth our while. Here, Luis Guzmán cameos as a self-righteous drug dealer, who indignantly protests why McBain's crew didn't rob a richer fat cat to finance their revolution than him (so they do, dangling him from a crane), and the United States president orders the printing of red, white, and blue currency as a galvanizing stand against drug cartels. This is the sort of excellent nonsense which makes the world go 'round. As an additional layer of disappointment, Walken doesn't even get to play outrageously campy action star here; instead he's a sun hat and sunglasses-wearing Hannibal Smith type, leading his A-Team of buds (including the famously grumbly Michael Ironside, who has fun as a multi-millionaire who sheepishly jettisons his life of opulence to go romp around Colombia) with quiet authority as they blow up most of the countryside. Walken's clearly too bored to be as flamboyantly weird as he is at his best, but, lack of grandstanding aside, he can still do no wrong. He's charm personified in a clumsily shoehorned-in love subplot with Maria Conchita Alonso's revolutionary widow, and his nonchalant delivery makes even his most unassuming lines brim with hilarious banality (the best: "she's gonna clear the runway. Or she might be dead. More that that, I don't know"). And, mercifully, he comes away with at least one iconic Walken moment: a patented monologue comparing the corrupt, repressive regime murdering dissenters and getting children addicted to drugs to his time at Woodstock, which is in such hysterically poor taste it's genuinely spectacular - though his taking a camcorder 'revolution selfie' with his mini-A-Team is pretty excellent as well.This might not be the McBain you or The Simpsons want, but the inherent pleasure of 'Christopher Walken does Rambo meets The A-Team' still provides its share of dispensable, wacky, gloriously overkill macho silliness to ween yourself off your disappointment with. Just imagine Walken bellowing "MENDOZAAAAAA!!!!" as he explodes through the ceiling to confront 'El Presidente, and the world is immediately a better place. Ice to see you, too. -5/10

Comeuppance Reviews Back in 'Nam, Santos (Vennera) rescued McBain (Walken) when he was captured and made a prisoner. A bond developed between the two men, as represented by a ripped hundred dollar bill. In the present, Santos is leading a revolutionary army in Colombia against the dictator oppressing their country. When Santos dies in that fight, his sister Christina (Alonso) goes to New York to find McBain. McBain then agrees to help Christina finish what Santos started, and rally the revolutionary rebels to victory. To do this, he re-assembles his team of old 'Nam buddies, including Eastland (James), Dalton (Patterson) and Frank (Ironside), among other helpers. Will McBain's team - and the people of Colombia - be victorious? Thanks to its cast and its professional sheen, McBain was one of the more well-known action titles around video stores back in the golden age. While it may not have had the visibility of a Van Damme, Seagal, Stallone or Schwarzenegger vehicle, it did have Christopher Walken instead, which is interesting - you don't see him in roles like this too often. The only other one that comes to mind is The Dogs of War (1980). Walken's square hair and Steve James wearing a Wrestlemania hat brandishing a rocket launcher is a great combination.At its heart, this is just another exploding hut/falling guard tower movie, it's just glossier. Imagine your standard "El Presidente" movie (for an explanation of this, see our review for Hour of the Assassin, 1987) crossed with the camaraderie of Last of the Finest (1990). The film tries to be all things to all people, throwing a lot at the viewer: A Vietnam movie, an urban thriller, an airplane slog, A Mercenary action movie, and the aforementioned El Presidente and Exploding Hut scenarios are thrown in too, and the movie, trying to accommodate all these things, is overlong.Alonso is there to provide the societal comment and relevance to supposedly justify all the action, and Steve James proves he's one of the most under-appreciated and awesomely cool stars of the era. And who wouldn't want to do what McBain's team does - get the old gang back together to bust some heads? This A-Team-inspired scenario is appealing, but there's way too much fat around this steak. The middle section, where the gang is in New York City taking down the baddies, is excellent. The whole movie should have been THAT. But there's all this other stuff, like an interminable tangent about airplanes and bogeys and such. In our eyes, even though McBain is of a higher quality and budget than a lot of the stuff out there, that ends up being irrelevant because the movie doesn't live up to its potential. That New York City section, rather than just being a color on the action movie palette listed earlier, should have been expanded and brought to its full flower.While the movie is called McBain (not to be confused with Frank "Bulletproof" McBain or the Simpsons character), it's really not ABOUT Christopher Walken's character per se. We don't know that much about him, and the movie doesn't really revolve around him. It's more about his team and the Colombian rebels scenario.While there are some cool aspects to this movie, we can't wholeheartedly recommend it, which is a shame, because we'd like to. But the NYC portion of the film and the presence of Steve James, while they can't support the whole thing, are bright spots in this mixed bag of a movie.for more insanity, please visit: comeuppancereviews.com

theboycaoimhs I don't have much to add to my summary, this film ranks right up the there with Top Gun as one of the funniest films ever made while not trying to be. I for one don't think it should be taken seriously when watched as it is very enjoyable.I don't think it brings Christopher Walken's reputation down either as his reputation was on the wane back then anyway. It took Pulp Fiction to wake him from the slumber he had been in. As for Michael Ironside, he has been in some of the great funny while not trying to be serious films. Total Recall, Top Gun. What I think is amazing is the budget this movie had. The scenes and actors and explosions etc. are quite amazing so obviously someone liked it quite a lot and was willing to risk a lot of money. Whoever he or she was I like them because I love this film! If anyone reads this looking for information on McBain (and I seriously doubt there'll be too many) just know that it is a hilarious movie and should be viewed with a smile on your face!

harryinkoeln this is the best action no-brainer since schwarzenegger´s COMMANDO. it´s absolutely pointless, the action scenes are totally insane, walken is bored out of his pants, all in all some heck of a laugh. i especially love the fly-by-shooting scene. cracked me up. everytime i watch this masterpiece it makes me gag. watch it with some friends and a huge supply of beer and you have one hell of a party