Lone Wolf and Cub: Baby Cart in the Land of Demons

1973
7.5| 1h29m| en
Details

In the fifth film of the Lone Wolf and Cub series, Ogami Itto is challenged by five warriors, each has one fifth of Ogami's assassin fee and one fifth of the information he needs to complete his assassination.

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Reviews

Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
Yashua Kimbrough (jimniexperience) The Kuroda Domain in a desperate position contact Ogami for multiple killings, they send five of their best swordsmen to test Ogami skills and deliver the message: Their Domain Lord has retired and passed power onto his wedlock child (secretly a princess) when he fell in love with his mistress. His real child (the prince) is imprisoned in the castle forgotten by the people. The Domain Lord confesses his secrets in a letter given to the High Priest. But the High Priest is in cahoots with Retsudo and plans to sell out the Kuroda Clan to the Shogunate for power.Ogami's hired to kill the High Priest, and the Domain Lord and his wedlock family to save the Kuroda Clan honor.
Woodyanders The fifth film in the Lone Wolf and Cub series takes a decidedly bleak and harsh turn, with Ogami (the formidable Tomisaburo Wakayama in fine form) accepting a thankless assignment in which he must kill a dangerous monk carrying a letter that could bring about the destruction of an entire clan. Moreover, Ogami must confront and defeat five warriors who all contain both payment and information that's vital to Ogami's mission. Director Kenji Misumi relates the complex and compelling story at a steady pace, maintains a tough tone throughout, and stages the exciting swordfights with flair and skill. While this movie does deliver the expected copious amounts of graphic blood-spurting carnage, it's the potent and powerful themes of honor, loyalty, and betrayal which give this picture an extra poignant and provocative edge. Moreover, a nice subplot has Ogami's son Daigoro (adorable Akihiro Tomikawa) being set up by a notorious pickpocket Quick Change Oyo (well played by the fetching Tomomi Sato). The downbeat ending packs a devastating punch. Dark and despairing, this film rates highly as one of the crowning achievements in the whole series.
slickdick101 It's the best moving picture of the bunch!! It is the Empire Strikes Back of the Lone Wolf with Cub moving pictures. The action was superb and the bad guys were REALLY bad! Of course, this moving picture may be better appreciated upon having viewed the previous installments. Without trying to give anything away; some of the climactic scenes may be better understood with some of the back story filled in, but, I cannot seem to remember how much of "Meifumado" is exposition. So even just viewing this moving picture may give a good enough idea of the characters idioms, respectively. I think I cannot remember because I watched the 6th installment of the series the next day and now it's hard to remember the 5th. The 6th moving picture was the "A View To A Kill" of the series. Take that as you will. But one large part of this moving picture is Tomisaburo Wakayama's intensity as both a battle-hardened Samurai and also as a caring father, even though he does things most father's wouldn't do. Iffen you like good Samurai movies, be sure to check this one out. Haha Had to leave you with a Reading Rainbow plug...
chaos-rampant Master film-maker Kenji Misumi returns in the Lone Wolf and Cub series to helm the fifth entry, Baby Cart in the Land of the Demons, and if you thought even just for a fleeting second that this would be anything but orgasmically violent and existentially mystifying, you just don't have enough confidence on the man.Picking up the story of the Shogun's former executioner Ogami Itto and his son Daigoro, this is another tale of betrayal, political intrigue and murder. The Kuroda Clan is in deep trouble, trouble that Ogami Itto's fierce opponents, the Yagyu, want to exploit for their own benefit. Ogami Itto is paid his usual fee (500 gold pieces of course) and bloodshed ensues.Now as a chambara and LWAC fundamendalist, I will confess upfront that the combination of stylized comic-book violence and the existential, quasi-mythic look at both historical Japan and the genre conventions that form chambara, are a sure win in my book. It might not be as groundbreaking as the first two entries in the series, it is after all following a now well-tested tradition, but it is done with such conviction and deliberation that one has to pay notice. As with other serialized characters of the chambara universe like Zatoichi or Nemuri Kiyoshiro, it is exactly that it simultaneously meets our expectations as a pure Lone Wolf movie that doesn't disappoint the way Hollywood sequels do and that it breaks the traditional forms of the period drama that make even a fifth entry of this tried and tested recipe so good.The plot is of secondary value to the actual journey of Itto and his son. They have been through the crossroads at Hades and now into the land of the demons and there is no turning back. What pushes them through piles of dead bodies is revenge, and I say "them" because Daigoro has made his commitment to follow the same path of blood as his father, their fates inextricably linked through life and death; yet as with other Lone Wolf movies revenge is but a vague part of the storyline. A skeleton that gives these movies form and reason to be but they take life beyond that. In Lone Wolf and Cub's case their journey is an existential fable bathed in blood, like they are doomed to cut their way through the land for all time and it is through the act of killing that their existence takes meaning. It takes one look at Ogami Itto's grim stare to realize that if there is a god and he would dare to appear in front of him, Itto would swiftly cut him down and move on his path. Takashi Miike understood all this crystal clear when he made Izo.Speaking of blood, yes, there will be lots of it. It's a staple of the Lone Wolf movies and I wouldn't have it any other way. Arterial sprays, chopped heads and bodies sliced in half. And then there is Tomisaburo Wakayama, the man, the myth, crafting the most mesmerizing character role of his career.Strongly recommended as are all the other Lone Wolf movies. Watch them in order though.