Leatherheads

2008 "If Love Is a Game, Who'll Make the First Pass?"
6| 1h54m| PG-13| en
Details

A light hearted comedy about the beginnings of Professional American Football. When a decorated war hero and college all star is tempted into playing professional football. Everyone see the chance to make some big money, but when a reporter digs up some dirt on the war hero... everyone could lose out.

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Reviews

VividSimon Simply Perfect
Dotbankey A lot of fun.
Kirandeep Yoder The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.
Logan By the time the dramatic fireworks start popping off, each one feels earned.
ironhorse_iv Before there wasn't any rules, there was a game with no rules. George Clooney brings the audience to a time where there were no Super Bowls, and America pro-football league was really struggling. The film is a romantic 'screwball' comedy set against 1925 starting the over camera mugging leading man Dodge Connolly (George Clooney), a charming, brash football hero, is determined to guide his team from cow fields to packed stadiums. George Clooney is best suite for comedy, and it works in this film. His charm, his timing, and the way, he can get the attention to the audience to follow him is amazing. He's seems the leader type in the role. He wants to make the sport better, but deep inside of him, he knows he can't do the breaking of the rules anymore if he wants the sport to survive. Right now it's not. Not only the team lose their sponsor due to fighting, but the entire league faces certain collapse, unless Dodge can figure out a way to save the sport. Dodge convinces a popular college football star to join his ragtag ranks. That popular college football star is All-American Carter Rutherford ( John Krasinski) a World War 1 who single-handedly forced multiple German Soldiers to surrender during the trench warfare. Carter has dashing good looks and unparalleled speed on the field that can help the struggling sport finally capture the country's attention. Carter also holds a secret about his past, that Dodge is trying to figure out. Not only Dodge, but Lexie Littleton (Renee Zellweger) a sport journalist looking for the big scoop. Lexie tries to get close to both Dodge and Carter to find out if there is truly a deep dark secret that Carter is holding and maybe the All-American American isn't as perfect as it seems. Renee is no more then repeating how she acts when playing Roxie Hart in Chicago. Something about her, doesn't speak or look sexy. It's not new, it's feels cartoony when hearing the fast-talking exchanging between her and Dodge. The script gives her hard-boiled witticisms to work with, some are good quotes that are quite funny and sophisticated, others need some more work. It works better then some of the dearth of dialogue in other period films from today. The love triangle between the three is great, because each of them are trying to get over the other. The ending game is still awesome, I like how they pull out a way for the team to use what they learn for the War to apply to the game of football. George definitely was influenced by th film "The Sport Parade" (1932) for this film, and the film also loosely mirrors the real life events that save the NFL in real life, with Jim Thorpe joining the Canton Bulldogs. The team in the film also sports the name 'Bulldogs'. Leatherheads try re-creates a genre long lost, and while both don't fully realize the style of the classics they emulate, it's refreshing to see someone still remembers. The overacting by George Clooney and Renee Zellweger's sun parched face does hurt the film. The music, by Randy Newman, gooses the action along in a desperate effort to create an atmosphere of madcap Jazz Age insouciance, but over all, it's mediocre, but it's worth watching. Yes, it might be dumbfounded, and have some scarecrows brains bad pacing areas in the film, but eventually it's just a matter of taste. I find this so-so good, so check it out if a football fan.
classicsoncall It's a film about grown men in tights and headgear, I can go with that. I see no reason to go so hysterically negative on the film like a bunch of reviewers on this board have. It's a fun, escapist flick, and if you take that approach it's entertaining enough. The repartee between Clooney and Zellweger may not be up to that of Cary Grant and Roz Russell in "His Girl Friday", but they do have a few good moments, the best probably when they meet for the first time. The backdrop of the 1920's and the origins of pro football combine for a bit of quirkiness, as Clooney gets some mileage out of playing the kind of character he portrayed in "O Brother, Where Art Thou?". The odd thing that intrigued me had to do with Dodge (Clooney) and Carter (John Krasisnki) trading at least a dozen head punches between them when they called each other out on the football field, and neither of them had a mark on their face afterwards. Yet in the bar scene when Dodge recognizes his old buddy Eddie, there's a quick cutaway during the fight, and when the camera comes back to Eddie, he has a cut on his nose and lip. Where the film let me down was when they mentioned football plays like pig in a poke, chasing the cattail and a Crusty Bob - I sure would like to know what those were. Also, the bulldog could have used more screen time.
J_Charles Congratulations George Clooney. You've captured the 1920s era in a delightful period piece. The script is witty and there's several exchanges between the main characters that evoke memories of the 'golden era' of cinema. Even some of the scene setups are taken straight from the classics - the scene in the railway car with Clooney and Zellwegger taking turns opening and closing their drapes still works after all those years.The football scenes are played for laughs. You have to love a movie that starts its opening scene with a cow acting as interested spectator of a football game.There are some that argue that Clooney tried addressing too many themes int he same film. And there are others who argue that the plot is threadbare. I don't see how these two polar opposite extremes can exist in the same movie. And now that I've seen it for myself I'm glad I did.9/10
Jacob Boyer Set in the late 1920's, Leatherheads, directed by George Clooney, takes a look into the formation and legitimization of professional football in the United States. The film is not the best of Clooney's work as a director, but it definitely got me to laugh and kept me interested with a plot that thickens as the movie progresses in this romantic, screwball, sports comedy. Now that may sound like a mouthful of genres thrown together, but taking place in the world of football, then filled with field workers, coal miners, and generally the brutes who could not make it into college, the film incorporates a love triangle between Dodge Connelly (George Clooney), Carter "The Bullet" Rutherford(John Krasinski), and Lexie Littleton(Renée Zellweger) along with a double plot. Early in the film it is revealed that Dodge's team, the Deluth Bulldogs, has gone bankrupt and can't afford to keep paying its players or travel to away games, which is also the reality of many other teams at the time. College football, on the other hand, is extremely popular, especially the sensational Carter Rutherford, a war hero (he single handedly stopped a squad of German soldiers while in combat) that is unstoppable on the field and has dashing good looks. Dodge plans to save the dying professional football league by recruiting Rutherford to play for the Deluth Bulldogs. In the midst of this, Lexie Littleton is a young, attractive, spitfire reporter assigned to do a story on the country's youngest and biggest war hero; however, the goal of her story is to find a fault in the man, to discredit the young hero and find out the truth. All three of our characters then find themselves together as Dodge coincidentally meets Lexie right before he talks Rutherford into playing for the Bulldogs. The movie goes on to follow the three of them in their tour of the east coast, playing football and trying to uncover the truth, with lots of screwball comedy along the way and some surprising twists in the story.The actors chosen for this film were an okay cast. George Clooney is a very strong, charismatic actor with a strong background from films such as "Ocean's Eleven" (2001) and "O Brother Where Art Thou?" (2000). He plays a convincing role in this film as well, making the audience believe that he really loves playing football with his friends and doesn't want to lose it just because there's no more money in it. His character does develop well throughout the movie as he faces the issues in front of him, and does so with a charm like any other man from the '20s would have. John Krasinski, most well known as Jim from NBC's "The Office", plays a much better role in this film then he did in "License to Wed" (2007). He fits the character perfectly as he is able to connect with both Clooney and Zellweger, even though he is much younger. Zellweger is the only character that wasn't the best possible cast in the movie for Littleton's character. Although she does look like she could be straight out of the 20's with her costumes and attitude in the film, her chemistry with Clooney and Krisinksi seems to be a little forced, like they are acting, as opposed to a flowing chemistry that makes the acting disappear and brings the film to life. The other problem is the age difference between the characters; it's a love triangle between different generations, this is a cause of the poor chemistry in some of the scenes. Overall each actor fits their own respective character and plays them well, and with Clooney's and Krasinksi's strong background in comedy, it really makes for a fun, playful film as they throw quip's back and forth at each other and try to woo Zellweger along the way. Aside from the acting, the art direction of this film was done excellently by Christa Munro and Scott T. Ritenour. The movie is scripted to take place in the 20s, and it looks like it was filmed then. Every single outfit seen in the movie is tailored and looks completely authentic to the time period (Costume designer: Louise Frogley) . The main outfits seen in the film are all custom fit suits, with common colors, such as black and tan. The military uniforms seen are also all accurate to the times, simple yet authoritative, and accurate to the uniforms used during World War II. The vehicles are all old Model T's etc, and Clooney rides around on a 1918 Indian motorcycle(which is actually an electric replica, but looks real nonetheless). The main transportation used in the film is by train, which was a new and popular way to travel during that era. The uniforms worn during the football games are also accurate to what was worn in the 20's by football players. The film even includes a scene that takes place in a speakeasy, as prohibition was still in effect at that time. The biggest downfall of the movie is the poor chemistry between Clooney and Zellweger, as they are the main love interests of the film, but their mismatched casting does not take away too much from the enjoyment of the film. The film is very appealing to the eye because of its accuracy of what the '20s looked like. The jokes throughout the film are also good for a laugh and are sure to at least make you smile. The plot of the film also starts somewhat slow, but the jokes start early and allow you to get past that. As the film progresses and more is revealed and the characters start to change and develop, the film becomes more enjoyable and continually draws you in, especially to find out what happens to the Bulldogs after signing Rutherford and what is the true story behind his heroism. This is definitely a film worth seeing for a good laugh and good time.