Lady Stay Dead

1981 "The trick is to stay alive."
5.2| 1h32m| en
Details

Millionairess actress-singer Marie Coleby (Deborah Coulls) lives in a luxurious villa on a deserted beach. One afternoon following a TV commercial shoot at the villa she incites gardener Gordon Mason (Chard Hayward) to mayhem and murder. The unexpected arrival of Marie's sister Jenny Nolan (Louise Howitt) hinders Mason's attempts to dispose of the body. He then decides to kill Jenny. But she is equally determined to stay alive ... so begins a battle of wits. Jenny's salvation seems at hand when two security men arrive at the villa, but only one, Officer Collings (Roger Ward) survives the initial siege. Then Jenny is alone to face Mason for the final time ...

Cast

Roger Ward

Director

Producted By

Ryntare Productions

AD
AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime. Watch Now

Trailers & Clips

Reviews

Lovesusti The Worst Film Ever
Taha Avalos The best films of this genre always show a path and provide a takeaway for being a better person.
Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable
punishmentpark Someone noted (elsewhere) that the theme song is a bit of a stinker within the realm o'guilty pleasure-genre'. I agree, but especially the fact that it keeps coming back over and over and again, does not help in any way, shape or form.Back to LSD (Lady Stay Dead, that is): the 'protagonizing' psycho is not half bad: nice, cooperative, clean, and of course a total whack job when the (fragile female) situation calls for it. The 'story' spirals down rather quickly (and, in a way, surprisingly), and the tension is built up pretty nicely from time to time, as well, even if tempo is lacking just as much. And, unfortunately, really good exploitation scenes are sparse, but what the hey - decent exploitation scenes are good enough.Other than that, some decent acting (nothing to write home about), but the nice settings and the fine camera-work make up a lot. O, and some tasteful tasteless nudity is in here, as well.At least a good 6 out of 10 from yours truly.
PeterMitchell-506-564364 Mind tipped Handyman, Hayward who gets treated look one of his tools, by a successful bitchy model- Coulls from The Restless Years finally snaps, raping and killing her. A lot of us guys have been there too. How the film got this title, I'm buggered if I know. Coulls's character would chafe a lot of guys. Hayward, playing the reverse of his in control and sexually alluring character norms, is almost a childlike character, here, ill treated by Coulls, not even being allowed to come into her house. When verbally striking back, telling her what it feels like to be one of her tools, she just abusing him more, as if what he said, went in one ear and out the other. Prior to Coulls getting it, when entrapped in the house I liked, as well as seeing her nude. It was great here to really see Hayward, return forth, his own brand of retribution towards her, that is funny in part too. But our disturbed Chard had developed a sexual fascination for her, an obsession, that has eventually led to her demise. He so much obsesses with her, he replaces her with a mannequin at the start. Hysterical, especially played against a mellow soundtrack I liked. Getting rid of Coulls's body is only the start of his problems. Big sister is in town for a visit, so Chard must play the part of the stable minded handyman, where other complications develop, the biggest, when the cops finally arrive on the scene where it's a standoff between them and Hayward. The sister, out of harms way at this stage, even insults the cop, as not taken psycho Hayward, as seriously as he should. This is a good situation plotted movie just like Bourke's "Brothers", with some sick violence, but it's a good watch, one reason for Coulls's over the top acting, where in contrast, this is one of Hayward's best performances.
Coventry I was warned from beforehand that the first half hour of "Lady Stay Dead" would be quite dull and derivative, but I can't say I fully agree with that. True, the concept of misogynistic violence was quite popular around that time, but this film definitely does bath in a strangely uncomfortable and sinister ambiance right from the beginning. There's a creepy guy, with beard and glasses, fondling a life-size mannequin doll to the tunes of a song by his favorite singer/actress Sheena. That's slightly disturbing, to say the least, especially if you know that this same freak is employed by Sheena (who's real name is Marie Coleby) as her gardener and handyman around the house. He – Gordon the pervert, as I'll refer to him as from now – secretly peeps at Marie when she's working out on the beach. He actually digs little holes in the sand to … you know … masturbate! Yeah, Gordon the pervert is quite the sicko! But then Marie yells at him quite mean and Gordon the pervert snaps. He viciously rapes her and barbarically drowns the poor girl by holding her upside down in the fish tank. All this stuff occurs during the first half hour, so how can you even think for one second that "Lady Stay Dead" is a boring film? After his little moment of temporary insanity, Gordon the pervert has to get rid of Marie's body – as well as those of the noisy neighbor and his dog – on the exact same day that her sister Jenny planned to pay an unannounced visit. Only around this time slot, there's a slight dip of boredom in "Lady Stay Dead", as it takes a little too long before Jenny realizes something isn't right around the house, but the pacing automatically repairs itself for a virulent and exciting finale. Jenny eventually locks herself inside the house with Gordon the psycho pervert trying to get in by using all of his gardening tools. "Lady Stay Dead" is a raw and mean-spirited early 80's Aussie shocker with a similar set-up like the American exploitation hits "Maniac" and "Don't Answer the Phone". Basically, these are all very sick thrillers with misogynist killers that are introduced straight from the beginning and containing explicit footage of violence against women. The body count in this film is relatively low, but Gordon the pervert insists on exhibiting the bodies of his victims in various macabre positions. That's quite disturbed enough already, I'd say.Interesting trivia detail for horror buffs: "Lady Stay Dead" comes from writer/director Terry Bourke, almost ten years after he made what is generally considered to be the very first Australian horror movie "Night of Fear".
aussiekerrie It's a bit slow at first, but it gets going. What a camp film. I noticed Roger Ward wearing what could only be a hair piece which looked like a doormat missing the welcome sign. When they put the woman in the fish tank to drown her, she didn't fight very hard and was rather unrealistic, but I guess that adds to its camp disposition! It's not the best film I have ever seen Roger Ward in - his performance in Mad Max will always be my favored. I would suggest you try and get a copy of LSD. It's one of those films you will have a soft spot for... in a peculiar kind of way. Typical of how 1970's films were shot in Australia