Stevecorp Don't listen to the negative reviews

Beanbioca As Good As It Gets

ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

marcslope A complicated murder trial is argued and decided in record time--just over an hour--in this RKO potboiler, leavened by the presence of Edna May Oliver, harrumphing and lip-pursing with her characteristic panache. But jeez, if this is American justice, I fear for the court system. As the most influential juror, Ms. Oliver decides the defendant (Jill Esmond, then married to Laurence Olivier, and employing a sturdy French accent) is innocent because her "women's intuition" tells her so. And the other jurors--including an annoying Ken Murray as a real estate tycoon, a more annoying Roscoe Ates stuttering, and Cora Witherspoon as a dowdy miss we're supposed to dislike because she wears a man's suit--come around to her side of thinking for the tritest reasons: they like her, or they like each other, or they're offended by something some other opposing juror said, or something about the defendant reminds them of someone they love. I've been on juries, and at least we were a little more analytical than that. The panel finally retires to the scene of the crime, where a highly contrived finish (including a hidden sliding wall, borrowed from RKO's horror department) leads them to the right verdict, uttered over the closing credits. It's a cheap-looking little movie, abundant in juror stereotypes; only Guinn Williams, unbilled, as a blue-collar garage mechanic, creates anything like a real person.

Michael_Elliott Ladies of the Jury (1932) *** (out of 4) Interesting comedy with just a pinch of drama. A chorus girl is accused of murdering her much older husband so that she can get his money. Eleven people of the jury thinks she's guilty but one (Edna May Oliver) believes that there isn't a way she did the crime due to a questionable witness at the trial. Sound familiar to a certain Henry Fonda movie called 12 ANGRY MEN? This film was based on a Broadway play and there's no question that it has a lot of strong connections to the much more famous Fonda film. I can't go into any real detail as it would provide spoilers for both films but it was rather funny seeing how many characters shared some similarities as well as reasons why those thinking the woman is guilty switch sides and go for not guilty. Fans of 12 ANGRY MEN will certainly get an added kick out of this film but even on its own this thing isn't too bad. I think what's most interesting is that the first thirty-five minutes is pure comedy as we're in the court room as the evidence is given and all hell is constantly breaking loose. This includes the lawyers fighting each other, the suspect constantly screaming at the witness and of course there's Edna May Oliver who is constantly jumping up to ask her own questions of the witnesses. A lot of the comedy is very forced and over the top but most of it works. It even works when we get to the jury room where more craziness follows including jurors falling in love and of course more fighting. While there's a lot of over-the-top moments, the film actually takes the case rather serious and keeps the mystery going right up until the ending. I think it was a rather interesting move keeping the dramatic side of the case strong and it makes for a rather unique experience since most films would either go for all laughs or all drama. A big reason this film works are the performances with Oliver really delivering the goods in the main role. She's perfectly believable as the rich woman who gets her way and will let no one tell her how to do things. The supporting actors are quite strong as well with Jill Esmond (who was married to Laurence Olivier at the time), Ken Murray, Kitty Kelly, Cora Witherspoon and Robert McWade all doing fine work. We even get some very funny moments from stutterer Roscoe Ates who is best remembered for his role in FREAKS. At just 63-minutes this thing flies by and is certainly worth checking out when it shows up on TCM.

Neil Doyle LADIES OF THE JURY is a little programmer boosted by the performance of leading player EDNA MAY OLIVER as a Bostonian aristocrat who is allowed to ask questions of the woman on trial for her life (JILL ESMOND), accused of murdering her husband.Edna May is the only member of the jury who believes the woman "not guilty" on the first ballot. The balance of the courtroom scenes show how she turns everyone around to thinking differently.Surprisingly, GUINN ("BIG BOY") WILLIAMS, who livens up the proceedings with some characteristic humor and facial expressions, is not even credited in the film's cast. Among the supporting players, he's the one that stands out.Unfortunately, the script is uneven and the treatment is less than routine with the outcome assured. The abrupt ending makes no impact at all even though the last word goes to Miss Oliver.The humor is scanty and it's surprising to see KEN MURRAY cast as a flippant juror whose attempt at comedy is not really successful.

SkippyDevereaux If you love Edna Mae Oliver, then see this film. It's hers all the way as she destroys the jury system in this comedy. A close second would have to go to Guinn "Big Boy" Williams, who is also a riot. It's too bad the studios never gave this great actress more opportunities to shine in the lead roles.