The Man Who Shot Liberty Valance

1962 "Together for the first time"
8.1| 2h3m| PG-13| en
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A senator, who became famous for killing a notorious outlaw, returns for the funeral of an old friend and tells the truth about his deed.

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Reviews

Afouotos Although it has its amusing moments, in eneral the plot does not convince.
Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
Candida It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
wildbunch-20336 No doubt that this is one of the best movies ever made pitting good against evil and showing the struggles in making honorable decisions when making dishonorable ones would be much easier.
cainweb To me this is a movie with a wonderful star-studded cast of favorites that I want to love, but just can't stand.Is it just me, or is this the worst cast movie of all time?Of course, it is a John Ford production with his standard crew, but their application in these roles completely destroys the entire movie.Another seemingly minor thing is the makeup. A number of scenes have the players in makeup so they look elderly (like that was needed). But, somehow it just makes the production look like a crappy high school play.I saw this film years ago and remember that I hated it. I saw that it was on the other day and figured I'd give it another try; I love a good western, and was probably too critical the first time around.No, I was right, this movie is appalling.It centers on a young idealist, fresh out of law school, who heads west to practice. That would be someone around 25 years old given the circumstances.The atrocious casting assigns the role to a 54 year-old James Stewart. His nemesis and rival for the hand of the lovely maiden in the story is a local no-nonsense tough-guy rancher. In real life this would probably be a 25 to 30 year-old experienced western man.The god-awful casting gives this role to a rapidly aging 55 year-old John Wayne.So, now we have two men supposedly infatuated with a young woman who would be the age of their grandchildren in real life.Another part is assigned to a ranch hand, also a supposed youth, who in one scene is kicked out of the room because he is "too young to vote."That part is played by 51 year-old O. Z. Whitehead.Again, we have the young and illiterate waitress who is ready to marry - a 16 to 18 year-old in those days.That part is given to 33 year-old Vera Miles. At least she is only one generation older than the part she is playing.So, in the end, this movie had everything going for it: An exciting western adventure full of interesting characters and some good plot twists.Unfortunately it is a great story completely ruined by a cast of geriatric actors.
elvircorhodzic THE MAN WHO SHOT LIBERTY VALANCE is a western drama about an inspiring event, the conflict between traditional and modern ways of thinking and a big lie, which will be reflected in a rough anticlimax.A senator and his wife arrive in Shinbone, a frontier town in an unnamed western state, to attend the funeral of their old friend. A local journalist asks, why a United States Senator would make the long journey from Washington to attend the funeral of a local rancher. A Senator begins the story of a young and idealistic lawyer, which has occurred 25 years ago. His stagecoach is robbed by Liberty Valance and his gang. When he takes Valance to task, he is brutally whipped and left for dead. In Shinbone, the townspeople help him with his injuries. There is a cowardly sheriff, beautiful waitress and charming rancher, who is the only man willing to stand up to the cruel Valance...Roughly speaking, this is a story about the conflict of a resolute mind and raw power. However, an interesting plot follows the political evolution in one small town.Can a problem be resolved with the talk (by law) or with guns?Although the story occasionally turns into melodrama, Mr. Ford did not underestimate the structure of a classic western. His ironic reference is complementary with intriguing appearances of the main protagonists. An urban legend is hiding the truth, which is a milestone in the lives of the protagonists. The atmosphere is very sad and somewhat poetic. Characterization is very good.James Stewart as Ransom "Ranse" Stoddard is a bit confused, but brave and determined at the same time. His character is the epitome of honesty and justice in this film. I think that his appearance is irritating, but Mr. Stewart was again very convincing. Vera Miles as Hallie Stoddard is a very beautiful when she gets angry. She is a girl who has more courage than a local sheriff.John Wayne as Tom Doniphon is a charming and resourceful hero of this story. However, he will not graciously ride into the sunset at the end of this film. His character is, though aware that he has changed the course of a local history, suffocated in their own self-esteem and irony. Lee Marvin as Liberty Valance is a malicious and energetic maniac, who is a very good as Tom's counterweight.Sadness and melancholy at the end of the film is something totally new to the genre.
estebangonzalez10 "This is the West, sir. When the legend becomes fact, print the legend."The Man Who Shot Liberty Valance is a film that is highly revered today by critics and audiences alike, although when it was released in 1962 it wasn't met with the same enthusiasm. Ironically today it is one of John Ford's most popular films along with The Searchers and Stagecoach. Many even consider this to be Ford's masterpiece and the purest example of the Western genre and the transition it was heading for. The film's greatest appeal was that it starred James Stewart and John Wayne for the first time together. Wayne always did his best work under Ford's direction, but Stewart was the real star and had been at the height of his career for a while. I'm assuming watching the two together must have intrigued audiences at the time because I was definitely interested in catching up with this classic for that very reason. The film was shot in black and white, which I believe had a lot to do with the fact that both Wayne and Stewart were playing characters 30 years younger than their actual age, although it also gave the film a nostalgic quality to it. A nostalgia that works for this film in particular because through this character study we see a shift of power and dynamics from the traditional macho cowboy character living by the way of the gun to the literate and educated character who believes in justice and law. It also has a strong political undercurrent but it is basically a western where the power balance is shifting from one ideal to another. The black and white composition also allowed Ford to focus more on the characters and their relationship, delivering a carefully constructed character study as well. The film opens with Senator Ransom Stoddard (James Stewart) arriving at the train station of a small local town with his wife Hallie (Vera Miles). This is the town where Hallie grew up in and where she met Ransom some 25 years earlier. When a local reporter asks the Senator what thy are doing in town he mentions they are in town for the funeral of a dear old friend named Tom. No one seems to recall who Tom was, except of course his personal ranch assistant Pompey (Woody Strode) who is mourning his friend's death next to the casket. Wanting to know why this mysterious man's death is so important to them, the reporter asks for an explanation. And so the flashback begins as Ransom narrates the story of how they met. He was a recently graduated lawyer at the time who was arriving from the East in search of better opportunities. Upon his arrival, his stagecoach was robbed by a bandit named Liberty Valance (Lee Marvin) and he was brutally beat. Tom Doniphon (John Wayne) came across his unconscious body and brought him to a local family restaurant where Hallie worked at. Once he recovers, Ransom wants to press charges against Liberty but he soon discovers that isn't the way things are handled in the West. Not being able to make much use of his profession in this town, he offers his help at the restaurant and also begins educating Hallie and some local ranchers in the area. Meanwhile, Valance is still in town causing havoc everywhere he goes, and Ransom sees no other way to stop him but to face him despite his lack of expertise with guns.I'm a huge fan of the Western genre and had high expectations for this classic, but I was underwhelmed by it. I found the pacing a bit slow and the fact that the film was shot on sound stages at the studio took away what I appreciate the most about the genre: the beautiful and vast location. The film is shot mostly in enclosed spaces focusing more on the characters, and although John Wayne and James Stewart were both great, I never felt their characters were developed naturally. The transitions they go through were merely there to serve the purpose of the story which was to expose the shift of our ideals of the western world. The facts are much more boring than the legends and that is exactly how I felt about this film. The villain in this film wasn't menacing at all and he simply behaved like a grown-up bully so the tension there was missing as well. The twists in the story were rather predictable as well so the final revelation never did anything for me either. The fact that Wayne and Stewart are supposed to be playing such young characters was also a distraction. Overall I understand why this film is regarded as a classic, but I just wasn't able to enjoy it as much as I had anticipated. http://estebueno10.blogspot.com/