Jane Eyre

2006
8.3| 3h22m| en
Details

In this version of Charlotte Brontë's novel, Jane Eyre as a young girl (Georgie Henley) is raised as a poor relation in the household of her aunt, Mrs. Reed (Tara FitzGerald). As a young woman (Ruth Wilson), Jane is hired by the housekeeper of Thornfield Hall, Mrs. Fairfax, to be a governess for young Adele (Cosima Littlewood). The owner of the estate is Mr. Rochester (Toby Stephens), who is courting the beautiful Blanche Ingram (Christina Cole).

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Reviews

Karry Best movie of this year hands down!
Plantiana Yawn. Poorly Filmed Snooze Fest.
Moustroll Good movie but grossly overrated
Limerculer A waste of 90 minutes of my life
bethcrim-03260 (contains possible spoilers) I read through the reviews and this movie has to be one of the most polarized out there. With few exceptions people either adore it or hate it fiercely. The haters are right in complaining that this version does not slavishly follow the book. Juicy parts are left out and any number of things are added. SO WHAT?? Why not just call it "adapted from" or "inspired by" and get off your high horse? If you want more accuracy just watch the version with Timothy Dalton. I have, but I simply do not keep going back to it like I do this version.There are too many wonderful elements of this movie to list but examples for me include the funny byplay when Jane asks for a leave of absence, the first proposal, and the expressions on Toby Stephen's face when he first sees Jane the bride, and again in the church where his thunderous stare speaks volumes about his defiance that he WILL marry Jane by God. Also their reunion which is given the time it deserves and captures the playfulness of the scenes in the book. This is left out of the Fassbender version which is a major detraction from that movie. You just have to have it!Finally, the main problem with this movie is that currently it costs a lot of money to buy. I am sure this limits its exposure compared to the other versions, and that is simply a shame.
Ana Nuit I first discovered this mini-series late one night, back in 2007, when I was still very young. I rapidly feel in love with this enchanting dark tale, which broadened my horizons to classical literature.With that in mind, this 2006 BBC adaptation is one of my favorite mini-series, based in one that has also became one of my favorite books. The acting is superb, with the actors delivering very likable performances, which allows the viewer to feel the love, between the main characters, grow (which I didn't feel at all in the 2011 Jane Eyre movie). The soundtrack, scenery, attention to detail and overall feeling of the show is spot on, which creates a beautiful atmosphere that suits the story very well. I've re-watched it several times over the years and I still cherish it just the same, thus recommending it vividly! It is, in my opinion, a very underrated mini-series that deserves more willingness to be seen and appreciation!
sbuch308 Lovely camera work and long shots, but for all its four hours the production felt rushed and dumbed-down. So many compelling portions of the original story were left out, as if the directors and screenwriters thought the audience would get bored if they didn't push the story along. It felt like an on-screen Cliff notes for Jane Eyre. Wedding, crazy woman, fire, heroine jumps into carriage, rides, door opens, heroine collapses. Whew!Also, for as charming as Ruth Wilson is, with her slightly jutting lower jaw, her reading of her lines seemed hollow. Her Jane lacked the inner fire and will that Jane possesses in the book. Or perhaps the subtlety of her performance was lost in the swelling strings of the rather oily sound track, another annoyance that suggests the movie makers either didn't have confidence in their ability to tell the story, or didn't trust in their audience to appreciate it.
brown-faith922 I believe that Jane Eyre (2006) is one of the greatest period dramas of all time, and almost definitely the greatest period romance. There is next to nothing that I would like to criticize about this miniseries. The perfectly written script combines with the marvelous acting to make a brilliant masterpiece that beats every other version of Jane Eyre I've seen (and that is saying something, because I liked the 2011 version very much). Even my brother, one of the harshest movie critics I know and a hater of silly love stories, found himself drawn into the room while my friends and I watched it for our girls night movie, and he proclaimed it an excellent movie. It is perfect – funny, scary, sad, romantic, and (to those who have not read the book) extremely unpredictable.For the purpose of this review, I'll put aside my personal love of Bronte's characters and storyline not only to avoid spoilers, but also so I might analyze aspects of this film itself. It is brilliantly done. To say that Ruth Wilson is impressive in her first real role (right out of acting school) would be an immense understatement. Jane Eyre's reserved nature and intricate mind make her an extremely difficult character to portray on screen, and Wilson accomplishes this task beautifully. She looks the part - somehow she just seems exactly the sort of person the book describes, though I know that's a very opinionated statement. The emotion she is able to deliver to the audience even with her character's reticence is neither too great nor too small. I see almost no flaws in her portrayal of Jane Eyre.I believe I fell in love with Toby Stephens over the course of this series. Readers of the book will attest to the fact that Rochester is "supposed to be ugly." It's one of the biggest problems fans of the book cite when analyzing others who've portrayed this character – Rochester is too handsome or too young, or both. Still, what girl can deny that she secretly hopes he'll be at least a bit attractive? When this Rochester came on the screen, I think many book fans (including myself) were sufficiently pleased with his rough, not-really-that-handsome appearance (forgive me for lack of a better adjective than 'not-really-that-handsome!') But even with this observation comes the worry that he'll not be very likable… after all, we all know that a character's good looks contribute a great deal to his or her likability. By the end of this film however… I didn't remember ever having considered him anything but handsome. The character is charming, interesting, and on several occasions absolutely hysterical. My whole living room was laughing at some of his conversations with Jane. He flat out nailed the role of Edward Rochester. I'm convinced someone charmed the character to rise off the pages of the book, and he happened to take the form of Toby Stephens. It is that good.The side characters are all very good as well, but the real commendation should go to the screen-writers. Film adaptations of books obviously need to have discrepancies, and there is a science to making this work well. Some seem to pull the dialogue right from the pages, word for word, creating a rather restricted atmosphere. Other times you feel in your bones that the dialogue is too modern. Often, as well, plot points are jumbled together within the script in a rabid attempt to get everything said, so that the script sounds like an eleventh grader reading out his plot summary for English class. Obviously the length of this film made it possible to gradually introduce and develop each plot point, but that takes nothing away from the brilliant dialogue with which this was done. I felt like I was looking through a window into 19th century Britain. The makers of this film brought Charlotte Bronte's characters to life in the most brilliant way possible.It's about the time where I generally find something – anything – to criticize, but I can think of nothing. Lovers of the book should have nothing to complain about, since I feel that it contained almost every scene from the book. If I had to name one problem… I suppose it would be young Jane. I love Georgie Henley, but I do admit that her acting seemed a bit forced, and didn't really capture the essence of young Jane. Still, Georgie Henley looks so much like Ruth Wilson (I marveled at that for about twenty minutes) that I feel I probably would have made that casting choice as well.All things considered, this is the closest thing to a perfect period drama I have ever seen. Miniseries such as this one have the unique privilege to be able to contain nearly every plot point, since they are allowed to be long, and are thus generally very good and well-liked by book fans. This one in particular just seems to do everything a half step better than the rest. It is truly excellent. Watch it, see for yourself, and enjoy!

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