TrueJoshNight Truly Dreadful Film

WillSushyMedia This movie was so-so. It had it's moments, but wasn't the greatest.

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Dana An old-fashioned movie made with new-fashioned finesse.

HotToastyRag When making a historical biopic, it's important to keep the dramatics up. "Then this happened, then this happened, etc." gets pretty tedious after a while. Jack London is one of the more boring biopics to avoid.Michael O'Shea plays the title character, and while he seems to have had an eventful life, Ernest Pascal's screenplay managed to make his life look like a series of disjointed episodes. First he works in a factory, then he's falling in love with Virginia Mayo, then he's a sailor, then he's at war, then he's getting a college education, then he's writing, then he's falling in love with Susan Hayward. . . There's no linear connection to anything, and Jack London isn't really given enough character development to make the audience root for him and therefore overlook the bad screenplay. Unless your favorite book is Call of the Wild, I wouldn't recommend watching this movie. For an interesting historical biopic, try The Adventures of Mark Twain or The President's Lady instead.

kalendjay This is a dog and I don't mean "White Fang". What could have been a low budget, puckish travel adventure is hijacked and turned into a strange yellow peril piece. After enduring an hour of unadventurous travelling and business details about journalist London (we don't get much of him as a novelist other than an opening montage of a shelfful of books) we are introduced to a little costume piece about his travails in Japan, and internment under what seems to be a pseudo concentration camp for Russian soldiers. We are informed that what makes London such a patriot is the apparent revelation by a Japanese host that Japan has a master plan of conquest because they do not have an empire and cannot survive on trade.Truth told, especially during the depicted Russo-Japanese War, is that all the great powers had the same attitude. And London probably owes his survival to Teddy Roosevelt's negotiation of the peace (only TR's anger over London is shown).London was also a white supremacist and anti semite,whose obsession with adventure sounds like misanthropy. If analogized to his similar contemporary Rudyard Kipling, we might have seen the characterization of a dashing poet, ironist, and visionary of human nature, and not a Bowery Boy. Some poetry does seem evident in the script at the very end.O'Shea struggles mightily as the lead, but he is no Spencer Tracy and has none of the Irish charm or humorous physicality. And how about Hayward as his beau? 'Oh yes! I already know you are going to leave me for nine months to cover the war because I love you that much!' After scripts like that, you'd be known as the foulest mouth in Hollywood too, and get the inclination to tear the eyes out of every studio exec you meet.

bkoganbing Jack London's life was certainly colorful enough for a dozen films about different aspects of him. Sad to say though that what his life was used for in film was some wartime propaganda that put the best face on some of the least attractive parts of his character.Jack London who barely saw the age of 40 when he died wrote some of the best stories around. He wrote on what he knew, but he also wrote as does everyone else bringing the baggage of his own life experience with him. Some of that experience in another day and time would have been condemned as racism. But this was World War II and London was a big believer in the 'yellow peril' as it was called back in the day.Two thirds of the film covers his life as author, we see his years as a seaman from where he got the inspiration for The Sea Wolf. We see him up in the Yukon in a miner's cabin with a dog that was no doubt his inspiration for The Call of the Wild. London was able to capture the spirit of adventure that his own life was all about right on paper for the world to enjoy ever since.The final third dealt with his time as a war correspondent covering the Russo-Japanese War. London was a socialist, but his socialism did not encompass folks who were Oriental. Like a few million others he saw the rising immigration of the Chinese and Japanese to our Pacific coast as a threat to jobs for the white people. He advocated strict immigration policies for Orientals.The film puts the cart before the horse. London is presented as a man who saw because he was on hand at the Russo-Japanese War what Japan's ambitions were and for that reason was as xenophobic as he was. Actually the kind of atrocities present in World War II were not existent during the Russo-Japanese conflict. Japan had her imperial ambitions, but so did everyone else including the USA at that time. But our immigration policies caused by pressure from our West Coast politicians was a big contributing factor to the deterioration of relations with Japan over a couple of generations. London was part of the cause not a prophet crying in the wilderness.This film was the first independent production of Samuel Bronston who later did some films with a bit more budget than Jack London. Had he a bit more money Bronston might have gotten James Cagney or Spencer Tracy, both who would have been right for the role. Instead they got Michael O'Shea who was making his second film after Lady of Burlesque. O'Shea is fine in the part, but certainly was no box office.As London is covering the war, he meets up with a Captain Tanaka who is played by Leonard Strong, an actor who specialized in Orientals and played a ton of them in World War II. From the vantage point in 1905 Strong outlines in the best Fu Manchu tradition Japan's imperial aims right up to taking on the USA eventually. Must have gone over great with the swing shift crowd. A lot of course is left out of London's life including a first wife. Playing the second and only wife in this film is Susan Hayward who only comes into the movie when it's half over. I wish we'd have seen more of her. Charmian Kittredge London survived her husband by almost 40 years dying in 1955.O'Shea in fact met and married the leading lady of his life in Jack London. Virginia Mayo has a small role in Jack London and they married for 30 years until O'Shea died in 1973.Maybe one day we'll get a view of Jack London that will be a lot better than this one.

ferbs54 In his brief 40 years on Earth, author Jack London managed to cram as much adventure and incident as would seem possible. This 90-minute film, purportedly a biography of the man's life but patently fictionalized, doesn't even scratch the surface, and remains a story very ripe for a modern-day retelling. Here, Michael O'Shea, in one of his first roles, portrays London, and his performance is both rugged and sympathetic. He is not the problem here. Nor is a young and very beautiful Susan Hayward, playing his future wife, Charmian, whose biography on London is the "basis" for this film. London's life has here been broken down into a series of episodes, which the film skips lightly through. So we have brief incidents with London as an oyster pirate, a sealer in the Bering Sea, a gold prospector in the Yukon and a correspondent during the Russo-Japanese War...colorful events, for sure, but hardly given anything like in-depth treatment. And Alfred Santell's direction (he also directed one of Susan's first films, "Our Leading Citizen," in 1939) is lackadaisical at best. Making things rougher here is a very poor-quality DVD, with a crummy-looking print source and hissy sound. Perhaps the best thing about this movie rental, for me, was one of the DVD's extras: a catalog of all the Alpha Video films, featuring hundreds and hundreds of full-color movie posters. Let's just hope that these films are in better shape than "Jack London"!