Isle of the Dead

1945 "A grave's dank darkness smothers the screams of a girl still alive!"
6.5| 1h11m| NR| en
Details

On a Greek island during the 1912 war, several people are trapped by quarantine for the plague. If that isn't enough worry, one of the people—a superstitious old peasant—suspects a young woman of being a vampiric demon.

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Reviews

Matialth Good concept, poorly executed.
XoWizIama Excellent adaptation.
AutCuddly Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,
Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
Edgar Allan Pooh " . . . than one carrying the Plague," two-star commander Pherides says about 22:05 into ISLE OF THE DEAD. "The horseman on the Pale Horse is Pestilence; he follow the wars," is another of Pherides' favorite sayings (6:10), which I guess is better for this equestrian killjoy than following the Patriots. Perhaps the primary takeaway for contemporary viewers from ISLE OF THE DEAD is: don't even think about visiting Greece. Greeks have so many superstitions about Gods and Monsters that even they cannot keep them all straight. Also, ISLE OF THE DEAD documents that these central European folks will use sleep apnea or any other flimsy excuse to nail foreign visitors tight inside cheap wooden coffins while they're still alive! In this story, "Mary" has long enough fingernails to claw herself out of such a predicament, but what if she had been a nail biter, or just gotten a manicure? When the difference between Life and Death is whether or not you've been consuming enough gelatin, it's probably best to wash one's hands of such a capricious tourist trap, and avoid ISLE OF THE DEAD at all costs!
wes-connors After a 1912 Balkan War, hard-nosed General Boris Karloff (as Nikolas Pherides) shows his soft side by inviting "Boston Star" war correspondent Marc Cramer (as Oliver Davis) to visit a Greek island, where they discover the body of Karloff's dead wife is missing from her coffin. The men go to the stylish and atmospheric home of Swiss archaeologist Jason Robards (as Albrecht) to ask about the desecration. There, we meet the other members of the cast - attractive nurse Ellen Drew (as Thea), who attends ailing Katherine Emery (as Mary St. Aubyn), her husband Alan Napier (as St. Aubyn), creepy housekeeper Helene Thimig (as Kyra), doctor Ernst Dorian (as Drossos), and stumbling Skelton Knaggs (as Andrew Robbins). After one of the group dies and another shows symptoms, The Plague is suspected. Asserting his military title and general command presence, Mr. Karloff orders the group quarantined. As more people fall ill, the cast banter about science and superstition. Karloff slowly begins to consider one of the party may be asserting an evil supernatural presence...****** Isle of the Dead (9/7/45) Val Lewton : Mark Robson ~ Boris Karloff, Ellen Drew, Marc Cramer, Katherine Emery
Hitchcoc I do like Val Lewton's films. This one begins in an interesting setting with a war correspondent talking to a military man, Boris Karloff. He is a cruel and driven man, a total follower of military rule. Through a series of circumstances, a group of people end up quarantined from the plague. Karloff asserts his military power, forcing the people to do as he says, but some don't have the "proper" respect. He also shows himself to be very superstitious, believing in some old Greek werewolf stories. He directs his attention toward a young woman who defies him and gets people to believe that she is sort of an angel of death. As people begin to expire, he gains more and more power, but there is another woman who is, for all practical purposes, his equal. The movie is a moody portrayal of what people can do to each other when they are frightened. It's a good role for Karloff and comes off reasonably well.
Spikeopath Isle Of The Dead is set on a Greek isle during the First Balkan War in 1912–1913. When General Nikolas "The Watchdog" Pherides (Boris Karloff) and American war correspondent Oliver Davis (Marc Cramer) visit the isle, they find that Pherides' wife's tomb has been desecrated and the body gone. Upon hearing the sweet singing of a female they are led to a household consisting of the Aubin's, St & Mary (Alan Napier & Katherine Emery), Mary's nursemaid Thea (Ellen Drew), archaeologist Albrecht (Jason Robards) & his housekeeper Kyra (Helene Thimig), and salesman Andrew Robbins (Skelton Knaggs). As the talk turns to a mysterious Greek vampire called a vorvolaka being responsible for bad deeds on the isle, a septicaemic plague breaks out. Pherides sends for Dr Drossos (Ernst Dorian) and promptly quarantines all on the isle. But as the group wait and hope for the wind to come and blow the plague away, death and madness starts to take a hold.We open with a scene in Pherides' shadowy tented command point. Dark unflinching eyes stare out at the soldier in front of him, Pherides doesn't utter a word, he merely pushes a pistol forward, holding his gaze. The soldier takes up the pistol and leaves the tent, the outcome we know from Pherides' manner is obvious. The moody marker has been set, this is a Val Lewton {producer} & Mark Robson {director} picture.Working from a script from Ardel Wray that was inspired by Arnold Böcklin's painting of the same name, this was the fourth of five pictures Robson directed for Lewton, and the first of three pictures that Karloff made with the talented producer. Originally titled "Camilla," the production was not without problems. Karloff suffered a back problem that required surgery and thus delayed the film for a while and a central female character called Catharine was jettisoned from the original script. So not without problems it seems, but it doesn't show because Isle Of The Dead ended up as an atmospheric pot boiler dripping with the sense of unease so synonymous with the Lewton/Robson partnership.No doubt about it, this is a very talky piece, with the makers choosing fright suggestion and mooted superstition over actual actions for the most part; with Robson deliberately keeping the pace claustrophobic-ally sedate. It all then comes alive with horror relish as a premature burial {the audience are aware of this fact} brings about an upturn in pace. Which simultaneously gives the horror genre one of its best and most unsettling sequences from the 1940s. We then blend seamlessly into the last quarter of the piece where the mystery and horror unfolds amid shocks and hypnotic like fulfilment. 8/10