Iron & Blood: The Legend of Taras Bulba

2009
5.7| 2h10m| en
Details

Set in the 16th century, this is a story about Ukraine's Cossack warriors and their campaign to defend their lands from the advancing Polish armies.

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Reviews

PodBill Just what I expected
Sexyloutak Absolutely the worst movie.
Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
Cheryl A clunky actioner with a handful of cool moments.
Kirpianuscus Bogdan Stupka. in fight to create a credible Taras. a literary gem. who becomes a political tool. that is all. the film has a lot of sins but the basic problem is the ambition to create a Hollywood blockbuster as support for the Kremlin 's interest. the fragile beauty of the book is lost. the Kozaks becomes Russian puppets. the Pole society is victim of a Manicheism who not convince and not impress. the entire story becomes an aggressive political speech. sure, many historical films from the East Europe are illustrations of the same recipes. but under the Communism regime. and the delicate problem is to transform Ukraine in a part of Russia, to use special effects for ignore the senses of book, to destroy a noble idea for a not real decent result. short, a Russian story. full of nationalism. and not convincing . useful for a kind of public . and not more that.
hte-trasme I've seen three other films by Vladimir Bortko -- adaptations on "Heart of a Dog" and "The Master and Margarita" by Bulgakov and "The Idiot" by Dostoevsky. These were works that were close to my heart, and I thought Borko did a fantastic and mindful job of recreating them for the screen. Here he seems to have been given a much bigger budget, possibly a set of orders from the Russian government, and the short novel "Taras Bulba" by Gogol -- a piece of literature that didn't resonate with me nearly as much as the three aforementioned ones. While I loved some of Gogol's other stories, "Taras Bulba" struck me as mostly overblown, thoughtless nationalism, which didn't sit well with me. I didn't much care for this film either, so to be perfectly fair that could be because Bortko faithfully reproduced a book that I didn't love in the first place. Everything revolves around the inclusion of battle scenes and dead-serious scenes about going to battle, and it is assumed without saying that of course we will be rooting for the Cossack's over the Poles. Maybe we will be and maybe we won't, but using that as an assumption to make the film work means it's rooted in pure nationalism and nothing more. If that's alright with you, then fine, but it's not a substantive ideology. Even if we take it as given, there are few too many scenes of dying people who use their last breath to give a heartfelt speech about how the Cossack soul will never be vanquished. There are plenty of enormous pitched battle scenes with many very bloody wounds shown. The visual work on this is impressive, but it seems empty without a fuller context. The events of the plot seem entirely constructed to allow for more speeches about Cossack national spirit to be worked in, and as such are spread pretty thin. The result is that odd duck -- an action packed movie that is actually rather slow-moving. The up side is that there are some very good performances, especially from Bogdan Stupka and Igor Petrenko. They understand the material give performances that are as warlike and humorless as possible. I'm not an expert in the era of history on which Gogol based the source novel for this film, so I can't really address what has been brought up many times here -- the potential incongruity of the Cossacks mentioning Russia in their speeches and speaking Russian (as opposed to other characters, who speak Ukrainian with voice overs). But I think there is more nationalism than just Gogol's at work here, on the whole. A lot of technical skill and passionate acting went into this. Unfortunately, it's a lot of sound and fury signifying nothing but blind patriotism. That might make it a good watch for if you're about to go and kill some Polish people with your trusty sword today and need inspiration, but it doesn't make it a good film.
mihai_bogdan666 this is a good and hard movie for humans who know Russian history.5.5 is the IQ of the stupid who don't know noting.you must read to know something .if this movie is made by Americans his note will be 10,but is not,is made by Russian.i read the novel and all Russian history and this movie is an great example for the MAN who don't know nothing.the main character is the example of old school hero and patriot not some pussy whit a gun,a father and men .the Russian history is made whit blood and steal not oil wars.my apologize if i was to rude but not all the great movies are made by Americans.i am from Romania and we to make great movie like:MICHAEL THE BRAVE,VLAD THE IMPAILER,MIRCEA,OSANDA
manya7-2 Bortko set out to make an apparent epic here, but sadly, missed an opportunity to tell a great story. I researched Gogol before watching this film; the essence of the story is covered in the film's plot. What Gogol did NOT include was the Russian polemic which slaps you in the face at every turn in this film.I agree with some of the other reviewers that casting and costuming were great! Fabulous actors, wonderful faces, but a sodden, leaden, boring script deprived them of a chance to display their true talent. Bogdan Stupka is always a pleasure to watch, and for a better version of these times, watch Hoffman's 1999 Polish epic "Ogniem i mieczem", in which Stupka plays Bogdan Khmelnitski.The patriotic speeches, both in the sich and during the battle death scenes, slowed the movie to a dead crawl (no pun intended!) and greatly detracted from the film's impact. As others have noted, this is truly a Ukrainian story, not a Russian one. Ukraine was mentioned only twice in the movie (I counted). Endless speeches (particularly with a slit stomach) about the sacred Russian soil really have no place in a story about Polish/Ukrainian struggles, and only serve to underscore that the film's budget was heavily subsidized by the Russian government. At a time when the East and West need to work together to solve this world's problems, western xenophobia seems highly counterproductive. Such films only widen the divide and hurt us all as creatures of this planet.One note about the score: nice idea again, but endlessly repetitious. I recognized in the main theme a variation of a famous Ukrainian carol "Novo radist stala", which I have sung many times, but it was extremely overdone. A little variation would have been nice. The repetitive score reminded me of another score for Bortko's "The Idiot", a wonderful Russian serial based on the Dostoevsky novel (2003). More endless repetition of the musical theme was the one negative in an otherwise flawless ensemble of actors and a compelling story.In summary, this film was watchable but mostly boring. Some of the horrendously violent scenes made me cross myself. Not a total waste of two hours; however, it left me feeling that it could have been so much better with a little more effort and less propaganda.