Cathardincu Surprisingly incoherent and boring

Unlimitedia Sick Product of a Sick System

Sexyloutak Absolutely the worst movie.

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

PKazee Nothing happens in this until the final 10 minutes. And there's nothing at all "giallo" about it. My recommendation? Watch the 1st 10 minutes until you've had enough of sailing. Skip ahead and watch another random 10 minutes until you've had you eyeful of the lovely ladies. Then watch the last 10 minutes for the twists and turns.

radiobirdma Fifteen years after he had been a protégé of Roberto Rossellini in 1953, Italian director Giuliano Biagetti somewhere stumbled across the term "Interrabang" (now consult your dictionary, per favore) and decided to knit the ultimate meta-thriller around it. The whole intertextual stupor begins with pseudo-existentialist banter between photographer Fabrizio and three trendy dolls (among them Haydee Politoff, who had played the lead role in the first installment of Rohmer's contes moraux, La collectionneuse, two years before) while heading to a rocky island for a fashion shooting, where a blue-eyed poet/ psycho is already waiting for the bikini bunch. The ensuing beach party is refined with Fitzgerald quotes, Daft One Dialogue ("How did you kill your woman?" "I didn't kill her. She was already dead for me."), the per se not-too-bad theme by Berto Pisano varied and overused to the retchy max, plus three dozen ultra-fishy "twists" buzzing off to Spasticland, breakneck-style. When Roberto Rossellini met Biagetti after the premiere, he put an arm around his old colleague's shoulders and told him a little secret about thrillers and postmodernist stunts, though Biagetti didn't listen because he was busy shaking hands with some stunning brunette in those very seconds. "It's no use breaking the rules, amico mio", Rossellini said, "if you don't even know 'em."

HumanoidOfFlesh A photographer named Fabrizio and three women including his wife Anna,her sister Valerie and Fabrizio's model/lover Margarita anchor their yacht next to a small,deserted island for a photo shoot.Due to engine problem Fabrizio leaves his boat to bring help.Three women decide to spend their time on sunny and rocky island.Turns out there is a dangerous criminal on the island who may be a homicidal maniac.Marco seduces each of woman and plans to murder Margarita and Anna.Beautifully shot and dreamy giallo with lovely score by Berto Pisano,which was later used in Mario Landi's "Giallo a Venezia"(1979).Plenty of surprising twists and turns plus a little bit of subtle nudity provided by Shoshana Cohen.If you liked "Orgasmo" or "Island of Death" give "Interrabang" a look.7 disappearing bodies out of 10.

christopher-underwood Two clear warnings here that this is not going to be the most straightforward of movies. One, that 1969 crazy film release year and two, the title. More correctly 'interrobang', I believe was a punctuation mark invented in 1962 to combine the exclamation and question mark, in order to indicate a rhetorical question with simultaneous surprise. this never really caught on and has probably has maybe been replaced with WTF?! Anyway most appropriate for this film with three bikini clad lovelies stuck on a rocky isle with either a poet or an escaped convict, or maybe even both. the guy who was with the girls has gone to get a replacement part for the boat and the girls enjoy the new guy in his absence. All, of course, is not quite what it seems and by the end a number of swift surprises and revelations leave us reeling. Actually, not a lot of action here but pleasant enough with some great beachwear and mysterious going on.