Alicia I love this movie so much

Sexyloutak Absolutely the worst movie.

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

Lachlan Coulson This is a gorgeous movie made by a gorgeous spirit.

edwagreen Wonderful film with Neil Simon again showing that he is the master of writing.Dinah Manoff is just marvelous as the precocious 19 year old who goes to California to see the dad she hasn't seen in 16 years.The film is touching as it first shows that Matthau knows so little about his daughter (and son) but then as the film goes on, he shows all the attributes that a father shows.As Matthau's girlfriend, Ann-Margret is very good. The picture itself provides no screaming of usual Matthau antics. He is genuine here in every sense of the word.The film shows the strong bond that is formed and we're sorry when Libby takes the bus back to N.Y. At least, there is a commitment by the father to keep in touch. We also have to wonder what kind of woman he was married to that drove him away years before.

PWNYCNY What's a daughter to do when she wants to get in touch with her father who she hasn't seen in 16 years and lives 3,000 miles away? Answer: watch this movie and find out. It would be easy to rag this movie, to cite all its flaws, to point out its corniness, to dwell on Dinah Manoff's incredibly loud performance; to emphasize all the schlock, dreck, schmoozing and kvetching that identifies this movie as another example of 'ethnic" humor. Yes, one could easily rag this movie, but I won't do it. Not here, not in this website, not on the pc. Why? Let me tell you: I LIKED THIS MOVIE!!!!! Yes, I admit it. THIS WAS A GOOD MOVIE!!!!. So what if the acting was a bit strained! So what if the story was as stale as a corn beef sandwich that's been sitting in the refrigerator all night! This movie is a about a father and daughter who re-establish a relationship and that's something that cannot be ragged. No way. So what if the daughter talks with a certain ethnic inflection! So what if Walter Matthau reminded me of Oscar Homolka in "I Remember Momma." So what if this movie contains what has to be Ann-Margret's most forgettable role!! So what if this movie is like a pastrami sandwich with a lot of fat!!! So what if this movie's most inspiring character is a deceased grandmother!!!! I liked this movie and you will too if you just keep an open mind and remember: IT'S JUST A MOVIE!!!

moonspinner55 It must have been a casting no-brainer to put Dinah Manoff in the film-adaptation of Neil Simon's Broadway hit "I Ought To Be In Pictures" since she played the part of headstrong Libby on the stage. Unfortunately, a bombastic concoction such as Libby cannot be easily transferred to the more intimate medium of film, and the writing leaves both Manoff and the viewer at a complete loss. Neil Simon writes gag-dialogue, gag-characters, gag-situations, so when he tries to get serious--the audience doesn't know how to respond. Is this guy kidding again? Libby moves from Brooklyn to Los Angeles to reconnect with her estranged screenwriter father, ostensibly to break into movies but mostly because she needs a loving dad to hold her. These later scenes are so uncomfortable, so static, that poor Walter Matthau can only sit on the end of the bed and gape (I've never seen him at such a loss). Ann-Margret has a warm, grounded presence as Matthau's girlfriend (it's not much of a role, and the dialogue is still in Simon's one-note, but A-M manages to give this woman some soul). Manoff, looking and acting like a cross between Tatum O'Neal and Kristy McNichol, projects to the rafters, as if she were still on Broadway. She's Gussy Gumshun; and when the barriers come down and she's vulnerable, we would like to give her our sympathies, but Simon won't let us. He has already moved on, to the next limp gag. ** from ****

Cineman-32 This is a modest but affecting little film. Besides his gift for one-line zingers, Neil Simon has a way of giving his characters lines that are both surprising and believable. Dinah Manoff is perhaps a bit abrasively cooky at first, but she moderates the Brooklyn shtick after awhile and comes over as more complex and real. Walter Matthau as her bewildered but finally disarmed dad is consummately believable. Ann Margaret has little to do, but she does it with superb subtlety. Just watch how well she listens and understands