Steineded How sad is this?

Dotbankey A lot of fun.

InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

SeriousJest The film begins by focusing on hecklers, as the term is generally used: people who attend live performances, like a stand-up comedy show, and attempt to interrupt the performers and shift the attention to themselves. I think an overwhelming amount of the public will agree that those people are annoying and in the wrong. Nobody is there to see the heckler. If you don't enjoy the performance, don't clap, don't smile, or simply leave…but don't interrupt everyone else's experience. Live-performance hecklers are like the ugly girl who CBs her friends at a party because nobody's talking to her. I enjoy seeing good comedians rip those people apart…and here's a secret: the guy with the mic will usually win that battle.The brunt of this documentary, however, focuses on extending the term "heckler" to critics in general, including movie reviewers. To that end, Kennedy confronts people who have written scathing reviews about him, effectively demonstrating that they focus more on creatively bashing him than actually explaining why they don't like his projects or offering constructive criticism. He also points out that many of these individuals appear to be people whom you probably wouldn't want to have a conversation with, let alone take movie advice from them.Several of the performers interviewed make the point that most critics haven't ever produced a successful piece of performance art themselves. I respect that argument for the concept that reviewers should be sensitive to the fact that producing creative material is not easy. However, I would counter that I don't need to be a chef to tell you that something doesn't taste good to me. I may not have a "refined palate," but for people who like the kind of movies I like, like the way I think, or otherwise relate to me, my opinion may actually be useful, despite whether the Academy of Motion Picture Arts and Sciences agrees with me. I mean, who the hell makes up AMPAS anyway? Google it. It's pretty interesting.Kennedy and his diverse cast of performers also discuss how the internet has empowered a slew of people to take cheap shots at artists from the safety of anonymity. He compares the internet to a big bathroom wall, where anyone can just write whatever they want. I agree that it's much easier to rip someone mercilessly when you don't have to face them. On the other hand, as some of the cast acknowledged, a review that actually intelligently identifies what the critic sees as flaws in the performance can be a very valuable learning tool for the artist. Kennedy just ponders why you'd have to be a jerk about it.Personally, I like the fact that we no longer have to rely on a select group of "published" individuals to tell us what's good and what isn't. A site like Rotten Tomatoes is very useful because it aggregates the opinions of critics as a percentage of likes versus dislikes, and distinguishes them from the opinion of the site users at large. It's a good starting point for determining whether you want to spend your valuable time watching a particular movie…but if you trust the opinion of a particular person, because you relate to him or her in some way, or because they have a good track record of recommendations, that can be even more useful. We at Live from the ManCave (www.livemancave.com) hope to be those reviewers for you, and we're thankful that the internet allows us to bypass all of the obstacles to voicing our opinions that existed just a couple of decades ago.Moreover, the same medium that allows anybody to voice their opinion about art also allows any aspiring artist to bypass the old obstacles to publishing their art. For example, before the internet, talented artists had to court the attention of A&Rs to get people to listen to their material. A select group of people decided what music the public at large got to hear, and if one of them wasn't having a good day, your song might get tossed before the first beat of the first track reached a speaker. Nowadays, you can post your song directly to a social media site and let the people determine for themselves whether they like it. "Shares" and "Likes" are easy to count. A&Rs can't ignore someone with a million Twitter followers.The film also acknowledges that artists ultimately control how criticism affects them. The point is driven home that artists are people, and like any individuals who throw maximum effort and hope into their projects, their feelings are going to be hurt when that project is negatively reviewed. However, as many of the interviewed performers state, artists have to acknowledge the intelligent criticism, discard the useless insults, be strong enough to brush negativity off their shoulders, and keep doing what they love with maximum effort. It may not be easy to do, but it's what you have to do if you want to be successful. Once the critics sense a particular weakness or sensitivity, the sharks will come feasting for blood, and it won't get any easier, as Kanye West has discovered the hard way.Regardless of on what side of the foregoing controversy your opinion falls, this documentary does a good job of highlighting the issues in an entertaining way, and provoking thoughtful conversation on the subject. The film is well-edited, fast-paced, and generally interesting. While it definitely seems to be biased against the hecklers and critics, some of the interviews are not always a clear-cut win for Kennedy. The documentary appears to be kind of tongue-in-cheek, as Kennedy often acts sensitive and whiny when receiving criticism, but the film is also edited as to poke fun at him. In the end, you realize that he gets it. Don't be hatin'.

hedcraft These comedians want you to like them so much, you can almost tell they're on the verge of tears knowing that somebody thinks they suck. It starts out strong, with some great comics talking about how much they love verbally destroying hecklers, but quickly degrades into a string of second-rate comics talking about how much it sucks when people say mean things about them. They run out of actual footage after about a half hour, so the last half of the movie is Jaime Kennedy tracking down people who gave him a bad review and trying to make them feel bad by talking about how chicks totally want to screw him. It's entertaining in the same way it would be to watch a group of autistic children diving for quarters. You'll probably laugh, but you won't feel good about it after.

nathanschubach It's sort of weird to criticize a movie about criticism of the arts, such as this documentary, but the act of writing this review emphasizes our right to do so in a free society. My personal opinion about why criticism on the internet about movies and art became so popular is to either warn potential movie-goers or music fans about a particularly tasteless or unoriginal movie, actor, musician, or other artist…or to gain notoriety and fans of their reviews and taste, to be the one that others can turn to for the closest representation of their own feelings and taste.In this documentary, comedian and actor Jamie Kennedy explores how criticism of his onstage, comedic works have transcended into an internet frenzy of opinions and reviews without censorship or, at times, deeper thought. He goes directly to the source of internet-hate and loathing for his works, calling out bloggers face-to-face who are trying to gain their own reputation for scathing, no-nonsense reviews. He explores old clips of comedians handling hecklers in creative and not- so-creative (and sometimes racist) ways, as well as interviews with other public figures such as dancers, musicians, and even sports stars.I think Jamie did a great job by including such a broad stance on the arts and what criticism means to the artists involved. Ultimately, it's best to never Google yourself or remind yourself as an artist that even bad publicity is good publicity. As long as your name is out amongst other well-known names in any way, people will try and form an opinion about someone they keep hearing about, which means they will look you up on YouTube or somewhere else on the internet to find out what your art is really about.But it's a natural reaction to dislike and try to convey your feelings about things you consumed and were not happy with to others. Jamie can never change this. If I bought a pair of $300 sneakers and found out afterwards how bad they made my feet feel, I'm going to review them and warn others, "Hey, don't buy these shoes. Here is my opinion…" That's what EVERYONE should be doing: tell other human beings how your experience was and make your voice heard. Comedians should work on a tighter set if they're getting blasted by randoms in the crowd night after night, never giving them a chance.So in the end, I felt that this was more a movie about Jamie Kennedy's maturing process as an actor/comedian amongst other actor/comedians and how he deals with the inescapable criticisms he faces by choosing to act or perform a specific way. It happens to all of us in some way in our lives, but we learn to get over it, which I think he did by the end.

bean-d This documentary is a lot of fun, mainly because Kennedy spends a lot of time interviewing interesting people and funny comedians. Not surprisingly, the comedians often have the most incisive, trenchant observations--often cloaked behind vulgarities or inanities.Where the film goes awry is in its conflation of heckler with critic. As a teacher, I can understand the destructive nature of a heckler. There is no benefit in having a student make a smart alec comment while I'm trying to make a point. If the "heckler" truly wishes to help me, then he can come to me after class and offer a suggestion. I think the analogy holds with comedians--although my students aren't normally drunk! A critic, in contrast to a heckler, is not interrupting the show. He is assessing the show/performance/movie/music/etc. after the fact. Admittedly some critics can be jerks, but good criticism should work to make art better by defining the art and helping us to understand it deeper. (As a fan of Roger Ebert, I can attest that he does this for me.) Besides, many of us enjoy reading criticism almost as much as we enjoy the actual art. (In other words, any criticism Jamie Kennedy has against criticism can be turned against him: If you don't like my show, don't attend it. If you don't like my criticism, don't read it.) One thing I think Kennedy fails to understand is that average people don't see a distinction between stars and characters. Jim Carrey is a real person, yes, but I don't know him and never will. To me he is as much a distant character as Ace Ventura. If I make a snide remark about how Carrey's career is on the wane and he deserves an early retirement before he can do any more damage, I don't mean this personally because I don't know him personally! There are several good books about "para-relationships" that people have with stars. Kennedy seems to think that we should relate to him the same way we relate to our roommate or our next door neighbor.And that's my final problem: There is some hypocrisy here. Kennedy seems to be asking for sympathy for himself and his fellow comics: Hey, y'all, we're just people with feelings! But how many comics make a name ripping to shreds women, or Paris Hilton, or conservative Christians, or George W. Bush, or Bill Clinton? So it's okay to laugh these people to scorn, but please, oh please, be nice to me? As they say where I'm from: Don't play with the bull if you don't want the horns.