Huntress: Spirit of the Night

1995 "Primal Hunger..."
4| 1h26m| R| en
Details

Tara returns to her ancestral estate only to have her clothes explode off her body and a white light enter her chest. Afterwards she’s tormented by strange desires and dreams of running through the woods. Her cave-dwelling boyfriend is no help to her. Meanwhile, false friends plot to steal her inheritance and a determined hunter seeks to slay the new werewolf in town.

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Stometer Save your money for something good and enjoyable
Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
Tymon Sutton The acting is good, and the firecracker script has some excellent ideas.
Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
mligorio The story is essentially a mystery of both the occult and human nature. A serious minded young woman, Tara, returns to the exotic world of her early childhood and makes new acquaintances. Sexual encounters awaken her inner passions, and she soon exhibits a newly discovered physical prowess.Jenna Bodnar, as Tara, is fairly attractive. The few erotic scenes and moderate violence add needed excitement, but they are not done to excess. Suspense and intrigue are the main appeals of the film. The setting is dark and foreboding, and the main plot develops slowly.Tara inherits a wealthy estate from her distant estranged father. Inexplicably, just before his death he insisted that she stay away from the place. Tara's life is in danger and someone is trying to take advantage of her. Local folks repeatedly warn Tara, but they hesitate to tell her what they know. Even her new found mysterious lover, who seems to understand her true nature, offers little help. So, Tara is left practically all alone to ponder her mysterious circumstances. Naive, she is easily exploited, and she suffers a sinister fate.The movie's main disappointment is the fact that it ends with the story unfinished. Tara slowly transforms into something frightening, but we never get to see what she becomes. I don't know if there is any sequel, in which case I am not sure the movie is worth the effort.
Joseph P. Ulibas Huntress: Spirit of the Night (1991) is a movie that's full of poppycock. What is this woman any way? Is she supposed to be a werewolf, a succubus, Cat-person or some sort of freak with black eyes? I dunno but she hot and takes of her clothes a lot.If this movie had a theme to it or if they showed more of her "transformations" then it could have been something. But why did the filmmakers cut this movie down to an R-rating? Were they actually trying to market this sleaze to Blockbuster or Hollywood Video? Maybe some questions are better left unanswered, I guess. Not a bad movie to own if you can find it for under $5 bucks and if you like red-heads, if you know what I mean (wink-wink).I have to give it a C+. It's not bad or horrible, it's just bland, They should have went all the way with this movie. I hope they re-release it with the missing footage some day....Some day...
HumanoidOfFlesh This is another so-called horror flick,which is more soft-core sex than actually horror.Apart from some nicely filmed sex scenes and atmospheric sets there's nothing worth any recommendation here:no suspense,no gore&violence.The lead actress Jenna Bodnar is pretty hot(especially during the masturbation scene)and the sex scenes are suitably titillating.Watch it,if you have got nothing better to do.
Clint Walker A young woman returns to her childhood home in Europe (somewhere in England, I think) to inherit her deceased father's mansion. She discovers a strange family curse that that leads her to the usual "sexual awakening" stuff.First of all, Jenna Bodnar (who looks vaguely similar to Tawny Kitean) looks great in the film, with lovely curly red hair and high cheekbones. She gets some great sex scenes, most notably a half-a**ed threesome on a wooden bench, and a nice scene where she slithers and undulates in a dark cave for her prospective photographer boyfriend.Sex aside though, this almost works as an actual film. Bodnar is a good enough actress to make me care (slightly) about her situation. The sets are nice, and the supporting cast helps. Only drawback: an ending so abrupt and inconclusive, I thought the director ran out of film. Maybe director Mark Manos meant for it to be metaphysical or something.