Crossworlds

1997 "Imagine a place where all dimensions of the universe collide..."
5.2| 1h30m| PG-13| en
Details

College good guy Joe is drawn into a battle to save the world from arch-enemy Ferris. Joe's heirloom pendant just happens to be the key to the staff that opens doors to the Crossworlds. When Laura shows up to check on the key and Ferris' goons begin their assaults, they run to semi-retired adventurer A.T. for help and guidance.

Director

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Trimark Pictures

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Reviews

Solemplex To me, this movie is perfection.
Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.
Ginger Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
Isbel A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
Leofwine_draca Yet another indistinguishable sci-fi thriller from the reliable Rutger Hauer, who once again is the best thing in this film which substitutes oodles of action in place of a real script. This is a shame, because the film's plot is quite an interesting and original one, and they just don't make enough films about alternate realities these days. CROSSWORLDS comes off as an empty, wasted opportunity which could have been like THE MATRIX: an intelligent, science fiction thriller with great action, but instead turns out to be another forgettable B-movie with nothing much to distinguish it from many others.The cast is probably a big problem in this film; the majority of them are hopeless. Rutger Hauer once again finds himself typecast as an ageing mentor-type bloke who acts as the film's indestructible hero; opposing him is the British villain Stuart Wilson whose ham just doesn't cut it. Josh Charles (a young, untalented Ted Raimi lookalike) acts as the film's audience, finding himself caught up in the unexplained events; his dim-witted, moaning character soon becomes grating, which is a shame because he dominates every scene. If Charles had been a little bit more heroic instead of acting like an idiot all the time, this film might have been easier to bear.Don't get me started on Andrea Roth's performance of the female lead, either; she's just been put there for the purpose of "eye-candy" and is pretty hopeless. Also appearing is a dwarf sidekick who disintegrates in one of the film's more impressive special effects scenes, while modern cinema goers might get a kick from seeing a pre-fame Jack Black before he went on to bigger (although not necessarily better) things.The script gives our lead characters ample room for situation comedy, which soon becomes boring. It also centres heavily around action and has only a few major plot points to string along. Many things that happen are left unexplained and are confusing. This film's action is also below-average; endless scenes of suited men running around with Uzis are silly in the extreme and make a mockery of the whole film. Also, due to the PG-13 rating in America, there aren't even any on screen deaths or violence to speak of, only of the bizarre computer-generated variety.Which leads me to the special effects, which are as cheap and cheerful as you might expect. Some of them appear to have been stolen from the television series SLIDERS. None of them convince for an instant, as they just look like they've been drawn up on a computer, and they're pretty nondescript too; pretty rings appear on screen, people vanish and appear, and only one scene stands out as impressive: two characters falling from a roof turn into "pixels" about halfway down, which then tinkle down onto the pavement. The one impressive action scene, at the very end, when our hero battles the chief villain across a variety of locations, has also been ripped off from SHOCKER. In all, while CROSSWORLDS isn't the worst film ever made, I for one would certainly give it a miss.
Alex Gifford As a fan of low budget sci-fi (especially Rutger Hauer movies) I have to admit to being biased towards this before I'd even seen it. But, not only did it live up to expectations, it far surpassed them. This is a slick, well directed and acted and fairly intelligent entry into the 'alternate dimension' genre.It's fast paced and the gorgeous Andrea Roth certainly adds to the enjoyment factor. Rutger Hauer is his usual sardonic self, always great value. Josh Charles is excellent in what I think is the best film of his career!! OK, so the budget is low, but the makers have done wonders with what they had to work with and it looks like a much more expensive movie - the cinematography is fantastic and gives the whole movie a lovely 'gloss' look. There is lots of humor, an excellent villain and some very exciting actions scenes - what more could you want? A lot of people compare this to the Matrix, which I feel is unfair. The Matrix is (great fun, but) very overblown and pretentious, whilst this movie plumps solely for entertaining. Some of the themes are the same, but the similarities end there. I'd go for Crossworlds any day!!
Jonathan Horner Crossworlds caught my eye when I saw that good old, Bladerunning Rutger Hauer starring in it. So I sat down ready to watch the movie thinking that I was in for another poorly directed B-movie, I was wrong. Crossworlds for a low budget movie is pretty good. Rutger Hauer and the rest of the cast deserve more credit from this movie, it should of been pretty popular.The story line is a little confusing but if you watch the movie twice over you should be able to get your head round it.overall quite good but a little confusing.7/10.
Michael A. Martinez Basically an extended episode of the Fox series "Sliders", Crossworlds offers about zero in the way of anything. The entire cast consists of nobodies, with the exception of Rutger Hauer, who quite simply looks terrible and depressed. Little in the way of anything new; a few standard-fare CGI effects, a lot of "Brazil" or "Time Bandits"-esque scene changes, and some of the most poorly done action sequences yet. The film never clearly states what the heck is going on. We're left just as confused as the whiny protagonist. A drawn-out 90 minute time killer, all too typical of low-budget 90's sci-fi.

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