Hungerford

2014 "No matter what happens... we film everything."
3.8| 1h19m| en
Details

The lives of a group of teenagers are turned upside down when their town is taken over by sinister forces.

Director

Producted By

Wildseed Studios

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Reviews

Lovesusti The Worst Film Ever
SunnyHello Nice effects though.
Verity Robins Great movie. Not sure what people expected but I found it highly entertaining.
Isbel A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
midnightmosesuk Can I just say that I fully understand that this was probably filmed on a micro-plastic and I applaud the efforts of the team to get a finished project on to the screen. Also you can't help but admire the passion and commitment shown by these youngsters, they achieved something that is very hard to do.That being said this is not a good film. Sorry but I have to be honest. The dialogue is badly written, the acting is sub-par and the plot is full of holes and terrible, unbelievably stupid decisions, for example the car. Plot spoilers coming.Phil sneaks off to get the car in order to redeem herself after putting everyone's lives in danger. In doing this she causes her friends to go looking for her, putting everyone's lives in danger. Dumb idea. Both Phil and Cowen planned to go alone to get the car, early in the morning. Wouldn't it make more sense for EVERYONE to go for the car, providing some safety in numbers and, when they reach the car, they can just drive off without needing to go back to the flat? But, my biggest issue with this scene was that Hungerford wasn't full of abandoned cars. Are you saying that not a single one could be stolen? That, in the emergency, they couldn't just take a walk and find a house with a car in the drive, break into the house to find the keys and just steal the car? They were literally walking past parked cars and vans on the way to find the car at the council offices.That's just one example, there are others. So, can I recommend this film? As a film, not really. But as an example of what some young adults can do with some determination and a camera, yes I can.
Andariel Halo I skipped over this title after seeing the inexplicable tag "Teen Screams", then went on to watch "The Darkest Dawn", which I only realized afterwards was actually a sequel to this film. So I went back to watch this film. As such, my experience with this film is colored by having seen the sequel first. Despite this, the two turn out to be entirely different types of movies, which leads to a severe disconnection between the two films. While "The Darkest Dawn" focuses on being an alien invasion type movie all throughout, in this the alien invasion angle is only revealed at the very end, although the "bug" infesters are present from virtually the beginning. As such, the emphasis is entirely on the infested people, causing them to behave like zombies, basically, only with the intention of capturing people wherever possible. Meanwhile, the "zombie" people are an extremely minimal part of "The Darkest Dawn" as almost all the real threats come from other humans struggling to survive. The zombie people are almost never present in "The Darkest Dawn", whereas in this film, they are practically swarming in many areas. The backstory I got in "The Darkest Dawn" in terms of Cowen and the group losing Philippa and having encountered the soldier commander guy, was extremely minimal and thus was good for letting one's imagination run wild. With those events filled in by this film (which came first), it only causes even more massive plot holes in the sequel. Namely, we don't know how or why the soldier commander guy got separated from Cowen's group, or how Philippa just happened to end up reuniting with the soldier commander guy. Another utterly massive plothole thrown by the film involves fighting the zombies. In "The Darkest Dawn", the only way to stop them, it seems, is a brief blood transfusion from someone with type O negative blood in order to prevent the alien bug from taking control. This also means the infested person needs multiple transfusions to continuously put down the alien bug. Meanwhile here in "Hungerford", all it takes is a quick spray to the face with an aerosol deodorant, and not only is the zombie person incapacitated, but the alien bug actually leaves their body and tries to escape. How they somehow forgot this fact between the two films is one that I feel could ruin the sequel for people who view "Hungerford" first. Since I saw the sequel first, this ruined "Hungerford" for me. Beyond the links to its sequel, this film was just boring throughout. Nothing particularly new or interesting was done with its zombies or infestation methods. Events are painfully predictable, and none of the characters are strong or charismatic enough to carry the film. "The Darkest Dawn" made the wise decision to continue the story of "Hungerford" while framing it from the point of view of a new and unrelated character who is much more interesting and charismatic. Unfortunately, this film as it stands on its own, is just bad.
mr-cook The basis of the film is of a student documenting his life for seven days for coursework. If however it had stuck with that premis and turned out that the student had hoaxed the whole situation for the footage it could have been slightly easier to swallow. Because that's exactly what it looks like. The opening 15/20 minutes is slow and uneventful as your dragged through the introductions of the sorts of characters you avoid at all costs. Not because they're mean or edgy in anyway but because they're just painfully unlikeable. Right up until the first death scene where a slightly disgruntled postman gets slotted with a bottle deodorant. The props look like they were stolen form a discount toy store, the special effects look like they've been added by a drunk six year old child using an etcha-sketch and the delivery of each line of script from all characters is about as engaging as the helium slowly seaping a funfair balloon. The last "we will fight" statement at the very end is just cringe worthy. It's not often you watch an invasion film that makes you actually root for the end of mankind. God awful. Just god awful.
matthewogden67 ...in which case, this rates as a full, pungent, and ripe Gorgonzola.And I love Gorgonzola.No, the acting isn't great, yes, the premise is tried, tested and thoroughly threadbare, and of course, the plot devices are all totally Scooby-Doo... "there's something up at the Old Factory"... Nevertheless, in this case Drew Casson has managed to make this potentially disastrous mix add up to quite a lot of goofy fun - and has done so quite possibly unintentionally. But only IF you look at it with your brain set to knowing-smirk-mode. It's all rather like the local Am-Dram society in Lower Fartington somewhere in the Home Counties decided at their annual meeting to make a dystopian apocalypse film this year, instead of their usual bedroom farce. I'm undecided as to whether Casson's setting of the whole as a personal video journal for a BTEC college project was a deliberate ruse, or merely a happy coincidence, because it feels exactly like that - a film college project, albeit a pretty good one, considering the budget.The special effects are adequate and fun, and demonstrate a good grasp of technique on a shoe-string.Whilst the acting is largely provided courtesy of the Forestry Commission, a couple of the leads do stand out against the dense woodland of the rest of the cast, particularly Georgia Bradley. Although, it has to be said that Casson's talent definitely lies firmly behind the lens, rather than in front of it. So no, it's not brilliant by any means (c'mon, you weren't really expecting that we're you?), but it IS fun, even funny at times, albeit perhaps unintentionally. If you like your cheese robust and smelly, this is perfect for you.Go on, dig in!