ChicRawIdol A brilliant film that helped define a genre

Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Roman Sampson One of the most extraordinary films you will see this year. Take that as you want.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

Rodrigo Amaro Here's a superb dramatic thriller with a very realistic focus on issues like racism, cultural and religious intolerance, and the raw side of being a policeman. In "Homicide" Joe Mantegna plays Bobby Gold, a detective over so many pressures, already on the run trying to find a cop killer (Ving Rhames) when he's called to take over a homicide case, the murder of a Jewish lady in what appears to be a robbery in her shop in a poor neighborhood. Since he was the first detective at the crime scene and the one who reported the incident, he's told by his bosses to forget about the other case and keep working on this one; besides these facts he's also Jewish but a non practicant one. As one of those strange twists of fate, the reluctant Bobby will confront himself in his own way of thinking about his religion which he always neglected for seeing himself as part of something weak; and he also enters in conflict with his self and his views of his work during the course of both investigations, which affects his whole way of seeing things how they really are. Writer and director David Mamet manages to skillfully pull the strings of so many backgrounds and worlds without downplaying situations or disappointing the viewers. Everything works in a perfect tense mood; the pieces are well connected and the ability of surprising the audience is incredibly well done but it only works if the viewers fully understand the movie's premise and the real message behind the case rather than only paying attention to the investigations and the action scenes. One of my favorite scenes is the one where Bobby meets a Rabbi who fears more of his badge than his gun, and he reveals what Bobby really is, in being born as Jew but who can't read words in Hebrew; the turning point for the detective to see what he really is. Mantegna comes with one of his best performances as the hard working detective who at the end of the film realizes how insignificant his instincts were, since he end up betrayed by himself for not seeing that the whole missing piece in this crime puzzle was already in front of him. Also here with a great performance is William H. Macy, playing Mantegna's tough partner. There's so much to be said about "Homicide" but it's better not or I'll spoil the amazing surprises this movie has. 10/10

Thorkell A Ottarsson I just saw Homicide for the first time and I was quite impressed. It is very much a Mamet film, film about men and their world, with a setting that fits a B film but a deeper message that reaches (and sometimes over reaches) for the stars. I often find my self thinking, why is this man, this talent picking this subject when he wants to make something profound and beautiful? But then you just can't take your eyes of the professionalism and you find your self being dragged into an ultra masculine world full of shallow and surprisingly deep meanings, side by side.Homicide is one of his deeper films but it is impossible to talk about why it is good without revealing the end of the film, so SPOILERS! There are not many films about a detective who does not solve the case, who starts running in the wrong direction and looses him self on the way. That alone is praiseworthy. What is even rarer is to find a film that manages to make that mean something, give that a deeper meaning. I believe the film is quite postmodern. We can't look for the truth without taking some of our self into that search. Sometimes it just colors our conclusions but at other times it takes us into the wrong direction. Here is a hero looking for a self identity and he mixes that up into the case and gets the wrong answers. The word he was looking for had nothing to do with the case. It was just pigeon seeds. No conspiracy, nothing. Just like everyone told him, someone desperate looking for money. The scary thing is that we all do this, every single day of the year. When we listen to the news, when we justify our actions, when we help our friends. We filter what we hear and see through what we know and hold dear. What comes out is never the whole truth and nothing but the truth. It might resemble the truth, if we are lucky! END OF SPOILERS!!!This film is not without faults. It feels like a stage play at times. You can feel that Mamet has not managed to lave the theatre behind even though the film is quite visual. The problem is the acting. It is not bad, it's just not film acting, if you get my drift.

merklekranz Strong performances by Joe Mantegna, William H. Macy, and others, somewhat offsets the hard to swallow script. Intelligent dialog permeates the film, and it does not lack action. What appears to be missing is an appropriate ending that ties up the many dangling plot threads. "Homicide" has a strong undercurrent of unanswered questions that will gnaw at the viewer following the rushed conclusion. Torn between two investigations, Mantegna's character is pivotal, and in the end his decisions seem neither logical or likely. Nevertheless, "Homicide" is far better than most police drama's and worth seeking out for the fine performances. - MERK

ghigau Good people become bad in a group. They lose their vision when it is subverted by the group vision. You see this in government. You see it in religion. You see it in this film. Gold knows what is right. He is offended by a black city official's anti-semitism. He is appalled by the Nazi atrocities against Jews. He wants to help, only to be betrayed by Jews who hold their cause above their humanity. Unto yourself be true.