Hell Up In Harlem

1973 "Black Godfather is back... and there's gonna be hell up in Harlem!"
5.9| 1h34m| R| en
Details

Tougher than Shaft and smoother than Superfly, this high-voltage sequel to Black Caesar explodes with enough action to incinerate New York City. Packed with machine-gun mayhem and riveting adventure, Hell Up in Harlem is nothing less than a modern-day tribute to the classic 30s gangster film. Fred Williamson is Tommy Gibbs, a fearless, bulletproof tough guy who blasts his way from the gutter to become the ultimate soul brother boss. Tommy steals a ledger with the name of every crooked cop and man in the city. Enlisting the aid of his father and an army of Harlem hoods, Gibbs goes from defense to offense, launching a deadly attack on his enemies that sets off a violent chain reaction from Harlem all the way to the Caribbean, climaxing in one of the hottest turf-war shoot-outs in Hollywood history.

Director

Producted By

American International Pictures

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Reviews

Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
ReaderKenka Let's be realistic.
Lumsdal Good , But It Is Overrated By Some
ShangLuda Admirable film.
JasparLamarCrabb A lousy action film starring Fred Williamson. He's back as the "Black Godfather." This time he's trying to outwit a crooked DA and mend the broken relationship with his father (Julius Harris). It's pretty dull and, as directed by Larry Cohen, very badly put together. The editing is atrocious and Cohen's script is alternately tough and sappy. The title is also somewhat misleading since very little action even takes place in Harlem. Williamson has presence but not much acting talent. Classy Harris saves the film from being a total debacle. D'Urville Martin is fine as one of Williamson's cronies turned priest and Margaret Avery is "Sister Jennifer," who for some reason appears to be in a walking coma.
MartinHafer The beginning of this sequel to BLACK CAESAR reminds me a lot of the old movie serials. At the beginning of each serial episode, they show part of the previous episode and in some cases they actually changed what happened in the previous episode! I remember seeing SPY SMASHER a long time ago and in several scenes he appeared to die--yet when they showed the following episode he actually didn't die after all! Kids loved these films so most didn't question these inconsistencies. Well, the same thing happened following BLACK CAESAR. Fred Williamson's character (Tommy Gibbs) is left dying and beaten by teens at the end of the film. Now in HELL UP IN HARLEM you see many of the same scenes from the end of BLACK CAESAR--but this time there is no dying scene where the man is pummeled by teens and he is not all alone. Instead, Gibbs' father shows up to save him along with a posse of friends--even though this clearly is NOT how the previous film ended and the father (Julius Harris) is a very different character than he was in the previous film. These sort of inconsistencies about in the movie and I guess the character was too good and American-International Pictures decided to bring him back regardless of whether or not it made much sense. In this film, Tommy is a bit different than the last film. In BLACK CAESAR, Tommy was 100% unlikable and bad--a truly despicable guy. However, here in HELL he's more like a crusader as he fights corrupt government officials and mobsters. While some of this action is pretty good, the latter portion of the film is pretty silly even by Blaxploitation movie standards. That's because Tommy returns from an inexplicable retirement in LA and takes on the entire mob all by himself!! And, in many instances, he kills baddies in front of huge crowds and yet he always is able to escape unharmed!! In the final scene, the leader of the mob catches him at point blank range--yet the gun somehow miraculously jams! These scenes just don't look thought out and seem a bit sloppy--though exciting on a very basic level. In many ways, this sequel and the ridiculous way the guy takes on the mob single-handedly reminds me of SHAFT'S BIG SCORE--another sub-par sequel to an excellent Blaxploitation film. Overall, this is an okay film--neither as original or clever as the original and a film that seems like it's mostly action and very little plot--it's simply mindless brain candy.By the way, at one point the film cuts to a scene on an island and the caption reads "an island off the Florida Keys". Well, I've been to the Keys and they are some of the flattest islands on the planet. Yet, oddly, this island is very, very hilly and there isn't a palm tree in sight!!
sol (There are spoilers) Rushed sequel to "Black Caesar" that was released the same year that it's predecessor premiered in 1973. "Hell up in Harlem" takes up where "Black Caesar" ended with Black Godfather Tommy Gibbs,Fred Williamson, staggering through the streets of New York with a bullet in his gut courtesy of the NYPD and corrupt New York City District Attorney DiAngelo, Gerald Gordon. Saved by his dad Big Papa Gibbs, Julius Harris, and a group of local homeboys Tommy, no longer limping like he did in "Black Caesar", is nursed back to health and before you can say Jackie Robinson is back in action to take out those, gangsters and law men, who tried to do him in. Extremely violent and far more rousing then "Black Caesar" the film "Hell up in Harlem" has a WWII-like commando sequence with Tommy and friends storming ashore a Mafia held island, like US Marines or Navy Seals. After taking out what looked like an entire battalion of Mafia soldiers Tommies commandos force the remaining head Mafioso's to eat a full plate of "Soul Food" and make a peace settlement with Tommy's gang. There's also a graphically sick and nauseating lynching scene in the movie and what has to be the longest chase sequence in motion picture history; 3,000 miles from NYC to L.A.Tommy back in the saddle again as Harlem mob kingpin expands his gangster empire to Philidelphia Detroit and L.A. What turns out to be the biggest threat to his power is, like in almost all Godfather-like films, are those close to him. Having the goods on DiAngelo and the corrupt politicians and big wigs in NYC, with the secret ledgers that he stole in "Black Caesar", the local power brokers in and out of the city's government don't prosecute or kill Tommy. Instead try to get to him through his top enforcer Zack, Tony King. Zack murders Tommy's ex Helen, Gloria Hendry, and makes it look like it was sanctioned by his dad Big Papa Gibbs. Tommy in a fit of fury quits as mob boss and throws the organization that he founded into the hands of Big Papa who ends up doing a better job running it then Tommy did. Going legit and moving to L.A Tommy later gets the bad news that his dad was killed by Zack, who took over the Gibbs Harlem rackets. In a fit of rage Tommy goes back home to NYC to get even but it's not only Zack that he has to deal with but D.A DiAngelo and the entire NYPD as well.Too vicious and violent even for a gangster film "Hell up in Harlem" has really no one in it to cheer on or feel sympathy for with the exception of Helen and Tommy's wife the Bible reading and church going Sister Jennifer, Mrgaret Avery, and Tommy and Helen's young son Jason. "Hell up in Harlem" starts off with the last ten minutes or so of the movie "Black Caesar" which makes you think, if you already saw "Black Caesar", that you've already seen it before and turn the film off. Were told at the end of the movie that Tommy disappeared, together with his young son, and was never seen or heard from again but he did re-appear, of sorts, as Willie a Tommy Gibbs-type mobster a year later in the movie "Crazy Joe".
goregoregore No, this is not one of the greatest blaxploitation movie ever made; and yes, it has its flaws. But man, is this one a fun ride or what? It's an hour and a half of pure action with one of the greatest action hero of all time. It's ass kicking after ass kicking, as Tommy Gibbs takes revenge on everybody that have ever been dumb enough to mess with him. The fight scenes are great, inventive and plentiful. The cinematography is quite decent too and the story fun enough to keep you interested in it. Larry Cohen once more delivers the goods in this one. It's actually much better then most action stink fest that Hollywood produce this days. So sit tight and enjoy the roller coaster ride while it last. Go Fred Williamson!