Head Case

2007 "Pain is what I want..."
4| 1h44m| NR| en
Details

A pseudo-documentary edited from the home movies of serial killers Wayne & Andrea Montgomery, presenting a look into their quiet, suburban lives...as well as the graphic & disturbing details of their horrific crimes.

Director

Producted By

B.P.A. Productions

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Trailers & Clips

Also starring Dave Wascavage

Reviews

Stevecorp Don't listen to the negative reviews
KnotStronger This is a must-see and one of the best documentaries - and films - of this year.
Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
Ava-Grace Willis Story: It's very simple but honestly that is fine.
butterflize01 This was one chilling experience. I'm not a great fan of blood and gore, and this had it, but I can honestly say for once that the blood did not freak me out(Well...no more then usual). It was the seemingly "normal" side to the main characters. These people could be anyone's neighbor! They act as if nothing is wrong. As if their "activities" are normal. Almost an inconvenience at times. I watch them and can't help wondering...can people really be that purely evil? Sadly, I know the answer to that. The actors were very convincing in the roles of psychopaths. They were perfect for those parts. I repeat...one very chilling experience. Great Job!
AhavatHaEmet With a few exceptions, most horror films are scary but there's a certain unreality to them. You watch them and jump when you're meant to jump and you scream when you're meant to scream, but at the same time you're thinking that this could never happen to you.Head Case is different. The way it's filmed as to be edited from home movies certainly helps to make it seem realistic, but even more so it's the way the characters act and interact. So many of the exchanges between the husband and wife are just so ... ordinary. Their bickering tends to be rather boring, something you've heard a thousand times from listening to your dull neighbors. At times I began to tune them out. However, when they're planning or carrying out their horrific murders, they're just as casual about it! The way they can nonchalantly describe to each other the way a woman is chewing up ground glass or how it's so difficult to saw through a spine, as though they're doing nothing more than talking about the weather, is what makes this film so absolutely chilling.This film being so realistic, it has to be one of the most horrifying I have ever seen. I will never again accept a car ride or a glass of ginger ale.
act_of_bob Head Case is a dark and chilling film, but if you solely take it in the context of a gratuitous horror film, then you are clearly going to overlook the main impetus Spadaccini is striving for. Although the acts of murder and vile mutilation are a major and indeed gruesome part of the plot, there is a more wholesome and intriguing aspect to the film which often neutralises its more shocking elements.The discourse between Wayne and Andrea is perhaps the strongest element of Head Case, and as much as it can be witty and incisive it can equally be cold and chilling. There are some wonderfully humorous exchanges between husband and wife and initially infers Andrea holds equal footing with her husband. But the more we observe their day-to-day activities we soon realise Andrea is nothing more than an interested spectator, and without the camera we could imagine her to be nothing more than a disinterested housewife. Spadaccini does capture this emotional dichotomy of the couple beautifully, such as when Wayne and Andrea are having a minor domestic argument in the bedroom, and Wayne considers the only way to soothe his wife's rising anger is to take her on a drive to find another hapless victim that will sooth his own.But when deconstructing their behaviour it seems fairly obvious this is not a gruesome tale of two serial killers, but a tragic tale of a married couple seeking to invigorate their sterile marriage. Both characters display an overt sense of emotional detachment that comes forcefully through when dealing with their victims. While Wayne dissects one such victim and discovers her to be pregnant, Andrea cannot find any maternal sympathy other than briefly pass the camera over the bloody carcass of the foetus. Ironically, this is the brutal turning point of the film when Monica enters the room to make the horrific discovery, and Wayne enacts punishment in the only way he knows best. From this moment it is clear who holds the real power in the relationship, because despite Andrea's pathetic pleas of "That's enough," Wayne can only see one way of preventing his dark secret from seeping out. I am sure Spadaccini will take criticism for this shocking moment, but does enforce who is in real control of the film, regardless of the critical character of Andrea: "Look at the mess you've made!"But these dichotomies often keep you interested in the film, much as the dichotomy of Crime & Punishment keeps you interested in the motivation of Raskalnikov, and whether he will seek redemption and salvation in a greater good. But if marriage and family have not saved Wayne, then it is doubtful his moments of familial good will outweigh his greater moments of sadistic evil. For a man who can lovingly take his son on a driving lesson but sadistically ignore the crying pleas of a soon-to-be butchered mother forcefully realises how far beyond redemption Wayne has gone, and the spiral of madness he is influential for leaves little possibility of a reconciliation by the close of the film. Indeed, when Wayne seeks to initiate Andrea into his sadistic world we know there is no hope for this couple, and the sooner this nightmare is destroyed the better it will be for all concerned. Naturally, Spadaccini has the last word on this matter.For an independent film Spadaccini has worked hard with many genres and movie styles; considering the constraints he must have been working under. He has done very well to provide a unique experience for the discerning horror fan, and I can appreciate why this film will not be to everyone's taste. But based on the characterisation, the humour and the plot, I do think Head Case has the capacity to become a cult favourite for many others. Following on with other comments, we are seeing here the development of a very talented writer and director, who seems to be able to inject something fresh and compelling into a very tired and overdone genre.
blackrockchick I had the honor of viewing Head Case at the Newark Film Festival this past summer and it scared the hell out of me. The film is not your conventional horror movie, but that is what makes it so scary. The film details the seemingly mundane suburban existence of Wayne and Andrea Montgomery and their two children. The appear to be the typical middle class family, but what lurks beneath the surface is a barely masked evil. Wayne and Andrea kill for fun.They are serial killers who target transients and hitch hikers. They film their daily lives and the killings the way that other families would a graduation or holiday. The most disturbing thing about Wayne and Andrea is that no one knows about their secret life. They go to church, work and raise their children for years without being detected.I found that to be the scariest thing about the film, that these depraved people could indeed live next door to me or share a cube at work. They could be part of the PTA or serve on the church board.As far as the production goes, I think that Anthony Spadaccini has grown leaps and bounds from his other films. The lighting, camera work and acting all support the home movie style that is the centerpiece of the movie. Think Blair Witch, without the witch.The standout feature in my opinion is the gore effects. Head Case has a particular special effect that seemed to be very realistic and unsettling. The use of gory is minimal, but it is effective. It is what you don't see that will make you cringe.The dialog in the film is very realistic and shows that people's lives are not always exciting. There are parts in this film that some would consider boring, but I find that it adds to the realism of the piece and really provides the home movie feel that I think the director was trying to convey.As far as standout characters go, I was supremely annoyed and amused by Andrea Montgomery. Her nagging and the tone of her voice reminded me of the typical over the top mom and added an eeriness to each death that she was a part of. Each time she called out "Waaayyynnne", it made me want to duck and run.Overall, I think that Head Case is another solid effort from the Fleet Street Films team and I hope to see these characters again.