Claysaba Excellent, Without a doubt!!

Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.

Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

Verity Robins Great movie. Not sure what people expected but I found it highly entertaining.

BA_Harrison Infantile psychotic twins Jacki and Julian (Judy Geeson and Martin Potter) arrive in London, immediately arranging an accident for their grouchy landlady so that they can have the run of the place. The siblings then set about experiencing the swinging London party scene, where they meet louche rogue Clive (Alexis Kanner, sporting some impressive mutton-chops). After Clive is roughed up by a bookmaker to whom he owes £400, he tricks Julian into bed with a pair of transvestites, takes a few photos and proceeds to blackmail the young man. However, instead of getting cash for his troubles, Clive gets knifed in the neck instead.As a child of the '70s, I have an affinity with films from that era, especially those set in the UK, but Goodbye Gemini was a tough one to endure. It's horrible, hippy nonsense that features hedonistic characters hard to sympathise with, atrocious dialogue, and incomprehensible behaviour from all involved. An incestuous relationship between the inseparable twins is hinted at, which adds an edginess to proceedings, the music is groovy, and there are a couple of outrageously camp homosexuals who are mildly amusing (one wears a bright pink shirt and uses the word 'ducky' a lot—you don't get much more '70s than that!), but there really is very little else worthy of mention.

Alex da Silva The freak twins, Judy Geeson (Jacki) and Martin Potter (Julian) come to London to stay in a house in Chelsea and they immediately hit the party scene thanks to a meeting with Alexis Kanner (Clive) in a pub. Kanner is strange – he's a nasty conman who uses people but he's not as strange as the twins. Geeson and Potter are both child-like with Geeson laughing way too much at things that aren't funny and Potter being obsessively possessive about his sister. Worse, they love each other – and I mean actually love in an incestuous way that includes a physical relationship. So, it's uncomfortable viewing. The twins exact revenge on a couple of people. Are they untouchable? This film is way too weird and not particularly enjoyable. You watch because you don't know where it's going but once watched, I think you get rid. It reminded me a bit of "Beyond the valley of the Dolls" but set amongst a seedy London party scene. Both films are not good and dish out some horror as well as peculiar characters that are scary and hard to relate to. Scary in a sexuality scary kind of way. Michael Redgrave (James) pops up in this as a familiar face on TV whilst Mike Pratt (Rodd) is probably the best in the cast as a debt collector.As a Londoner, I recognized the locales – I spotted Cheyne Walk, Notting Hill Gate and Shepherds Bush Market and I know for a fact that there were hotels like that in Paddington in the 1980s. Dodgy ones. The central characters of the twins were just too weird.

nomoons11 I really didn't know what to expect when I got to watching this. After the end, I walked away with a sense of watching twins who were not far outta their element.What you'll get with this one is a fraternal twin brother and sister come to London. They're new in town and they have 2 real issues, they haven't grown-up and they're a tad too close to each other. They're in the early 20's and they cling to each other like white on rice and still like to play childhood games we all did when we were young. Problem is, they're right smack dab in the middle of swinging London in the late 1960's and there's a lot of strange characters lurking about. Of course not 1 is even close to the bizarreness these twins are but they are of the normal variety with "criminal" tendencies and they decide to try and pounce on what they think is an "easy" opportunity. Big mistake...these twins aren't that naive.For me to go into scenes and plot would be a big mistake. I will say to expect some cross dressing, rape and murder. Strange scenes to say the least. You almost get the feeling that this was a wanna-be art film.Most of the film you'll be trying to figure how these twins were raised...i.e...how they became the way they are. Of course we never do find out. Just expect a strange film about twins who are way to close to each other for their own good.

lazarillo This is a very decent movie directed by Alan Gibson, who would later become a second-rate Hammer director responsible for such dreck as "Dracula AD 1972" and "The Satanic Rites of Dracula". It features Judy Geeson, at the height of her loveliness, and Martin Potter, one of the pretty-boys from "Fellini's Satyricon", as a pair of seemingly innocent fraternal twins who come to London and are preyed upon by a crowd of jaded hedonists led by a guy named Clive (who sports flaming red mutton-chops and the strangest English accent I have ever heard).Most of the movie resembles a more serious version of Pete Walker's "Cool It, Carol", and probably a more historically accurate one too as far as the Swinging London Era of the 1960's is concerned. The movie then veers into psycho territory, however. The twins have an unusually symbiotic relationship and display some psychopathic tendencies, like playing a nasty prank that causes their landlady to fall down the stairs. In the most memorable scene they dress up in bedsheets with only their eyes showing and challenge Clive to tell them apart. The childish game shockingly winds up with an ornamental sword going through one person's neck and everything unravels from there. Some may find the sheer pathos and the unresolved ambiguity of the end a little frustrating, but it makes for a memorable movie is nothing else.I'd recommend this period because it is genuinely unique movie, but if you like films about Swinging London like "Blow Up" or "Cool It, Carol", or British psycho movies like "Peeping Tom" or "Twisted Nerve" this one should be especially enjoyable