Get Out Your Handkerchiefs

1978 "The Delicious Anarchy of Love and Devotion"
7| 1h48m| en
Details

Solange is depressed: she's stopped smiling, she eats little, she says less. She has fainting fits. Her husband Raoul seeks to save her by enlisting Stephane, a stranger, to be her lover. Although he listens to Mozart and has every Pocket Book arranged in alphabetical order, Stephane fails to cheer Solange. She knits. She does housework. Everyone, including their neighbor a vegetable vendor, agrees that she needs a child, yet she fails to get pregnant by either lover. The three take a job running a kids' summer camp where they meet Christian, the precocious 13-year-old son of the local factory manager. It is Christian who restores Solange to laughter

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Reviews

Cubussoli Very very predictable, including the post credit scene !!!
Bea Swanson This film is so real. It treats its characters with so much care and sensitivity.
Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
Josephina Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.
kenjha In this amusing French comedy, a man finds a lover for his depressed and sexually frustrated wife in an attempt to make her happy but even the lover can't satisfy her. She eventually finds happiness with a precocious 13-year old - only the French can make light of such a pairing! Depardieu as the generous and caring husband and Dewaere as the lover have good chemistry and provide most of the laughs. The two had previously teamed with Blier in "Going Places." Laure doesn't do much except sit around and knit (usually in the nude). This Oscar winner for Best Foreign Film isn't totally satisfying but is entertaining enough. The soundtrack features Mozart and Schubert.
caspian1978 I was 8 years old when I first saw this. Yes, my parents were asleep and we we're the first kids on my block to get cable. So yes, I tip toed downstairs in the middle of the night to watch this movie. I don't know what the adults though of this film, but all I knew, was this woman got naked in front of a child. Not only that, but sex followed! For being the only eight year-old in the room, I wasn't about to change the channel to watch cartoons. I guess you can say this was a coming of age drama if not a sad black comedy about sex, relationship, and finding sex and a relationship in the most unlikely places. All in all, I remember the movie (at such a young age) because of the subject matter. The overall story of the movie? Couldn't tell you. I wasn't listening to anything the actors were saying. I was just watching.
debblyst What might seem an already risqué love triangle between two misogynous men (Depardieu and Dewaere, repeating their successful teaming of "Les Valseuses") and a pathologically passive woman (Carole Laure) develops into a REALLY unconventional love quartet when a 13 year-old boy (Riton) is thrown into the story and wins the woman's sexual and emotional favors over the grown men, and nothing turns out quite the way one would expect.Good reasons to see this movie: A) cliché-free, offbeat satire with brilliant dialog and surprise turns everywhere (director/writer Blier's specialty is, of course, épater la bourgeoisie, e.g. "Les Valseuses", "Tenue de Soirée", "Trop Belle pour Toi"); B) young, fit, ugly-handsome Depardieu's rounded performance; C) a very different approach to love and sex in movies, unlike the usual everyday stuff; D) wonderful Michel Serrault.Favorite sequences: the opening scene at the restaurant, in which the offbeat dialog states at once this is not "another love story" (very honest of Blier to show his cards early on); the cheese war sequence; Serrault extracting all the information he wants from Riton's mother with one single question; Riton's young mates asking him about how it feels like to make love to a woman ("Are there hairs inside?", they ask). Minor letdowns: the so-so ending; Carole Laure's rather blunt approach to her apparently blunt but wonderful role (imagine Isabelle Huppert doing it!!); Riton's utter lack of appeal (he had a physique reminiscent of Benoît Ferreux, the boy in Louis Malle's "Le Soufflé au Coeur/Murmur of the Heart", but not an ounce of his charm). As a footnote, it's interesting to remember that this film won the Academy Award for Best Foreign Language Film, which tells a lot about how much more open-minded American movie industry people were in the 1970s. Giving an Oscar to a similar film today would be unthinkable in sexually neo-prudish Hollywood of the 2000s(an adult woman falling for a 13 year-old boy WHILE being the lover of two other men!). Recommended for viewers who enjoy unconventional story-telling and, well, unconventional sexual situations spiced with a subversive sense of humor.
Mr. Film "Get Out Your Handkerchiefs" is an excellent piece of storytelling and a refreshing film. It flows freely and is full of interesting and engaging twists, one of which is surprising but serves well in tying it all together.Gerard Depardieu and Patrick Dewaere play two gentlemen at the mercy of an oddly ailing woman, Solange. Doctors are no help, and the two men obviously mean little to her, but they keep at it and decide that what she needs is a child, which she cannot give birth to.Things happen and as the story unfolds, it brings the viewer in closer and examines happiness from an offbeat angle. If nothing else, "Get Out Your Handkerchiefs" is fun and engaging and should not be missed.