Beau Pere

1981
6.9| 2h3m| en
Details

Rémi is a man trapped in a deteriorating marriage. When his wife is unexpectedly killed in a car accident, Rémi is left with his stepdaughter, Marion, who chooses to stay with him rather than live with her birth father. After the initial shock passes, Rémi is caught off-guard when Marion begins expressing her attraction to him. Initially repulsed, Marion's mature beauty wears him down as he finally caves to her seductions.

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Also starring Ariel Besse

Reviews

Lightdeossk Captivating movie !
Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
theFoss The Patrick Dewaere character is so spineless, shallow and pathetic, that it hard to engage much sympathy for the awkwardness of his position.His wife, Martine, was clearly the dominant member of the original relationship, and Remy seemed no more than a parasite as far as contributing to support the family.Spoiler Warning! After Martine's death, it seemed clear that Remy lacked the strength of character to step up to the responsibilities thrust upon him to provide for and nurture the step-daughter in a positive manner.His allowing himself to be seduced by the step daughter was so predictable because he was portrayed as such a weak cipher of man. In every way, Ariel Besse's Marion is portrayed as both the stronger willed, and more mature character.Remy even gives up his career in a cowardly way when he latches on to a newer lover, who also is a superior talent as a pianist.The way his character, Remy, is portrayed, one feels relieved when Marion discards him...it would be impossible for her not to be able to be able to improve on the spineless clod. And one feels sorry for his "new" lover, to whom the coward isn't even able to inform that he is also a musician. So she invites the parasite into her life, much to this viewer's horror, and the cycle begins again, as a new step-daughter eavesdrops on the sound of her mother's "passion" for this unworthy man.
lambiepie-2 I just happen to own the VHS version of this film. Again, my introduction to foreign films came from the Los Angeles Based "Z" Channel (even with the hundreds of premium channels out there in 2005, I still miss Z for I haven't seen in on American TV since! Quite sad, actually) and Sikel and Ebert's review of this.The well-older guy falling in love with his 14 year old step-daughter theme began as a very disturbing theme to me before watching this. So...why did I view this film? As with 'Pandora' (yes, the Greek myth), I just had to know and the "Z" channel provided the choice. In watching, the film didn't go where I thought it would. It was funny. This film does take into account many sensibilities, and the unveiling of feelings that are quite into the "You can't help who you fall in love with" bit. Who's cruising on whom - is the ultimate question and it may not be as clear cut as you may think. Is it the young step daughter? Or is it the man trying to hold back what he had always done in the past? It's a question that'll keep running through your mind in this. That's what makes it adult-oriented, it's the subject matter, and trying to address the subject matter and not necessarily (potential) sexual encounters.This is an adult oriented themed foreign film somewhat playing on the 'Lolita' theme, but with more of a twist. Hits everything, makes you wonder and provides a story...maybe not one for everyone, but one that has many sides and allows you to be the judge of it.
harrytrue "Beau Pere" was banned in Ontario when it first came out (the ban has since been lifted).In Canada, the age of consent is 14 years for both men and women, and sex between a step-father and step-daughter is not considered incest. Remi would be in trouble for the fact that his step-daughter is only 15. He would be considered betraying a trust. A step-brother and step-sister can marry, so can two first cousins (now people of the same sex can marry), but not a step-parent and child. I really don't think Canada is worse off for this.If you want smut, you should look somewhere else. It really is not smut, and you're wasting your time for something which is not worth the search. The plot ideas suggest smut, but this is a movie where the sex gets between the plot. In smut, the plot gets between the sex.Children sometimes are sexually attracted to parents or step-parents, and parents to children, as in this movie. Marion is the one attracted to Remi. He really is not interested in her. It looks like he thinks he is doing her a favour when he yields to her and has sex with her. It does not seem like lust on his part. He seems to be loving towards her. It seems to be a twisted way to love (more on that later). Later, they jump into sex, but its' not just sex. It's the desire to be close which leads them to have sex. Its' not really lust for Marion, just a desire to be close to Remi. She wants someone to be close with her, including in the sexual way. She turns down the chance to have sex with boys her age.Marion seems none the worse for her sexual experiences. She breaks the relationship, and seems to be thinking that she should move on and moves in with her father, who she does not see in a sexual way. I think in reality, a parent or step-parent who has sex with a child, even if it's the childs' idea, risks opening a door which should remain closed. The physical pleasures of sex can be gotten from another source. The mental damage and the tearing up of boundaries probably is too high a price. Relationships like this belong in the movies.Interestingly, at the end, Remys' possible future step-daughter sees him and her mother making love. Is this a possible future relationship?
MarioB Blier is not my favorite French director. Too much irony and too much Godard-a-like in his films. But this one is very different. It's written with great intelligence and, like in most of the French Cinema, it had a wonderful sense of reality. The subject is touchy : a man falls in love with a young teenager (14 years old). But here, we have not the classic Lolita. The young girl looks realistic, and so is her feelings. Superb acting and a great musical score.