Reptileenbu Did you people see the same film I saw?

Numerootno A story that's too fascinating to pass by...

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Robert W. Anderson They don't always give Oscars to the right person. But in this case, they definitely got it right. Gary Sinese's portrayal of the extremely controversial man. He showed us the human side of this man who went through one of the most amazing transitions ever seen in public. We don't often get to see someone change to this degree. I followed this man's life as he lived it in the news. But unless you looked deeper you would have never gotten to see his transformation. He was much more than a one-dimensional racist. This is an excellent film that draws you in with tight writing. And amazing performances by everyone. But Sinese stood out. It's a shame this film didn't greater theatrical success. There're several lessons in this film. But one of the big ones was near the end when he went into the Dexter Ave. church. The people in that church. LISTENED. They didn't shout him down or interrupt in any way. We've gotten away from that in the 21st century. Even if we just "think" we don't agree with a speaker. We don't show basic decency like the people in that church did. I found it enlightening. See what you think. Give it a chance.

jjnxn-1 In many ways Wallace was a reprehensible man so a three hour film of his rather infamous life should be a struggle to get through, that its not is almost wholly because it has such a high quality cast. Clarence Williams III offers quiet support in the difficult role of Wallace's long time servant and the many familiar faces that are in support all are fine in their various roles. The real spotlight is on the three main characters and its here that the film really delivers.Mare Winningham is both strong and soft as Lurleen Wallace standing by her man who is devoted to her. Their relationship does much to humanize Wallace. Angelina Jolie, during the very brief period of her career spent in TV, is equally strong as Cornelia Wallace showing that she was more than the trophy wife she was sometimes painted. Even with all this excellent work the film would be nothing without a knockout lead actor and Gary Sinise is that. He is totally committed to the character whether showing his bigotry or his humanity, a splendid piece of work. Frankenheimer's direction is sure handed keeping the interest level high as he moves through a most complicated man's life.

Christopher Pike Sinise's portrayal of Wallace is astonishing, but I was most impressed by Mare Winningham's perfect performance as Lurleen. Like any Southerner, I'm more than accustomed to actors' ham-handed, mangled versions of Southern intonation and dialect, but Winningham was amazing. She BECAME Lurleen Wallace. At times you can be fooled into thinking that Winningham is lip-synching over an archival recording of Lurleen's speeches. Everything about her performance is superb.

Robert D. Ruplenas I had to order this movie online to see it, as it has disappeared from local video stores up here in the "progressive" Northeast. Since it was made only in 1997 and much older films are still readily accessible one wonders if perhaps the reason for its scarcity up here is its presentation of Wallace as something other than the standard, portrait of an ignorant, cardboard cutout racist, a conception which make the liberal New England chest swell with self-satisfied, holier-than-thou virtue. I remember seeing, years ago, video coverage on the evening news of Wallace's farewell speech as governor to the Alabama state house employees. As the cameras panned over the crowd - vastly minority - tears were streaming down as many black faces as white. I knew then that there was an untold story here. This, one of the brilliant John Frankenheimer's last productions, tells that story. The acting, pacing, dramatic line and production values are all first rate.One would have wished for a bit more time given to the apoplexy which Wallace's presidential drives in the 60's gave to the powers-that-be in both parties. We forget that Wallace's successes in the northeast as a candidate who articulated the disenfranchisement felt by the middle class, was a huge factor in the movement of the country away from LBJ liberalism and towards conservatism, culminating in the elections of Richard Nixon (himself no conservative, though he ran as one) and ultimately Ronald Reagan. An iconoclastic film which deserves all the awards it received. Just don't try to find in the video stores north of the Mason/Dixon line.